| | Behind The Scenes Homeless CD Behind The Scenes Discography of CDs
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Personnel: Sven Schumacher (guitar).
Audio Remixer: Shok.
Behind The Scenes: Melrow (vocals, programming); Sven Schumacher (guitar); Fred B. (bass, programming).
Producers: Adrian Le Monde, Behind The Scenes.
Behind The Scenes Homeless Songs | 1. | Changes |
| 2. | Human |
| 3. | Free |
| 4. | Protection |
| 5. | Plastic Love |
| 6. | More Than a Feeling |
| 7. | Home |
| 8. | Dark Agression |
| 9. | Temptation |
| 10. | Peak |
| 11. | Save Me |
| 12. | Protection - (Shok and LHM August Mix) |
| 13. | Human - (Single Version) |
| 14. | Home - (Crxshadows Mix) |
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Homeless Review
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Purchase Homeless CD To buy, Click on price to add to cart | Ohgr Welt CD (2001)
Homeless
 $9.99  
Lost in legal limbo since 1995 when it was originally recorded for Rick Rubin's American Recordings label, former Skinny Puppy frontman Nivek Ogre, in conjunction with producer/programmer Mark Walk, mix techno with modern rock, resulting in the group ohGr and this CD, Welt. A voice sounding like Pete Shelley of the Buzzcocks in some mad amalgam of Kraftwerk and Black Sabbath, Welt is abrasive, gruff, melodic, and dark. Opening with the trancey, dancey "Water," the industrial leanings of this duo are evident from the outset. On first listen the album blurs from one tune to the next, but after repeated spins, each song's identity becomes clearer. It is the nature of electronic music to confuse the senses -- Lou Reed's Metal Machine Music, released on CD by Buddah, is perhaps the best example of that, and though Welt is certainly more cohesive than Reed's wall of noise, this stuff can still pull you into a vacuum. Does the record work as a listening experience, or is it exclusively for dancefloors? That's the paradox of Welt. Borrowing a ...
| | Tapping The Vein Damage CD (2002)
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Blending the shimmering dream pop of bands like the Cranes with the harsh thrashing of Drain STH, Tapping the Vein is one of the bands who moves along without a specific genre or label. The band hinges on the gorgeous vocals of singer Heather Thompson, who fits perfectly with ...
| | Razed In Black Damaged CDs (2003)
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Although the band is beloved of goth kids and darkwave aficionados, Razed in Black has always been more complex than that; the group has been featured on electro-clash, neo-goth and disco/techno compilations, and its new album includes stylistic shout-outs to everyone from Depeche Mode (on the lovely "Come Back to Me") to, well, Metallica (the very crunchy "Am I 2 Blame?"). With the help of guest artists that include Spahn Ranch, Neptune (who contributes lyrics on "Misunderstood") and DJ MissGuided, Razed in Black explore house, industrial, hip hop, ...
| | KMFDM WW III CD (2003)
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The most frustrating thing about WWIII is that it's so darn inconsistent. Kicking off with the Atari Teenage Riot-sounding and George Bush Jr.-sampling title track, WWIII sounds like it's going to be an inspired affair. The Bush-led Iraqi war has given KMFDM plenty of fuel for their disdain toward America circa 2003, so listeners with differing views will find little to like about the lyrics. On the fierce "Jihad," the band paints the human race as "a dying species" that is "poor sick dumb numb feeding on feces." Lucia Cifarelli's vocal and songwriting contributions are excellent (the forgettable tracks don't feature her writing), and her near-pop "From Here on Out" ends up as the highlight of the album. The nihilism keeps up until the silly "Intro" roll-calls the band à la the B-52's' "Song for a Future Generation," and of course, closes the album. It's a cute little ditty, but it's almost dumb enough to wipe away any chance of taking the rest ...
| | Nightwish Century Child CD (2002)
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2003 album from the female fronted Finnish symphonic goth/metal super group. 10 tracks including, 'Bless The Child', 'End Of All Hope' & 'Dead To The World'. Century Media.
Possibly the biggest success story in the history of Finnish heavy metal, Nightwish celebrated their second chart-topping album in their homeland with 2002's Century Child, which eventually collected numerous awards and went double platinum (60,000 units in Finland) within a year of release. The group's fourth LP overall, Century Child wisely repeated its predecessors' winning characteristics: symphony-enhanced power metal laced with accessible pop sensibilities (mostly straightforward song structures and romantic lyrics), ...
| | Dark Tranquillity Character CD (2005)
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Having taken longer than most of Gothenburg, Sweden's death metal giants to reveal their greatness, Dark Tranquility have now arguably become that ever-popular subgenre's most enduring torch-bearers -- the living embodiment ...
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| | Frontier Index CD (2005)
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Although Frontier Index's press and promotion seem to play up the alt-country angle of their sound, the band's self-titled album is more country-influenced than it is country-rock. The record offers reasonably high-quality guitar rock, with songs emphasizing winsome vulnerability, though never in a sappy way. The vocals are well-suited to this kind of material, as they're youthfully engaging in a fashion that suggests they might have a hard time forcing themselves to be tough and nasty. Fortunately, they don't try their hands at the hard stuff, instead going for a generally more languorous roots rock feel. Comparisons to fellow Canadian Neil Young and Young-influenced artists are going to be inevitable on hearing "I Ain't Hurtin'," with its melancholy combination of harmonica with electric ...
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