| | Coon-Sanders Original Nighthawk Best Of Coon-Sanders 1924-1932 CD Coon-Sanders Original Nighthawk Discography of CDs
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Coon-Sanders Original Nighthawk Orchestra includes: Carleton Coon, Joe Sanders (leaders).
Now almost forgotten, the Coon-Sanders Original Nighthawk Orchestra was one of the most popular dance bands of its day. This collection, pieced together from rare 78s and nicely remastered, is a gem of light swing and Dixieland jazz. Featuring fine soloists and a rather silly nature, this music is pure fun, reminiscent of Roy Shield's Little Rascals scores. The liner notes offer some nice background on the band, and a bit of historical perspective as well. ~ Tim Sheridan
Full performer name: Coon-Sanders Original Nighthawk Orchestra. Best Of Coon-Sanders 1924-1932 Music Coon-Sanders Original Nighthawk Best Of Coon-Sanders 1924-1932 Songs | 1. | I'm Gonna Charleston Back to Charleston | |
| 2. | Here Comes My Ball and Chain | |
| 3. | Louder and Funnier | |
| 4. | Kansas City Kitty | |
| 5. | Roodles | |
| 6. | Flamin' Mamie | |
| 7. | Night Hawk Blues | |
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Best Of Coon-Sanders 1924-1932 Music Review Purchase Best Of Coon-Sanders 1924-1932 CD To buy, Click on price to add to cart | Diana Krall Christmas Songs CD (2005)
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This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
John "Wes" Montgomery taught himself to play at the age of nineteen and created a style as influential to jazz guitar as was Charlie Christian's to an earlier generation. Recorded in the early part of his solo career, THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY defined standards for hard bop guitar which are as cogent today as they were in 1960.
The album jumps out with the quartet hustling through Sonny Rollins' "Airegin," where Wes performs his often imitated licks with grace and agility. His extended phrases, thematic development, harmonic and melodic embellishment come together in a formidable technique with a heavy swing. An impressive use of octaves and chords coupled with the rejection of a guitar pick in favor of his own thumb allowed Wes' guitar to sing with warmth and with beauty. The lyrical rendition of "Polka Dots And Moonbeams" and his own "D-Natural Blues" are prime examples of the fullness of his lines. To this day, whenever a guitarist uses octaves he runs the risk of comparison to Wes, such was his mastery of this ...
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Latin jazz titans Eddie Palmieri (piano) and Cal Tjader (vibraphone) join forces on this thoroughly enjoyable session of south-of-the-border post-bop. Entitled EL SONIDO NUEVO, this 1966 release finds Tjader and Palmieri blending hot Latin styles (there are echoes of mambo, and foretastes of salsa) with the cool timbres and feel then popular in West Coast jazz. Despite relentless Latin grooves by the percussionists, and Palmieri's fiery playing--in which he incorporates guajira (a meter-shifting Cuban folk dance) and compasa (Cuban hill chants), among other styles--the proceedings have a smooth, almost lounge-like feel.
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