| | Afixion Formula '70 '90 Soundtrack CD (1 Customer Review)
Formula '70 '90 Soundtrack Music Afixion Formula '70 '90 Soundtrack Songs Formula '70 '90 Soundtrack Music Review Purchase Music From Formula '70 '90 CD To buy, Click on price to add to cart | Fat Music Vol. 1: Fat Music For Fat People CD (1998)
Formula '70 '90 Soundtrack album
 $4.95   
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Formula '70 '90 Soundtrack CD music
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Formula '70 '90 Soundtrack music CDs
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Formula '70 '90 Soundtrack songs
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Formula '70 '90 Soundtrack album
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Formula '70 '90 Soundtrack CD music
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Formula '70 '90 Soundtrack music CDs
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| | John Barry: The Collection CDs (2001) Box Set
Formula '70 '90 Soundtrack songs
$35.39
This is a lot of soundtrack music -- 258 minutes' worth, actually -- which is understandable, as it covers approximately 40 years in the career of John Barry. The 40 years isn't quite comprehensive, skipping past Barry's earliest screen compositions for the films Beat Girl, Never Let Go, and The Amorous Prawn, as well as his music for The L-Shaped Room, Dutchman, Seance on a Wet Afternoon, and King Rat, in favor of the bigger films that the composer worked on during the '60s and beyond. Beginning with his thunderous score for Zulu, represented by a seven-minute track here, the collection concentrates primarily on the international side of Barry's career, while also offering little oddities out of his history, such as his 1968 theme "The Girl With the Sun in Her Hair," from a commercial for Sunsilk. The collection runs right up through Barry's music for Cry the Beloved Country and Mercury Rising, and ends with the disputed "James Bond Theme" (in what is one of the few relatively flat, unexciting performances in this set). All of this material is presented in new recordings by Nic Raine and the City of Prague Philharmonic Orchestra, accompanied on a half-dozen cuts by the Crouch End Festival Chorus. They're spirited enough, as is Raine's conducting, and the producers have given most of this collection (apart from obvious small-scale pieces such as "A Man Alone" from The Ipcress File) a big, lush orchestral sound that makes much of the material seem larger than life and even larger ...
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Formula '70 '90 Soundtrack album
$16.65 
| | Eddie "Lockjaw" Davis Battle Stations CD (1960)
Formula '70 '90 Soundtrack CD music
$9.89
When Eddie "Lockjaw" Davis and Johnny Griffin joined forces and formed a two-tenor front line, bop enthusiasts could safely assume that the sparks were going to fly. Davis and Griffin, after all, were one of hard bop's exciting tenor teams -- their saxophone battles were as legendary as the encounters of Gene Ammons and Sonny Stitt, Dexter Gordon and Wardell Gray, or Phil Woods and Gene Quill (who, unlike the other teams mentioned here, were a two-alto pair). Battle Stations, like other Davis/Griffin encounters, points to the fact that the two tenormen never had a problem finding common ground. Both had big tones; both were very extroverted, aggressive players; and both swung unapologetically hard -- no one ever mistook either of them for members of jazz's cool school, which favored subtlety, restraint, and understatement over intensity and aggression. A sense of friendly competition is evident on Battle Stations; when Davis and Griffin lock horns, the result is musical sportsmanship at its finest. And "friendly" is the operative word on this 1960 date -- as competitive as Davis and Griffin could be, they had a great deal of respect for one another. Battle Stations (which employs Norman Simmons on piano, Victor Sproles on bass, and Ben Riley on drums) demonstrates that the saxmen were not only sparring partners, they were also a mutual admiration society, and the improvisers enjoy an incredibly strong rapport on hard-swinging numbers like "Pull My Coat," "Hey Jim!," and "What's Happening." Battle Stations is an album that fans of heated two-tenor exchanges shouldn't overlook. ~ Alex Henderson
When Eddie "Lockjaw" Davis and Johnny Griffin joined forces and formed a two-tenor front line, bop enthusiasts could safely assume that the sparks were going to fly. Davis and Griffin, after all, were one of hard bop's exciting tenor teams -- their saxophone battles were as legendary as the encounters ...
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Formula '70 '90 Soundtrack music CDs
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