| | El Tri 21 Anos Despues CD El Tri Discography of CDs
El Tri 21 Anos Despues Songs | 1. | Maria Sabina | |
| 2. | Puros Changos | $0.99 | |
| 3. | El as No Conocido | |
| 4. | Dificil | |
| 5. | Tren del Infierno | $0.99 | |
| 6. | Un Dia en la Vida | |
| 7. | Encuentros Cercanos del Tercer Sexo | $1.29 | |
| 8. | Maldito Sistema | $0.99 | |
| 9. | Que Reventon / La Fuerza Del Amor | |
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21 Anos Despues Review
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Purchase 21 Anos Despues CD To buy, Click on price to add to cart | Baron Rojo Siempre Estais Alli CD (1986) Import
21 Anos Despues
 $20.95
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| | Lo Mejor De Angeles Del Infierno CD (1987)
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| | El Tri Indocumentado CD (1993)
21 Anos Despues
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| | Baron Rojo Metalmorfosis CD (1991) Import
21 Anos Despues
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| | Rod Stewart Never A Dull Moment CD (1972) Gold
21 Anos Despues
$19.10  
Essentially a harder-rocking reprise of Every Picture Tells a Story, Never a Dull Moment never quite reaches the heights of its predecessor, but it's a wonderful, multi-faceted record in its own right. Opening with the touching, autobiographical rocker "True Blue," which finds Rod Stewart trying to come to grips with his newfound stardom but concluding that he'd "rather be back home," the record is the last of Stewart's series of epic fusions of hard rock and folk. It's possible to hear Stewart go for superstardom with the hard-rocking kick and fat electric guitars of the album, but the songs still cut to the core. "You Wear It Well" is a "Maggie May" rewrite on the surface, but it develops into a touching song about being emotionally inarticulate. Similarly, "Lost Paraguayos" is funny, driving folk-rock, and it's hard not to be swept away when the Stonesy hard rocker "Italian Girls" soars into a mandolin-driven coda. The covers -- ...
| | Joe Magnarelli Why Not CD (1995)
21 Anos Despues
$14.65
| | Enon High Society CD (2002)
21 Anos Despues
$12.19
Enon: John Schmersal (vocals, guitar, compasphere); Toko Yasuda (vocals, piano, synthesizer, bass); Rick Lee (guitar, keyboards, bass); Matt Schulz (percussion).
Personnel: Dylan Willemsa (viola).
Recording information: Industrial Building; RPM.
Enon's second album, High Society, is something of a homecoming for the band. Dave Sardy's See-Thru label issued their debut, Believo!, but for their follow-up, the group moved to Touch & Go, the home of John Schmersal's former band Brainiac, as well as that of Blonde Redhead, of whom Toko Yasuda used to be a member. Similarly, High Society sounds like a more focused combination of Brainiac's spastic geek-rock and Blonde Redhead's more delicate, poppy moments. Though they may be more focused, Enon will never be straightforward, but that's one of the band's, and album's, strengths. In the first four songs alone, High Society spans the driving, garagey rock of "Old Dominion," the weirdly brooding "Count Sheep," "In This City"'s sleek synth pop, and the jangly cuteness of "Window Display," which sounds like a cross between Preston School of Industry and Magnetic Fields. Believo! ...
| | Count The Cost Tried And True CD (2004)
21 Anos Despues
$7.99
| | Phil Manzanera 50 Minutes Later CD (2005)
21 Anos Despues
$14.39
| | Violent Femmes Viva Wisconsin CD (1999) (Import) Import; United Kingdom
21 Anos Despues
$19.69
Few bands have captured the angst, sexual frustration, and repressed rage of the '80s and '90s better than the Violent Femmes. Without falling prey to death, breakups, and commercial overexposure, the Femmes have maintained their simmering intensity with an ever-growing loyal fan base of former punks, Generation Xers, and their younger brothers and sisters. The Wisconsin trio captures nearly two decades of Post-Punk smarminess with Viva Wisconsin, a live retrospective recorded during a one-week tour of their home state in October 1998 that boasts a depth of song choices and performances. This collection is a must for Femmes fans and a great way to introduce casual fans to the band's body of work. Features the bonus track, 'Outside The Palace'. 2006.
Violent Femmes: Gordon Gano (vocals, acoustic guitar); Brian Ritchie (vocals, shakuhachi, conch, harmonica, soprano saxophone, Theramin, xylophone, acoustic bass); Guy Hoffman (vocals, bugle, snare drum, tranceaphone).
The Horns Of Dilemma: Sigmund Snopek III (vocals, flute, Native American flute, bass clarinet, oboe, trombone, piano); Mike Kock (saxophone); Shane Derstl (trumpet); Ray Cribb (trombone, bass); Eric Markstrum (trombone).
Recorded live in Wisconsin from October 25-31 1998.
Few bands have captured the angst, sexual frustration, and repressed rage of the '80s and '90s better than the Violent Femmes. Without falling prey to death, breakups, and commercial overexposure, the Femmes have maintained their simmering intensity with an ever-growing loyal fan base of former punks, Generation Xers, and their younger brothers and sisters. The Wisconsin trio captures nearly two decades of post-punk smarminess with Viva Wisconsin, a live retrospective recorded during a one-week tour of their home state in October ...
| | Sexbomb Girls Daisy Siete V-Day CD (2007) (Import)
21 Anos Despues
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| | Vive La Fete Vive Les Remixes CD (2007) (Import)
21 Anos Despues
$18.39
| | Quebec Yeye Vol 3 CD (2008) (Import) Import
$23.65 | | Big Pete Pearson The Screamer CD (2009)
21 Anos Despues
$15.19 
Born in Jamaica in 1936, Pete Pearson grew up in Texas; he began his blues career in Austin in the ‘50s, often working alongside his younger cousin W.C. Clark. He has lived in Phoenix for over 50 years. Although that city has long boasted a lively local music scene, it’s hardly known worldwide as a blues nexus; perhaps for that reason. Pearson remains something of an ‘unknown treasure,’ at least in the States, despite the length and breadth of his career.Don’t be put off by this disc’s title. Pearson can holler with the best of them, but his voice is a nuanced instrument, heavily influenced by jazzy blues shouters ...
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