| | La Union Mil Siluetas CD - Import La Union Discography of CDs
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Our Price: $18.39 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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La Union Mil Siluetas Songs | 1. | Sildavia - (Spanish) | |
| 2. | Eclipse Total - (Spanish) | |
| 3. | Sangre Entre Tu y Yo - (Spanish) | |
| 4. | Cabaret - (Spanish) | |
| 5. | Lobo Hombre en Paris - (Spanish) | |
| 6. | Mil Siluetas - (Spanish) | |
| 7. | Todos los Gatos Son Paridos | |
| 8. | Mujer Cosmopolita - (Spanish) | |
| 9. | Voracidad - (Spanish) | |
| 10. | Niebla, La - (Spanish) | |
| Mil Siluetas Review
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Purchase Mil Siluetas CD To buy, Click on price to add to cart | Fulanito El Hombre Mas Famoso De La Tierra CD (1997)
Mil Siluetas album
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| | Miguel Bose Lo Mejor De Bose CD (1999)
Mil Siluetas CD music
$8.55 LO MEJOR DE BOSE contains remixed and re-recorded versions of Miguel Bose songs as well as two new songs.
Lo Mejor de Miguel Bosé is not a definitive greatest-hits package, but rather a collection of remixes and re-recordings of some of Bosé's biggest hits, plus two new songs. ~ Steve Huey
Live Recording
Personnel includes: Miguel Bose (vocals).
Producers include: Carlos Jean, Greg Walsh, Tony Mansfield, Miquel Bose, Roberto Columbo.
Engineers include: Jose Luis Crespo, Luca Bignardi, Juan Vinader.
Audio Mixers: Peter "Pops" Walsh; Peter Walsh .
Audio Remixers: Doug Allan; Matthew Vaughan.
Recording information: CineArte, Madrid, Spain; Estudio Colombo, Grignasco; Estudios Fonoprint, Bologna, Italy; ...
| | Bon Jovi Circle CD (2009)
Mil Siluetas music CDs
$11.19 Bon Jovi's 2007 effort, LOST HIGHWAY, found New Jersey's finest brandishing a Nashville-tinged, commercial rock/country crossover sound that wasn't too far a stretch from their usual arena rocking anthems for the Everyman. And where that album sometimes tried too hard to fit into the conventions of ...
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$9.58 Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" that is easily the slowest on record. Boyle sings beautifully throughout, delivering more of the same of what she did in her moment in the sun on television. Those won over by Boyle, either her voice or story, will surely be satisfied.
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The second album by Manfred Mann's Earth Band to be released in 1972, Glorified Magnified is as solid a heavy rock album as you're likely to find from that era, and it still holds up three decades later, mostly because these guys are smarter than the music they're playing and don't mind indulging their taste as well as their dexterity. They can romp and stomp through "Meat" or "I'm Gonna Have You All," complete with a slashing guitar solo by Mick Rogers on the latter, or throw in a synthesizer interlude by Mann on "One Way Glass" that's so quietly and carefully executed as to be worthy of a classical piece -- and not skip a beat doing it. Between Rogers' bold yet tasteful leads, Mann's beautifully assertive yet virtuoso synthesizer and general keyboard work, and Colin Pattenden's muscular bass playing, this is a consistently inspired group, even when their material isn't as interesting as what they do with it, which is the case here. On "Look Around," for example, Rogers' playing on the break starts off as brief, fragmentary digressions off from a not too terribly diverting central riff that turn into longer progressions that eventually take the entire band with him -- and just when you think you've got this band pegged in terms of what it's about, along comes "Ashes to the Wind," opening side two of the original LP, which includes room for an acoustic guitar amid the high-wattage excursions, all leading into a surprisingly effective synthesizer workout by Mann on "Wind," before moving onto the acoustic guitar-driven "It's All Over Now, Baby Blue." The latter, which adds instrumentation until it's so totally removed from its opening section as to be a different song, is one of the best Dylan covers of its era, and is almost worth the price of admission by itself. ...
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