| | Aaron Copland: Complete Works For Violin And Piano CD Terwilliger-Cooper CDS
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Our Price: $11.69  CDFor Sale Usually ships in 1-2 days
Our Price: $10.89
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| Category | Classical, Chamber Music/Recitals, 20th Century Period, Sonata, Suite, Dance - Classical, Prelude, Ballet, Waltz, Duet, Serenade, Nocturne |
Aaron Copland: Complete Works For Violin And Piano Music | List Price | $16.97 (You save $5.28) | | Label | Azica Records | | Orig Year | 3/14/2000 | | All Time Sales Rank |  69409  | | CD Universe Part number | 1267061 | | Discs | 1 | | Release Date | Mar 13, 1996 | | Recording Time | 59 minutes |
Aaron Copland: Complete Works For Violin And Piano Review
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Aaron Copland: Complete Works For Violin And Piano Songs 1. Prelude No.1, for violin & piano (3:03)  Windows Media  Real Audio | | Common Name | Prelude For Violin & Piano | | Composer | Aaron Copland (1900 - 1990) | | Genre | Prelude | | Date Written | 1919 | | 2. Prelude No.2, for violin & piano (4:34) Windows Media Real Audio | | Common Name | Prelude For Violin & Piano | | Composer | Aaron Copland (1900 - 1990) | | Genre | Prelude | | Date Written | 1921 | | 3. Billy the Kid, orchestral suite from the ballet: Waltz (3:23) Windows Media Real Audio | | Common Name | Billy The Kid Orchestral Suite From The Ballet | | Composer | Aaron Copland (1900 - 1990) | | Genre | Ballet / Suite | | Date Written | 1940 | | Country | United States of America | | 4. Billy the Kid, orchestral suite from the ballet: Celebration (2:22) Windows Media Real Audio | | Common Name | Celebration, Billy The Kid Orchestral Suite From The Ballet | | Composer | Aaron Copland (1900 - 1990) | | Genre | Ballet / Suite | | Date Written | 1940 | | Country | United States of America | | 5. Duo, for flute (or violin) & piano: Part 1,Flowing (13:13) Windows Media Real Audio | | Composer | Aaron Copland (1900 - 1990) | | Genre | Duet | | Date Written | 1971 | | Country | United States of America | | 6. Duo, for flute (or violin) & piano: Part 2, Poetic, Somewhat Mournful (10:30) Windows Media Real Audio | | Common Name | Pieces For Violin & Piano | | Composer | Aaron Copland (1900 - 1990) | | Genre | Suite | | Date Written | 1926 | | Country | United States of America | | 7. Duo, for flute (or violin) & piano: Part 3, Lively, With Bounce (18:07) Windows Media Real Audio | | Composer | Aaron Copland (1900 - 1990) | | Genre | Sonata | | Date Written | 1942-1943 | | Country | United States of America | | 8. Pieces (2), for violin & piano: No. 1, Nocturne (2:54) Windows Media Real Audio | | Common Name | Four Dance Episodes Rodeo, Rodeo Selections From The Ballet Including | | Composer | Aaron Copland (1900 - 1990) | | Genre | Ballet | | Date Written | 1942 | | Country | United States of America |
Aaron Copland: Complete Works For Violin And Piano Music Composers on Aaron Copland: Complete Works For Violin And Piano CD : Aaron Copland Genres on Aaron Copland: Complete Works For Violin And Piano CD : Ballet, Duet, Prelude, Sonata, Suite Purchase Aaron Copland: Complete Works For Violin And Piano To buy, Click on price to add to cart | Christmas Festival With Arthur Fiedler & The Boston Pops CD (1994)
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Original score by Marty Stewart, Kristin Wilkinson, Larry Paxton.
