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With its periodic stabs of metallic guitars, Numb's 1987 self-titled debut album is strongly reminiscent of two other bands who share their hometown, Front Line Assembly and Skinny Puppy. ~ Steve Huey
Live Recording
Recording information: Limited Vision (08/1986-07/1987); Mushroom Studios (08/1986-07/1987); Numbworks (08/1986-07/1987).
Photographers: Gordon Martin; Anthony Valcic.
Numb: Don Gordon, Dave Hall, Sean St. Hubb.
Audio Remasterer: Craig Waddell.
Numb Review
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Purchase Numb CD To buy, Click on price to add to cart | Pain Station Cold CD (1999)
Numb
 $14.49 
Pain Station: Scott Sturgis (various instruments).
| | Project Pitchfork Io CD (1995)
Numb
$9.95
Project Pitchfork had not quite discovered their sound yet when they made Io, but the path to their discovery makes for equally interesting music. Starting things with the Skinny Puppy-esque title track, the band quickly moves into poppier directions, bringing to mind mid-80's Psychic TV with its melodic feel and sound. Although they do not get as adventurous as they would in the future, they may have had a stronger impression of what makes a good pop industrial song. But credit goes to Project Pitchfork for not relying on simplistic synth riffs to carry every song, it is a habit that sunk many of their contemporaries in the crowded 90's electro-industrial scene. This may not be as good as what they go on to make, but there are several excellent tracks to be found on Io and the band would be very important to the ...
| | Numb Blood Meridian CD (1997)
Numb
$10.35
Numb has provided industrial fans with many hard-edged tracks, but Blood Meridian sports a harsher electronic sound than anything they have done before. The sounds may be reminiscent of other hard electro acts, such as Front Line Assembly or Suicide Commando, but the sounds are noisier and the distortion has been increased to provide an energetic fusion of aggressive electronica and dynamic melody. It is this blend that sets Blood Meridian from other trademark harsh electro bands such as Wumpscut or later Leather Strip. Blood Meridian is relentless, but does not stagnate. "Blind" and "No Time" keep the dance beat moving over electro melodies that have claws, where the title track sets a contrast with distant feedbacks over a paced and measured tempo. For the most part, tracks are driven, to a point that makes Blood Meridian impossible for passive listening, a testament to its intensity. Listeners seeking smooth EBM should look ...
| | Project Pitchfork Alpha Omega CD (1998)
Numb
$10.35  
Project Pitchfork's Alpha Omega is strongly reminiscent of Front Line Assembly, aside from the fact ...
| | Numb Language Of Silence CD (1998)
Numb
$10.35 
After Numb released Blood Merdian, there appeared to be few directions this act could grow besides evolving into power electronics and noise. With Language of Silence, Numb have proved that sometimes the best way forward is not to push through, but instead to cut back. The main difference between the two releases is that Language of Silence is a much tighter, refined collection. Synth sounds have been sharpened without losing any of their viciousness, while melodies have matured, forming a new blend that allows the complexities to show through in a way they have not in previous Numb releases. Where Blood Meridian was largely aggression, Language of Silence proceeds with a more quietly sinister quality, obvious in the delicately tortured feel of tracks such as "Deviation." "No Remorse" shows that restraint and using fewer, fuller sounds can be a binding way to build and release tension. Suspense and its release is a theme for Language of Silence, as tracks flow well into each other, and elements take their time in building up to a paced crescendo of falling bass and broken dance beats (as they do in "Closer"). This effect is heightened by the build up by tracks that flirt with orchestral elements ("Illuminated Rounds," "Defiler"). On the whole, this release balances well between high energy, more reflective moments, and on rarer occasions, pure breakdown and noise. Each of the tracks on Language of Silence stand well on their own, but every track has its place in achieving a larger feeling. This places it in a slightly different category ...
| | Smooth Elements: Smooth Jazz Plays Earth, Wind & Fire CD (1997)
Numb
$14.35
Earth,Wind&Fire Covers By John Tesh,Tom Grant,David Benoit+++
Includes liner notes by Randall Grass and Maurice White.
Producers include: Mark Johnson, Tom Grant, Kim Pensyl.
Compilation producer: Danny Weiss.
Engineers include: Ken Rich, Paul Wickliffe.
