| | Christophe Aline CD - Import Christophe Discography of CDs
 (1 Customer Review)
Pop Romantic 70's Singer Who Had His Moment Of Glory With The Ballad 'Aline' And His Nylon/Platform Boots/TV Friendly Look.
ALINE features 22 tracks from famed 1970s singer Christophe. Christophe Aline Songs | 1. | Aline | $0.99 | |
| 2. | Je T'ai Retrouvee | |
| 3. | Excusez-Moi Monsieur le P | |
| 4. | Je Suis Parti | |
| 5. | Fille aux Yeux Bleus | |
| 6. | J'ai Eu Tort | |
| 7. | Les Marionnettes | $0.99 | |
| 8. | Je Vous Salue Madame | |
| 9. | Cette Vie-La | |
| 10. | Noel | |
| 11. | Je Ne T'Aime Plus | |
| 12. | Main dans la Main | |
| 13. | Petite Fille du 3eme | |
| 14. | Mere Tu es la Seule | |
| 15. | Fait Chaud Ce Soir | |
| 16. | Mes Passageres | |
| 17. | Les Jours Ou Rien Ne Va | |
| 18. | Oh! Mon Amour | |
| 19. | Good Bye Je Reviendrai | |
| 20. | Nue Comme la Mer | |
| 21. | Epouvantail | |
| 22. | Belle | |
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Purchase Aline CD To buy, Click on price to add to cart | Tab Benoit Standing On The Bank CD (1995)
Aline album
 $15.05  
| | Ron Hacker Back Door Man CD (2000)
Aline CD music
$13.89
| | Wes Jeans Hands On CD (2000)
Aline music CDs
$9.05 
| | Francoise Hardy Vogue Years CD (2001) (Import) Remastered; Germany
Aline songs
$12.65 
French chanteuse Francoise Hardy gets her yesars with the Vogue label covered in this extensive collection; includes 50 tracks and original artwork.
More so even than her countryman and fellow pop star Serge Gainsbourg did in the 1960s, Francoise Hardy synthesized mainstream pop and rock elements into her take on the French chanson tradition. Influenced by Phil Spector's girl-group sound and the loungy, orchestral pop of commercial radio, Hardy's music of the 1960s is dense and breezy at once, marked by lush, hip production and the chanteuse's measured, bittersweet vocals.
BMG's superb two-disc set, THE VOGUE YEARS, compiles Hardy's work for Vogue during the '60s. With a whopping 50 tracks, well-selected and arranged chronologically, the set provides an excellent overview of the singer's early ...
| | Mastretta Luna De Miel CD (2006) (Import)
Aline album
$24.95
| | Irma Thomas Time Is On My Side CD (1996)
Aline CD music
$14.99
In its original LP incarnation circa 1983, Kent's Time Is on My Side was a solid 16-track compilation of Irma Thomas material from the mid-'60s, most of it duplicated ...
| | Brule We The People CD (1996)
Aline music CDs
$15.19 
| | Ambient Obscura CD (2005) (Import)
Aline songs
$10.49
| | Pamela Fleming Fearless Dreamer CD (1998)
Aline album
$15.95
Pamela Fleming is an exceptionally melodic and mysterious, sonically sensuous trumpet-flugelhorn player and composer.Pam has performed with Natalie Merchant, Bonnie Raitt, Sarah McLachlan, Indigo Girls, Burning Spear, Dennis Brown, Maxi Priest, Rachelle Garniez, Metropolitan Klezmer - Isle of Klezbos, and is now leading her own group, Fearless Dreamer. The 11 original songs featured on Pam's debut CD will take you on a musical journey of intense moods and grooves. Joining her are Allen Won - saxes, Thomas Chapin - sax/flute, Jim West - piano/synth, Toby Kasavan - piano/synth, Chris Cunningham - guitar, Mark Egan - bass, Leo Traversa - bass, Hank Schroy - bass, Todd Isler - drums/hadgini, Mo Roberts - drums, Michelle Kinney - cello, Luis Bonilla - trombone.
Essentially a jazz album, this work does include influences of prog rock and more pop-oriented music. The disc is a very enjoyable listen and features some fine musicianship from all of the players. ...
| | Eberhard Weber Stages Of A Long Journey CD (2007)
Aline CD music
$15.05
There are a fine pair of duets played here as well, between Dauner on piano and Weber's bass on the lovely Kern number, and also "Seven Movements," shared by the bassist and Garbarek. They set the stage for what follows, the elongated "Birthday Suite" that encompasses five pieces -- bookended by gorgeous readings of two of Weber's best-known pieces, "The Colours of Cloë" and "Yellow Fields." On "Hang Around," a trio of Nino G., Weber's downright funky acoustic bass, and the self-designed percussion instrument played by Reto Weber (no relation) called the "hang," are in deep intuitive interplay. The work by G. is not a novelty, but something inventive, utterly fresh, and full of the energy -- especially in G.'s solo. The final two pieces of the evening are in many ways the most satisfying. The full band returns on "The Last Stage of a Long Journey," where the orchestra introduces the brooding and melancholy composition. Strings and the deep brass of tuba and euphonium gradually bring up the tempo and introduce the lithe melody, as Weber brings his bass up from the ether. When Bruninghaus restates the theme on the piano and Weber is allowed free play inside the rhythm, Burton begins to color it. When Garbarek's icy soprano saxophone cries out, it is arresting and rings true. The concert ends with a brief bass solo by Weber on "Air." In just over three minutes, the great bassist is not remotely interested in showing his chops but in playing this bittersweet little song as a folk tune. This is a watershed moment in Weber's recorded output, because it reveals his collective gifts as a musician, which, even when understated, are shining examples of the European jazz, folk, classical, and new music he has forged these last 40 years as a leader and as a valued sideman and composer. ~ Thom Jurek
Stages of a Long Journey was recorded in Stuttgart in March of 2005, as part of a celebration of both the 20th anniversary of the Theaterhaus Jazzstage festival and as a 65th birthday celebration for bassist Eberhard Weber. Weber was asked to pick a number of his own compositions, rearrange them by writing new charts for the Stuttgart Radio Symphony Orchestra, and select his own band as well. Weber picked on former and current bandmates such as Gary Burton, Jan Garbarek, Rainer Bruninghaus, Marilyn Mazur, Wolfgang Dauner, Reto Weber, and human beatbox Nino G., and carefully chose material from his own catalog and pieces he had performed on in their initial recordings, such as Bruninghaus's "Piano Transition," Jerome Kern's "Yesterdays," Mazur's "Percussion Transition," and Carla Bley's "Syndrome." Those wondering if there is any actual "jazz" on this record need look no further than the gorgeous version of Bley's tune here, where Burton, Garbarek, and the bassist all shine. Another consideration for the listener is in Weber's beautiful, inventive, rhythmic charts for the orchestra (under the direction of Roland Kluttig). "Silent Feet," which opens the set, is one such exercise. What begins as a slow bowed bassline is colored and enlarged by the orchestra entering gradually, tensely, and dramatically, as grey dawn emerges from the night sky. A pulse begins just after Mazur's percussion entry, the band plays these intricate rhythmic phrases, and the orchestra adds genuine color, texture, and depth. They follow rhythmic signature perfectly, allowing the tune to evolve and bring its delightfully understated melodic frame (which is not ...
| | Monroe Products Dreamcatcher CD (2008)
$14.65 |
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