| | Pippo Barzizza Blue Star Orches Ao Vivo No Olimpia CD - Import Pippo Barzizza Blue Star Orches Discography of CDs
Pippo Barzizza Blue Star Orches Ao Vivo No Olimpia Songs | 1. | Andanca - (studio) |
| 2. | Fim de Reinado - (studio) |
| 3. | Danca Da Solidao - (studio) |
| 4. | Ultimo Desejo - (studio) |
| 5. | Folhas Secas - (studio) |
| 6. | Cordas de Aco - (studio) |
| 7. | As Rosas Nao Falam - (studio) |
| 8. | O Meu Guri - (studio) |
| 9. | O Que E O Que E - (studio) |
| 10. | Da Melhor Qualidade - (studio) |
| 11. | Sete Chaves, A - (studio) |
| 12. | Salve a Natureza - (studio) |
| 13. | Roda a Baiana - (studio) |
| 14. | Saco de Feijao - (studio) |
| 15. | Nas Veias Do Brasil - (studio) |
| 16. | Boa Noite - (studio) |
| 17. | Saigon - (studio) |
| 18. | Vou Festejar - (studio) |
|
Ao Vivo No Olimpia Review
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Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging ...
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In an unusual but not unprecedented collaboration, novelist Madison Smartt Bell and poet Wyn Cooper join with producer/musicians Mitch Easter and Don Dixon to produce an album that falls near the intersection of their worlds. The result is Forty Words for Fear, a collection of lyrics that feel more like short stories set to songs that function like illustrations in a book of dreams. The instrumental performance has a raggedy quality that plays up the rough edges of the words. Bell has the dominant vocal presence; his semi-tuneless, weary, and worn delivery feels so natural that he almost seems to be improvising in response to the music. In this sense Forty Words For Fear follows a formula pioneered by Tom Waits -- except for the absence of affectation ...
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I was born in Ventura California on August 17th. We lived in a little town in California named Simi Valley. Music was a large part of my life growing up. My mom played the organ in church on Sundays, and I was her personal “hymn book page turner.” Mom taught us about playing music at an early age, and my dad taught us about country music. He had no musical talent to speak of, but he always had his radio on some cheesy mono am radio station. But it planted the country music seed. Not long after graduating the 7th grade, we moved to Bakersfield California. Through high school, I was in and out of a couple garage bands. One was named “Internal Damage” if that tells what kind of music we played. But secretly in my car, I’d be playing the local country radio stations. My voice just seemed to fit it a lot better to George Strait than Ozzy Osborne. Right after high school, I went to work in the oil patch like everyone else does who hasn’t gone off to collage. From then on out, it was Country music…Like it or not, that’s all they played on their radios in the Patch. I only sang and played music around the house for family or friends but not much else. But the desire burned hard to become more than just a closet picker/singer. Then one day I read about a friend of mine that passed away. He was a great guitar player and a great friend growing up. I realized that you only get one chance on this planet, better do what’s in your heart. So I decided to chase my singing dreams. I learned a few songs with a couple other local pickers and thought I’d give it a shot. The first time I actually had to get up on stage and play in front of people. I drank about four glasses of Sugar water because I was so afraid of fainting!! But I didn’t, and I was received well enough that it made my queasy stomach feel better. From there I cut my teeth on many of the local Bakersfield Honky Tonk stages. After sweating on my guitar behind chicken wire and stages no bigger than a small table for years. I got a call from the Buck Owens Crystal Palace saying they needed a band to fill in for a Tuesday night slot opened up by a band who called in sick. We never even took a break we had so much fun that night. Not long afterwards, we were asked to fill in on a Thursday night. But this night the owner (Mr. Buck Owens) happened to be there. I was scared to death (Where’s the sugar water??). But we pulled it off. He came up and shook our hands and said “nice work boys.” He ended up offering us the weekend gig, taking over for him after he got done playing his sets. Being the un-official house band, I have had the chance to meet and open for just about every hero I could have asked for. Buck’s words and wisdom of the Bakersfield Sound over the years, is truly something I’ll never forget. He was a good friend and a great mentor. The last time ...
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The Beaty Brothers Band is something that has grown out over years of friendships and experiences that can\'t be described in words. After arriving in New York City in August 2001 ...
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