Personnel: Tom Grant (vocals, piano, programming); David Pack, Mervyn Warren, Phil Perry, Phillip Ingram, Vesta (vocals); Russ Freeman (guitar, keyboards, percussion); Kevin Turner (guitar, electric bass); David T. Walker, Jay Graydon, Larry Coryell, Michael Landau, Peter White (guitar); Charles Everett, Charlie Bisharat (violin); Maria Newman (viola); Melissa "Missy" Hasin (cello); Rich Cook (Uilleann pipe); Tollak Ollestad (harmonica); Tim Heintz (accordion, keyboards); Mark Johnson (saxophone); Gerald Albright (alto saxophone); Stanley ...
| | Ian McNabb Waifs And Strays CD (2001) Import
Numb
$16.39
Compilation Of Rare,Prev.Unrel
Recording information: Blackwing Studios, South London (08/1993-??/2000); Parr St. Studio, Liverpool (08/1993-??/2000); Pete Thomas's ...
| | Smooth Soul Grooves CD (1999)
$8.09 | | Goldfrapp Black Cherry (2003) 4 versions; Enhanced CD
Numb
$7.89
A striking departure from Goldfrapp's well-received, cinematically atmospheric debut, FELT MOUNTAIN, 2003's BLACK CHERRY finds the British electronica duo cutting loose with a more energetic and dynamic set. The approach allows vocalist Alison Goldfrapp to indulge her inner Debbie Harry, while multi-instrumentalist Will Gregory playfully nods to 1980s synth-pop on saucy, percolating tunes such as "Crystalline Green" and "Train." Though many of BLACK CHERRY's tracks are geared toward the dance floor, particularly the glam-tinged "Strict Machine," the record still has relaxed moments, including the gorgeously swooning title track and the wonderfully dreamy "Deep Honey." Adding texture to the mix are top-notch auxiliary musicians, most notably Sparklehorse's Mark Linkous on synthesizer ...
| | Crossfire One More Try CD (2004) Import
Numb
$15.59
| | Aaron Thomas No Substitution CD (2004)
Numb
$17.05
Biographyof Aaron ThomasAaron Thomas, the only child of Dr. Grady & Dr.Jettie Thomas, pastors of New Azusa Ministries in Memphis, TN., can recall his love for music at a very early age. Piano training began for him at the age of 8 years old, and with the ability to play by ear and daily practice. Aaron, by the age of 10, was playing for his 5th grade class.His devotion matured him rapidly into a respected organist, so much so, that by the age of 11, he was the organist for his father's and uncle's church. Aaron's musical talent was not only enjoyed by the church community, but in junior high and high school, he rendered his talent to various school functions.At the age of 16 , Aaron found his musical gift "making room for him" in the arena of the music department of the Headquarters Jurisdiction of the Church of God in Christ in Tennessee, under the direction of the late Madam Mattie Wigley: between 1980 and 1983, he served as its minister of music.By the 1980's, Aaron's musical path lead him to join the Memphis Chapter of NARAS (National Academy of Recording Arts and Science); in 1986, he created his first group, Aaron Thomas & Unity; in 1987, he directed the Love Choir, which showcased on the Black & Gold Awards Show at the Orpheum Theater, conducted by Lou Rawls; between 1987-1992, he was a radio personality/music director of the #1 Black Contemporary Gospel radio station, KFTH 107.1 FM; he continued his radio involvement with 1340 WLOK; music director for 1030 WXSS; program director for WMPS 1380 AM; music director & production coordinator for WOOM 1380 AM.Aaron's musical talent placed him as an accompanist for several gospel artist including Daryl Coley, Yolanda Adams, Sara Jordan Powell, Donnie McClurkin, La Shun Pace, Shirley Caesar, and many others. He has recorded with gospel legends such as Myrna Summers ("We're Gonna Make It",1988 release); He also toured with Myrna Summers as M.D. from 1988-1989; Shirley Caesar ("I Remember Mama", released on Word Records); The late O'landa Draper and the Associates ("Do It Again", released on Word Records/ wrote song entitled "Just Because"); and Gerald Thompson & the Tennessee Full Gospel Baptist Mass Choir ("Let the Church Say Amen", released on Atlanta International Records). Aaron has done other industry-related ventures which included traveling across the country doing concerts , choir workshops, praise & worship workshops, the establishment of his own production company, which provides, musical soundtracks for soloist, professional recordings, play productions. He has also produced and released seven recordings under d/b/a Aaromas Productions. Aaron has traveled across the country promoting his latest releases as well as being Production Specialist, Clinician, and Gospel Artist for Hammond/Suzuki, USA (the Hammond Organ Co.) & General Music, which has caused him also to be apart of the National Baptist Conventions and Gospel Music Workshop of America. He is also minister of music at New Azusa Ministries ...
| | Furukawamiki Mirrors CD (Import)
$38.59 | | English Chamber Orch Baroque Oboe Concertos CDs (2007) (Import) Import
$25.09 | | Astronaut Suit Soul Of A Man EP CD (2008)
Numb
$6.69
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