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The widely collected bootleg of early sessions is finally released officially. Apparently, the Stone Roses are appalled and didn't sanction this, which accounts for the lack of notes about these recordings. If various old sources are correct, the tracks are from demos they set down in 1985, probably with late producer/legend Martin Hannett, who produced their debut single. Thus, this is three or four years before they recut these looks at "I Wanna Be Adored" and "This Is the One" for their stunning debut LP. For these two tracks alone (and the three songs re-recorded for their first two singles), Garage Flower is history of the most illuminating kind! The songs are the same, but this would be around the time they changed their name from "English Rose" and gave up being a mod band. Thus, the playing (and recording) is harsh, primitive post-punk, closer to Killing Joke and their earliest days as the Clash-inspired "the Patrol" than anything else! The attitude and the songwriting are already well in place, and their louder attack has gallons of spunk. (Bassist Andy Couzens, co-writer of nine of these 14 songs, is also more punky than his replacement, Reni.) It's the eight unreleased songs that made so many fans clamor for the bootleg. Most are of the usual high caliber. "Heart on the Staves" is downright dynamite; John Squire points toward his later guitar genius with stabbing, ripped chords that slash the night, setting up one of Ian Brown's most acerbic vocal performances. "Getting Plenty" is almost as dramatic, "Trust a Fox" hammers toward the shouted, sneered "hello" chorus, and Reni goes wild on "Tradjic Roundabout." "All I Want," "Fall," "Just a Little Bit," and "Mission Impossible" also make this a "Savage Early Stone Roses LP." ~ Jack Rabid
Official release of their 1986 demo album (produced inMancheser by the legendary & late Martin Hannett), pluseight previously unreleased tracks: 'Getting Plenty', 'TrustA Fox', 'Tradjic Roundabout', 'All I Want', 'Heart On TheStaves', 'Fall', 'Just A Little Bit' & 'Mission Impossible'.14 tracks total. Both the cover & the full color picture CDfeature the original artwork intended for it by theirguitarist John Squire. 1996 Garage Flower Records/ VirginRecords release. Stone Roses Garage Flower Songs | 1. | Getting Plenty | |
| 2. | Here Is Comes | |
| 3. | Trust a Fox | |
| 4. | Tradjic Roundabout | |
| 5. | All I Want | |
| 6. | Heart on the Staves | |
| 7. | I Wanna Be Adored  | $0.99 | |
| 8. | This Is the One | $0.99 | |
| 9. | Fall | |
| 10. | So Young | |
| 11. | Tell Me | |
| 12. | Haddock | |
| 13. | Just a Little Bit | |
| 14. | Mission Impossible | |
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Garage Flower Review
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Purchase Garage Flower CD To buy, Click on price to add to cart | Stone Roses Turns Into Stone CD (1992)
Garage Flower
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TURNS INTO STONE is a collection of B-sides from UK singles, seven of them previously unreleased in North America.
THE STONE ROSES was one of those albums that defined a cultural moment-especially in the Roses' native England, where their music was the soundtrack ...
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All tracks have been digitally remastered using HDCD technology.
Released right after the career albums TONIGHT'S THE NIGHT and ZUMA and right before the big-selling COMES A TIME and RUST NEVER SLEEPS, this country-rocky 1977 album is often forgotten. But it introduced the sensational "Like A Hurricane," which has remained a staple of Young's concerts, and such quirky favorites as "Homegrown," an ode to marijuana, and "Old Country Waltz," which is exactly what it says it is. As Neil Young's legendary 1970s albums go, it might be a bit of a tossed-off affair, but most country-rockers can only dream of making one album this good.
2003 remastered reissue of 1977 album. This roots 'n' rock ...
| | Neil Young Reactor CD (1981) Remastered
Garage Flower
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All tracks have been digitally remastered using HDCD technology.
Released in 1981, REACTOR was a transitional album for Neil Young, most notably in that it marked a break in his longstanding relationship with Reprise Records. But before Young left for the supposedly greener fields of Geffen, he unleashed this amped-up outing with Crazy Horse in tow. "Opera Star," with its refrain of "ho-ho-ho-ho-ho-ho" and unusual synthesizer backing, sets a quirky tone that's furthered by "T-Bone," a nine-minute guitar workout with lyrics comprised only of the lines "Got mashed potatoes/Ain't got no T-bone." On other tracks, however, the iconic rocker leaves blatant eccentricities behind; "Southern Pacific" rolls along vintage Young rails, while the fierce "Shots," with its distorted, industrial sounds, closes the album on its most energetic and glorious moment.
Released in 1981, REACTOR was a transitional album for Neil Young, most notably in that it marked a break in his longstanding ...
| | Arch Enemy Anthems Of Rebellion CD (2003) Bonus CD
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Anthems of Rebellion continues in the same vein as Wages of Sin. Arch Enemy doesn't come up with the most original ideas or riffs, but the twin guitar attack of Christopher Amott and his brother, Michael, is appetizing, tuneful, and rocks out without getting bogged down too much in self-indulgent displays of virtuosity. Vocalist Angela Gossow sounds ...
| | From Autumn To Ashes Fiction We Live CD (2003)
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Long Island's From Autumn To Ashes (or FATA to their friends) achieved success with their brand of high-octane metalcore the old-fashioned way--with the assistance of a loyal fan base, the product of an exacting performing schedule that included a high-profile 2003 Warped Tour. Their second album, THE FICTION WE LIVE, builds on ...
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| | Aveo Battery CD (2004)
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With Battery, Aveo's sophomore record, the band still can come off like fellow overseas Smiths devotees Gene and Idlewild. This is especially the case on driving, bittersweet pop numbers like "Dust That Dreams of Brooms" (which actually sounds like Martin Rossiter fronting Idlewild) and the fey, shimmering "Awkward at the Knees." But where Aveo have ...
| | Cargo High-Tech, Vol. 3 CD (2005) Import
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This 15-track compilation of international music presents an inventive set of remixes by artists such as Groove ...
| | Radio Massacre International Emissaries CDs (2005)
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Pure, unabashed electronic music was first developed by the likes of Tangerine Dream and Klaus Schulze in the 1970s. The long, meandering compositions, mesmerizing drones, spacy sci-fi effects, and obsessive sequencer reps were occasionally appropriated in some of the more psychedelic strains of prog rock (Emerson, Lake & Palmer, King Crimson, etc.), and electronic music also evolved into ambient/new age when synthesizer musicians began emphasizing melodic content and abandoned the relentless rhythms and dark minor keys. Many elements of traditional electronic music can also be found in contemporary club techno. But classic electronic music is head music -- strictly instrumental, usually minor keyed, melodically minimalist, and not for dancing. Although obscured by other, newer forms, the genre has maintained a core audience, addressing as it does an almost hardwired human need for connection with the cosmos, and it can take a firm hold on anyone who is looking for a psychic journey or vigorous mind massage. Radio Massacre International, a British trio using many of the old analog instruments from electronic music's first generation (e.g., Mellotrons, Moogs, and Korg vocorders), have a dedicated following in the U.K. and on the Continent. Since 1994, they have released at least 14 CDs and CD-Rs on their own Northern Echo label. The band has assiduously guarded its musical independence, wanting to avoid the compromises required by large mainstream entertainment conglomerates that measure success in units sold, so it's a bit of a coup ...
| | Latin Vibes 2: Club Selection CDs (2005) Digipak
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| | Chip Ship Boyz Chip Shop Boyz CD (2007) (Import)
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99212 
Japan; 24 Bit Remastered
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