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Hathaway, Donny - Live CD Cover Art
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Donny Hathaway Live CD - Import

 Donny Hathaway Discography of CDs
5 stars (4 Customer Reviews)

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This fine live set captures soul singer Donny Hathaway performing some of his excellent originals and a range of covers including Marvin Gaye's "What's Goin On" and John Lennon's "Jealous Guy."

Donny Hathaway's 1972 Live album is one of the most glorious of his career, an uncomplicated, energetic set with a heavy focus on audience response as well as the potent jazz chops of his group. The results of shows recorded at the Troubadour in Hollywood and the Bitter End in New York, the record begins with Hathaway's version of the instant soul classic "What's Going On," Marvin Gaye's original not even a year old when Hathaway recorded this version. His own classic "The Ghetto" follows in short order, but stretches out past ten minutes with revelatory solos from Hathaway on electric piano. "Voices Inside (Everything Is Everything)" is another epic (14-minute) jam, with plenty of room for solos and some of the most sizzling bass work ever heard on record by Willie Weeks. Any new Donny Hathaway record worth its salt also has to include a radical cover, and Live obliges nicely with his deft, loping version of John Lennon's "Jealous Guy." The audience is as much a participant as the band here, immediately taking over with staccato handclaps to introduce "The Ghetto" and basically taking over the chorus on "You've Got a Friend." They also contribute some of the most frenzied screaming heard in response to any Chicago soul singer of the time (excepting only Jackie Wilson and Gene Chandler, of course). Hardly the obligatory live workout of most early-'70s concert LPs, Live solidified Hathaway's importance at the forefront of soul music. ~ John Bush

Import pressing of his Top 20 live album from the Soul singer recorded at the Troubadour in Hollywood and at the Bitter End in New York. Originally released in 1972, Hathaway's voice was full of the passion, confidence and soul of a seasoned veteran yet he was only in his mid-20s when this album was recorded! Eight tracks, including covers of 'What's Goin' On', 'You've Got A Friend' and 'Jealous Guy'. Warner.
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List Price $12.99 (You save $1.20)
Category Rock/Pop Albums, R&B CDs, Urban Soundtrack, Live Performances, Soul/R&B, Chicago Soul
Label Atlantic
Orig Year 1972
All Time Sales Rank   5053  
CD Universe Part number 1270920
Catalog number 780272
Discs 1
Release Date Dec 15, 1998
Studio/Live Live
Mono/Stereo Stereo
Additional Info Germany; Netherlands
Donny Hathaway Live Songs


Donny Hathaway Live Album Track Listing



1.What's Goin On - (studio)
2.Ghetto - (studio)  
3.Hey Girl - (studio)
4.You've Got a Friend - (studio)
5.Little Ghetto Boy - (studio)  
6.We're Still Friends - (studio)
7.Jealous Guy - (studio)  
8.Voices Inside (Everything Is Everything) - (studio)  
Live Music


Live Other Versions



Live Music Review


Customer Live Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars Awesome!
I had this lp on vinyl many years ago (actually still do), but the grooves have been worn out from timeless play. This, in my opinion, is one of the greatest live lp's ever released. Donny Hathaway was one baaaad dude, with a gospel, soul-drenched voice that was as smooth as silk, as strong as the northern winds, and as rich as the most delectable pound cake. His energy exudes on this lp. You can feel the pain and yearning for hope in his "Little Ghetto Boy" - the musicianship in "Everything Is Everything" and "The Ghetto" - and what he does with "You've Got A Friend" and "What's Going On" is amazing. This is a stellar lp from a singer who is sorely overlooked in the story of American singers and songwriters. Nice to see this lp get some much needed light of day.
Submitted by mjohnson21 (Hartford, CT, USA) Verified Buyer
Was This Review Helpful? Yes No

