| | Celtic Soul CD
Celtic Soul (Narada) is a ten-track compilation featuring lively jigs, reels, and waltzes from artists such as John Whelan, Pat Kilbride, Orion, and Kim Robertson. ~ MacKenzie Wilson
This is part of Narada's Emerald Isle series.
Arrangers: Denis Woods; Kirk Elliott; Marie Brennan; Orison; Pat Kilbride; Aoife Ní Fhearraigh; William Coulter. Celtic Soul Review
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Celtic harpist Kim Robertson expands the capabilities of this majestic and ancient instrument. On Tender Shepherd, she focuses on lullabies and airs, providing melodies for quiet times. You'll hear lyrical, heart-touching music played with delicacy, grace and skill in ...
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Additional personnel includes: Peter Gabriel (vocals, keyboards); Julie Murphy, Screaming Orphans, Pina Kollars, Robert Plant (vocals); Nawazish Ali Khan (violin); Mairead Ni Mhaonaigh, Ciaran Tourish (fiddle); Rosie Wetters (cello); Myrdhin (Celtic Harp); Nigel Eaton (hurdy-gurdy); Wired Strings (strings); Liam O'Flynn (Uilleann pipes); John Fortis (bass); Sunil Kaylan (tabla); Pete Lockett, Hossam Ramzy (percussion).
On its third outing, the multi-cultural sonic collective ...
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Full Tide was released on the other side of the pond in 2005, and probably the true core of Mary Black fans picked this up already. Better late than never, and as Curb Records virtually whispered this out, it's a wonder that listeners get to hear it at all, so they should be grateful. As an album, Full Tide most closely resembles Shine in its breadth and depth. Yeah, that is a good thing. It's not the shiny production as much as the material itself. Recorded in Ireland and Australia, the album contains some stellar, perhaps career-defining performances of a number of tunes: her readings of Bob Dylan's "Lay Down Your Weary Tune" and "To Make You Feel My Love" completely reinvent them. The former is an anthem as Celtic and full of old-world notions of travel and dislocation and community as one could imagine. The emotion in her voice is a warm fire for the battered soul to rest in. On the latter, Black offers a vulnerable and utterly sincere paean of amorous truth to the Beloved, whether or not the desired one has chosen the protagonist or another. Dylan's was a boast in some way; Black's is not a plea, but an understated declaration of desire and commitment that transcends time and space. As moving and convincing as these performances are, they are not the true gems in the body of this album. In fact, her version of Sandy Denny's "Full Moon," with a pianist, a bassist, and a string quartet, blows them away. Her voice, full and dark, yearns across time and space for the absent one. It's an elegy to a love, but also to love itself and friendship as well. This is key in that there are a total of four songs here by the late Noel Brazil -- Black's longtime collaborator and favorite songwriter -- who passed away in 2001.
The shimmering opener, "The Land of Love," is where Irish pop combines with traditional Celtic fare and country music of the modern variety (this would be right at home as a single on CMT or GAC if a video were released). The hook, the gentle rock of the guitars beginning on the second verse, a whining pedal steel, and Black's voice seeing into the wonder of this longed-for place that is finally visible all combine to become something breathtaking. Likewise, the soft brokenness in "The Real You" carries the visual into the realms of a yearning so deep that it will accept the beloved without reservation. On this jazzy pop tune, the piano and layered strummed acoustic guitars carry a skeleton for the singer to flesh out. The pedal steel paints flourishing details, and suddenly the desired one is present. One can hear Eddi Reader singing this song, but somehow Black's experience underscores the subtleties in the lyric. There is a bonus track on this set called "Japanese Deluxe," another Brazil number, and once more scenery, ...
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When it comes to world music, many Americans tend to think the music of a particular country all has a similar vibe, forgetting that different regions of the U.S. gave rise to very distinct genres. Brazilian born, Seattle based composer and keyboardist Jovino Santos Neto offers a tremendous education on the rousing and bright, densely percussive, accordion-laced and highly danceable music found in the Northeast part of his native land. His colorful liner notes qualify his interest as one rooted in the fact that he's a Rio-born grandson of "Nordestinos" and informs us that a generous grant allowed him and his wife Luzia to take an 800 mile journey to the heart of the region. Composing new songs and remaking older ones he had written that fit perfectly into the project's theme, the versatile musician (who, in addition to piano, plays melodica, fifes, and flute) creates a fascinating musical ...
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