| | World War II Love Songs CD - Import
World War II Love Songs Music World War II Love Songs Songs | 1. | Moonlight Serenade - Glenn Miller |
| 2. | (I'll Be with You) In App - The Andrews Sisters |
| 3. | I'll Never Smile Again - Tommy Dorsey |
| 4. | Paper Doll - Mills Brothers |
| 5. | Sentimental Journey - Les Brown |
| 6. | We Three (My Echo, My Sha - The Ink Spots |
| 7. | I've Heard That Song - Harry James |
| 8. | Moonlight Becomes You - Bing Crosby |
| 9. | Amapola - Jimmy Dorsey |
| 10. | Nightingale Sang in Berke - Vera Lynn |
| 11. | Star Dust - Artie Shaw |
| 12. | My Man - Ella Fitzgerald |
| 13. | You'll Never Know - Dick Haymes & the Song Spinners |
| 14. | We'll Meet Again - Benny Goodman |
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World War II Love Songs Review
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Purchase World War II Love Songs CD To buy, Click on price to add to cart | Gerald Wilson Detroit CD (2009)
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Detroit comprises a six-composition suite commissioned for the 2009 thirtieth anniversary Detroit International Jazz Festival, played in the studio with musicians from composer/arranger Gerald Wilson's Los Angeles home or New York City area. Curiously, there are no Motor City-based players on the disc, but the themes are based in certain locales from the industrial Midwestern City that has fallen on hard economic times but played a pivotal role in the development of Wilson's highly developed skills as a composer, arranger, and bandleader. A quite spirited and energetic music is heard here from the 90-year-old Wilson, whose charm and wit would rival anyone many decades his junior. It's a swinging affair molded in the traditional big-band visage of Count Basie, Ernie Wilkins, or early Quincy Jones, with Wilson's deft touch for embellishing the blues. Players like trumpeter Sean Jones, son/guitarist Anthony ...
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With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales ...
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Brian Bromberg's fourth recording for the Artistry label, and first since they were acquired by the Mack Avenue label, is a fairly predictable program of contemporary jazz, commercial funk, and pop song covers, as well as uptown New York City R&B-type dance tunes that should appeal to the urban crowd. His prominent electric bass guitar always has a retro feel going back to Ralphe Armstrong, Marcus Miller, Stanley Clarke, Larry Graham, and James Jamerson, but retains a current-day feel that is still relevant, remaining skilled and precise as any bassist currently playing the amplified instrument. Many of these tracks include a horn section featuring Randy Brecker, Eric Marienthal, Gerald Albright, and Rick Braun, while keyboardists George Duke, Patrice Rushen, and Jeff Lorber join in here and there. While entertaining and even attractive from a melodic standpoint, Bromberg and his mates are reworking themes, beats, and songs without pushing the envelope, ...
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From Erroll Garner to Cecil Taylor to Bill Evans, and from Chick Corea to Thelonious Monk, a wide variety of acoustic jazz pianists have thrived in the time-honored piano trio setting (piano, bass, and drums) over the years. It's a setting that has never gone out of style in jazz, and it's a setting that has served acoustic pianist Marc Copland well in his New York Trio Recordings series. The lineup has varied from one volume to the next; on New York Trio Recordings, Vol. 3: Night Whispers, Copland is joined by bassist Drew Gress and drummer Bill Stewart (whereas he was joined by bassist Gary Peacock and Stewart on Vol. 1 and by Peacock and drummer Paul Motian on Vol. 2). The constant in the series, of course, has been Copland, who is in good form throughout this 2008 recording and enjoys a nice rapport with Gress and Stewart. Copland obviously enjoys the role of acoustic trio pianist, and his enthusiasm ...
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Funny that the Count Basie band would finally do an entire album of Ellington/Strayhorn tunes in 1998, fourteen years after Basie's death and 24 years after Ellington's. All right, better late than never, but this stretches the cliché to unbelievable lengths when neither leader nor most of their famous sidemen are around to notice. Still, the Basie band continues to be a lively ghost under the direction of trombonist Grover Mitchell, disciplined and crisply swinging with a solid crew of soloists, although the old explosive power is largely dormant. This survey of Ellingtonia runs through many of the well-known Ellington and Strayhorn standards, all arranged with a convincingly Bas-ic ensemble sound by Allyn Ferguson (even ...
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Returning with a slightly different name and even more of a focus on mystic fantasy -- there's a short story about the title character printed on the inside of the disc case -- Surface of Eceon's second album, Dragyyn, builds upon its first beautifully. To the collective group's credit, while the connections to its ...
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Born in 1971, Brian Malone lives in Dublin, Ireland. He fell in love with music at an early age when himself and a friend would skip class and climb in through the window of the school hall where they would bang out a few tunes on the ol' piano. ...
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