5 stars Chicken Wings, Hot Sauce, and a Whiskey and Coke please...
I'm literally listening to this for the first time right now as I write this and and I'm only in the middle of the second song. I'm there right now ordering the title of this review about to dance my a** off and probably not go to work for a couple days due to the absolute bliss I would be feeling having seen this show live. If the rest of the album is him trying to convert me to Hari Krishna it's still worth the money from the first two tracks alone... and I have a feeling this is going to be one soulful, fun, inspiring, and absolutely funky trip... Put this right next to the Bill Withers Live album from Carnegie Hall and you got yourself probably 2 of the top 5 greatest Live Soul albums of all time... hands down. Please treat yourself and others to this album and spread the word about how 70's soul music was not just timeless... but the the voice of a revolution pushing and striving to make a place for it's people on shear rhythm & harmony while at the same time influencing every single musician alive at the time. Thanks for reading this... get this now.
Submitted by highone (Dallas, TX)
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5 stars Amazing..
..is the first word that comes to mind hearing this. I was, and still am, blown away hearing this CD. One of the least-known, but most influential artists from the 70's. It's like he was right there in your living room.. gone way before he made his best music.
Submitted by Kevin (Centreville, VA)
Was This Review Helpful? Yes No

5 stars Donny at his best.
This is Donny at his best. I loved it in the seventies and it is ageless.Wherever you are Donny, you left a lasting impression on me. I felt like I was right in the audience at this concert.
Submitted by a reviewer (Durham,NC)
Was This Review Helpful? Yes No

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Donny Hathaway
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With just one exception, Donny Hathaway's second full-length is a covers album, featuring one of the most pop-averse artists in soul music surprisingly offering interpretations of contemporary hit material like "A Song for You," "He Ain't Heavy, He's My Brother," "Magnificent Sanctuary Band," and (most effectively) "Put Your Hand in the Hand," a laidback yet rolling, gospel-choir version of the song he was born to sing. In striking contrast to his debut, Donny Hathaway is a very dark record, and it opens on a particularly low note, with "Giving Up" (a 1964 R&B hit for Gladys Knight & the Pips). Most of Hathaway's performances are slow, piano-led laments, powerfully delivered but with little melodic sway to convert listeners. It's no coincedence then, that the only up-tempo song, "Magnificent Sanctuary Band," is the standout. "Little Girl" is a nice piece of gospel testifying with great male harmonizing on the chorus, and "He Ain't Heavy, He's My Brother" is a solid rendering of a song usually drenched in pathos. Still, whereas Everything Is Everything saw him leading the choir up in the front of church, Donny Hathaway sounds like the lament of a man alone in the sanctuary after services are finished. ~ John Bush Recorded at Universal Studios, Chicago, Illinois; Atlantic Recording Studios, New York; Atlantic South-Criteria Studios, Miami, Florida. Originally released on Atco (33-360). Includes liner notes by Jerry Wexler and A. Scott Galloway. Engineers: Murray Allen, ...
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All songs co-written by Donny Hathaway except "Voices Inside (Everything Is Everything)" (Richard Evans/Philip Upchurch/Ric Powell), "I Believe To My Soul" (Ray Charles), "Misty" (Erroll Garner/Johnny Burke) and "To Be Young, Gifted And Black" (Nina Simone/Irvine J. Weldon, Jr.). Donny Hathaway's 1970 debut is a certified soul classic, and even a cursory first listen reveals the wealth of riches that lie therein. Though Hathaway had been a behind-the-scenes force in the music industry for some time (as a pianist and arranger), the release of EVERYTHING IS EVERYTHING announced the full range of his talent. Hathaway's skills as an arranger, an instrumentalist, and--most impressively--a vocalist, shine brightly on each and every track. The album has a unique feel in relation to other soul classics of the era; this is neither the raw soul of Stax/Volt, nor the commercially oriented pop-soul of Motown. Instead, Hathaway takes the music back to church, infusing tunes like Ray Charles's "I Believe to My Soul" with a sanctified conviction that nearly bowls the listener over. At the same time, the album's arrangements are full and ambitious, balancing a smooth, sophisticated uptown vibe with punchy horn charts and funky rhythms. The album's themes are topical (note the well-known jam "The Ghetto"), yet EVERYTHING IS EVERYTHING does not feel dated, and sounds as fresh and vibrant today as it did upon its original release. Principally recorded at Mayfair Studio and Audio Finishers, New York, New York between May ...
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