Sure, the movie was no Sling Blade, even if directed by the one and only Billy Bob Thornton. But let's face it, they took two hours outta the thing! All the griping aside, the score, composed and performed by country music renaissance man Marty Stuart -- and his collaborating band members Kristin Wilkinson and Larry Paxton -- is something else completely. Comprised of 23 tracks, Stuart's score does sound like soundtrack music, but no matter. He and his sextet have taken the drama of the film's text and created an aural theater of the American West. At the heart of each theme is a core of mandolin, viola, bass, guitar, accordion, piano, and percussion. Orchestrations ride ambiently in the background, highlighting tension and drama. In "Edge of the World," cornets play at the music's outermost edge, hinting at a red Sonoran sunset. In another place, guitars, both strummed and soloed upon, create an impressionistic picture of a campfire jam session. Elsewhere, "Strawberry Tango, Part ...
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With EDEN, Broadway diva Sarah Brightman ("Requiem," "Cats") stretches beyond the constraints of what's considered show music. Here, she sings an assortment of classical adaptations, rock, and sleek modern pop songs.
The entrancing opener, "In Paradisum" combines pre-recorded nature sounds, atmospheric textures, and echoes of Gregorian chant, setting the regal and eclectic mood. "Nella Fantasia" is an adaptation of a tune by movie soundtrack composer Ennio Morricone, with Italian lyrics by Ferrau, and here the exquisite longing in Brightman's voice transcends all language barriers. She transforms Kansas' philosophical hit "Dust in the Wind" into a theatrical ballad that transcends time or setting. The ...
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www.rogeriodentello.comRogério Dentello lived years abroad, exhibiting his works in Europe, where always had good receptivity. Now-a-days he lives in Germany. Born in Bragança Paulista (Brazil), he had formal music studies in São Paulo and studied popular music with some of the greatest Brazilian musicians, like Paulinho Nogueira, Ulisses Rocha and Heraldo do Monte.Furthermore, Dentello develops himself as a composer, and his artistic characteristics are revealed on his first and fourth records ("Luzes & Lendas" and "Águas"). Its arrangements combine the Brazilian roots of Dentello's art with his passion for classical music. As an independent producer, Dentello faced his own inexperience and achieved good critics from different audiences and other Brazilian guitarists.Among his artistic activities there are about 180 concerts in Europe beyond those taken place in his country. In Brazil, he performed his most important work in partnerships with other musicians: Pique Riverte (saxophone), Marcos Romera (piano), Eduardo Fleury (guitar) and Heloísa Meirelles (cello). Dentello developed good teaching methods, and applied them in lectures in Brazil, Germany and Italy.The Italian magazine Chitarre use the following words to describe Rogério Dentello's work: "for those who love the Latin-American guitar, and for those who look for a rapport between complexity and musicality, we recommend to listen to this young Brazilian guitarist and composer. Rogério Dentello, graduated in classic guitar in São Paulo and former pupil of some of the best Brazilian musicians, (...) shows a remarkable quality on composition, a mature ability to select repertory and of synthesis of different musical experiences, as well as a expert execution technique. His closeness with his instrument is that characteristic of several Brazilian guitarists that-even as professionals of outstanding technique - pursue tranquility, sound purity and expressiveness rather than the tension of virtuosity. (...) It is particularly noticing the ability of Dentello to create a spontaneous and pleasant music as well he shows a straight musical culture. (...) Good attributes, therefore, for a guitarist that we certainly will hear about."There can be no doubts that Águas (Waters) is the best work ever featured by Rogério Dentello. The musician is well-known through his compositions for groups, and the instrumentation of a wide range of pieces for solo guitar, in which he is an expertise. Águas, his new work, is formed wholly by compositions of his own. The 16 tracks of the CD were influenced by different musical genres, and Dentello made himself the recording, together with 22 musicians from four countries - France, Germany, Italy, and Brazil.In the first three tracks ("Estudo n. 1", "Valsas Brasileiras n. 3", and "Valsas Brasileiras n. 4" - Study n. 1, Brazilian Waltzes n. 3, and Brazilian Waltzes n. 4), the classical style is remarkable, with a duet of guitar and cello, ...
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