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Tender album by the interpreter Renato Braz. In acoustic renditions where Braz sings and plays the violao (acoustic guitar) and percussion, joined by excellent musicians like Banda Mantiqueira's Nailor Azevedo (Proveta), the first impact is the quality of the chosen repertoire. The album begins longing and meditative with Dori Caymmi's "Porto" and "Anabela" (Paulo César Pinheiro/Mário Gil); also on the album is the great classic "Onde Está Vocę" (Oscar Castro Neves/Luvercy Fiorini). The samba "Meu Drama" (Silas de Oliveira/Joaquim Ilarindo) has a more animated pace, confirmed in the exciting baiao groove of "Cantiga Do Sapo," another classic, this one by Jackson do Pandeiro (with Buco do Pandeiro). Contemporary sounds/composers are represented by Chico César's mysterious "Paga," Zeca Baleiro's "Bambayuque" in a beautiful arrangement with cello and mandolin, and in the modern "7x7" (Guinga/Aldir Blanc). Great album demonstrating an artist in full communion with his audience through his love for music. ~ Alvaro Neder
Renato Braz kicks back on this self-titled solo debut.
Debut album from the best loved Brazilian singer songwriter. Renato Braz Songs | 1. | Porto |
| 2. | Sorri (Smile) |
| 3. | Anabela |
| 4. | Meu Drama |
| 5. | Onde Esta Voce |
| 6. | Passarinheiro |
| 7. | Cantiga Do Sapo |
| 8. | Paga |
| 9. | Bambayuque |
| 10. | Assum Preto |
| 11. | 7 X 7 |
| 12. | Estrela Da Terra |
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Purchase Renato Braz CD To buy, Click on price to add to cart | Lord Of The Dance DVD (1996)
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Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging of David Foster (Celine Dion, Josh Groban) is eclectic in a way that firmly places the tunes at the dawn of the 21st century, and, more importantly, Buble possesses the chops and sense of style to re-imagine the adult-contemporary vocal genre in a distinctive manner. In addition to standards by Gershwin and Porter, Buble embraces a variety of sounds, from Motown ("How Sweet It Is") to bossa nova ("Quando, Quando, Quando" with Nelly Furtado) to the Beatles ("Can't Buy Me Love" with a "She Loves You" tag). With his smooth croon and charming persona, Buble is a natural performer, and, for fans of fearlessly romantic and infectiously swinging music, IT'S TIME is a sure bet.
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Recorded between 1966 and 1971. Originally released on Decca. Includes liner notes and interviews with band members by Todd Everett.
Somewhere between Bing Crosby's vocal novelties back in the '40s and the current popularity of dance troupes like Riverdance and Michael Flatley's Lord of the Dance, the flag of Irish music was held aloft in North America during the '60s by the success of the Irish Rovers. Patterning themselves after the Clancy Brothers (another popular group during the folk boom of the late '50s and early '60s), the group scored their 15 minutes of fame with the children's novelty, "The Unicorn," included here on Best of Irish Rovers. But the group was no children's novelty ...
| | Alejandro Fernandez Me Estoy Enamorando CD (1997)
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Principally recorded at Crescent Moon Studios, Miami, Florida and Abbey Road Studio, London, England.
ME ESTOY ENAMORANDO was nominated for a 1998 Grammy Award for Best Latin Pop Performance.
This Mexican superstar has been up for more Grammys than one can shake a stick at, should one be inclined toward such an action. It's easy to see why after one listen to ME ESTOY ENAMORANDO. Lush string orchestras mesh with romantic acoustic guitars to provide the perfect bed for Fernandez's sensuous, emotive singing. The accent is on ballads like "No Se Olvidar" and "Yo Naci Para Amarte," a simple case of an artist playing to his strengths. Fernandez knows how to get inside of a slow, heartfelt tune and make it his own. While his core audience will surely be pleased by this album, it will also have an across-the-board appeal to anyone with a taste for the smooth and sensual. Boys, hold onto your girlfriends, he's a heartbreaker.
Symphony Orchestra of London includes: Hector Garrido (conductor); Gavyn Wright, Roger Garland, Paul Wood, Wilf Gibson, Peter Oxer, Cathy Adams, Sonia Slany, Quentin Crida, Gill Findlay (violin); George Robertson, Peter Lale, Ivo Van der Werff, Liz Watson, Garfield Jackson, Bill Hawkes (viola).
Producers: Kike Santander, Emilio Estefan, Jr.
Engineers: Patrice Levinsohn, Javier Garza, Eric Schilling.
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| | Elvis Costello King Of America CD (1986) Digipak; Special Edition
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On KING OF AMERICA, the ever-restless Costello reinvented himself yet again, using his Christian name (Declan MacManus) in the credits, and employing the other Elvis' old backing band (as well as Ray Brown and Earl Palmer) for his most reflective, mature-sounding album thus far. The overall sound here is closer to Costello's folk-rock roots (The Band, the Grateful Dead) than he'd ever dared come before, and the songs trade elliptical wordplay for considered emotional statements.Though the Attractions appear only on "Suit of Lights," their influence is felt on the album's poppiest tune "Lovable." Elsewhere, Costello offers poignant country ballads ("Indoor FIreworks," also expertly covered by Nick Lowe), jazz/blues torch songs ("Poisoned Rose") and even a bit of '60s Britbeat (an effective recasting of "Don't Let Me Be Misunderstood"). In short, KING OF AMERICA contains some of Costello's finest, most understated work.
Recorded at Ocean Way, Sunset Sound Studio and The Sound Factory, Los Angeles, California in 1985. Originally released on Columbia (40173). Includes liner notes by Declan Patrick Aloysius "Elvis Costello" MacManus.
Producers: T-Bone Burnett, Elvis Costello, Larry Hirsch, The Coward Brothers.
Personnel: ...
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Brand new studio recording
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