| | Sonny Terry & Brownie McGhee Couldn't Believe My Eyes CD - Import Sonny Terry & Brownie McGhee Discography of CDs
The Dynamic Duo Of The Blues Were Truly An Awesome Pair. When They Joined Earl Hooker For These Sessions, The Results Were Astounding. Now These Tapes Have Been Cleaned Up And Remastered To Be Heard The Way They Were Always Meant To Be.
Brownie McGhee: Brownie McGhee; Sonny Terry (vocals, harmonica); Ray Johnson (piano, electric piano, tambourine); Jimmy Boyd (upright bass); Earl Hooker, Panama Francis.
Personnel: Brownie McGhee (vocals, guitar); Sonny Terry & Brownie McGhee (vocals, harmonica); Earl Hooker (guitar); Raymond Johnson (piano, electric piano, tambourine); Panama Francis (drums).
Recording information: Vault Recordings, Los Angeles, CA (09/24/1969). Couldn't Believe My Eyes Music Sonny Terry & Brownie McGhee Couldn't Believe My Eyes Songs Couldn't Believe My Eyes Review
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Purchase Couldn't Believe My Eyes CD To buy, Click on price to add to cart | Luiz Bonfa Plays And Sings Bosa Nova CD (1963)
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The cassette version only of ARC ANGELS on DGC [2064 24465] was reissued on November 4, 1997.
Tommy Shannon and Chris Layton were formerly part of Stevie Ray Vaughn's backing band, Double Trouble.
There are one-hit wonders throughout the history of music, but very few one-album wonders like the Arc Angels. After the death of blues-rock guitar hero Stevie Ray Vaughan, fellow singing guitarists, Texans, and Vaughan devotees Doyle Bramhall II and Charlie Sexton formed the quartet with Vaughan's rhythm section of bassist Tommy Shannon and drummer Chris Layton. Their 1992 debut release would also be their swan song, but the self-titled album would prove to be one of the best rock/pop/blues recordings of the decade as well. The opening "Living in a Dream" is ...
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Originally released in 1962, Frank Proffitt's recordings on Songs and Ballads are both enjoyable and accessible. Although Proffitt's recordings on The Warner Collections are fine, they often seem more like short snippets than ...
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| | Essential Taj Mahal CDs (2005)
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An impressive two-disc compilation, THE ESSENTIAL TAJ MAHAL lives up to its name by charting the path of the acclaimed blues guitarist/vocalist's career from 1967 to 2004. Though always rooted in the blues, Mahal has incorporated other styles into his distinctive sound, including folk, R&B, and reggae. Proceeding in chronological order, this set begins in the late '60s, presenting tunes such as "The Celebrated Walkin' Blues," a spare song that features Mahal accompanied only by his former Rising Sons bandmate Ry Cooder on mandolin; and the gentle, lilting "Take a Giant Step." The second disc finds Mahal easing into a potent version of Bob Marley's "Slave Driver," while "The New Hula Blues" is a deft Hawaiian slack-key/blues hybrid, revealing the breadth of his stylistic range. As a relatively concise yet remarkably thorough overview of Mahal's decades-spanning catalogue, this 36-track compilation is absolutely indispensable.
Recording information: Athens, GA (08/17/1967-04/??/1999); Burbank, CA (08/17/1967-04/??/1999); Encino, CA (08/17/1967-04/??/1999); Hollywood, CA (08/17/1967-04/??/1999); Kauai, HI (08/17/1967-04/??/1999); Los Angeles, CA (08/17/1967-04/??/1999); North Hollywood, CA (08/17/1967-04/??/1999); Pinnacle, NC (08/17/1967-04/??/1999); San Francisco, CA (08/17/1967-04/??/1999); The Fillmore East, NY (08/17/1967-04/??/1999); The Mint, Los Angeles, CA (08/17/1967-04/??/1999); Van Nuys, CA (08/17/1967-04/??/1999).
Photographers: David Gahr; Marc Norberg; Sam Emerson Loew; Al Vandenberg; Chris Felver; Amalie R. Rothschild.
Arrangers: Taj Mahal; Etta Baker.
Personnel: Taj Mahal (vocals, whistling, guitar, acoustic guitar, electric guitar, slide guitar, National guitar, dobro, fife, harmonica, piano, Fender Rhodes piano, upright bass, finger cymbals, hand claps); Taj Mahal (mandolin); Jesse Ed Davis ...
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With her much-buzzed-about debut album, ALL RIGHT, STILL, singer Lily Allen, the daughter of veteran British comedian Keith Allen, presents a bright, buoyant collection of pop songs that are smartly counterbalanced by her often-biting lyrical edge. On the breezy, immediately catchy "Smile," the sultry-voiced Allen takes pleasure in the woes of a former beau, ...
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