| | Sensacao Pra Gente Se Encontrar De Novo CD Sensacao Discography of CDs
Reissue album from the Pagode band. Pra Gente Se Encontrar De Novo Music | List Price | $36.99 (You save $6.70) | | Category | World Albums, Brazilian CDs | | Label | Phantom | | CD Universe Part number | 1373550 | | Catalog number | 737931 | | Discs | 1 | | Release Date | Oct 16, 2007 |
Pra Gente Se Encontrar De Novo Review
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Don Ho's very name has become a veritable punchline. Yet his achievements can not be dismissed as easily as an obvious joke. Few recording artists have been so comfortable in so many genres--Don Ho masterfully handles anything ...
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As any quick perusal of old Top 40 rock & roll station playlists will attest, singles were where the shakin' action was, as rock & roll albums were scarce as hen's teeth back in those pre-Beatle days. But when the record companies decided to issue one, it was usually an artifact of high rockin' value and some major influence. Naysayers to the contrary, this debut album by the Northwest's first great rock & roll combo is just such an artifact. The Wailers dispensed crude, greasy, largely instrumental rock & roll music for those who came to shake it up and shake it down, and it's all on fine, rhythmic, open display here. This album is amazing in its own simplistic, nuthin'-special way, its crudity almost palpable. There's only one vocal aboard, Kent Morrill's "Dirty Robber," later covered and torched by the Sonics. Everything else is built on the riff-sturdy bones of their biggest hit, "Tall Cool One." With two guitars, piano, sax, and drums -- no bass player anywhere on here, another crudeness indicator of the times and locale it was recorded in -- all blasting away like they're working a VFW Hall dance, hoof shakers like "Wailin'," "Shanghaied," "Beat Guitar" (featured ...
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Recorded between 1988 & 1994. Includes liner notes by Patrick Fitzgerald.
A just and proper introduction to Kitchens of Distinction would take up enough room to fill out, oh, about four CDs. This is because, in the end, a convincing argument could be made for each album's status as the band's true best. This disc, Capsule: The Best of KOD 1988-94 -- no doubt a hair-splitting one to piece together -- does make for the second-best place to start, even though it makes the grave mistake of omitting "4 Men," a single that wrapped up all the group's strengths and all the pain that desire can inflict in one feverish shot. Rightfully so, the compilation touches upon each of the albums without heavily tilting the favor toward any one in particular -- three songs apiece appear from the first two albums, and five apiece are included from the last two. Excepting the popular success that was so deserved, this trio had everything: a sorcerer of a guitarist who could propel you over the clouds and then, seconds later, dunk you leagues deep into the ocean; a lively rhythm section that could emit a graceful force as well as whip up a thick, dubby underbelly; and a songwriter whose lyrics were, and still are, fit to be bound and gilded. While it's true that the Kitchens had numerous peers and a few antecedents, none of them quite approached their mix of compelling songcraft and dazzling atmospheric effects, which were never accentuated to hide instrumental shortcomings. ...
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Mixing the sort of booming double-drummer rhythms Gary Glitter had popularized years before with a certain post-postpunk cynicism and a remarkable flair for self-mythology, Adam Ant (born Stuart Goddard) and his cohorts, led by ex-Banshees guitarist Marco Pirroni and producer/drummer Chris Hughes, created a bubblegum-pop gem on the same level as the early albums by The Sweet and the Bay City Rollers (which is meant ...
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Tres Compadres is a modern flamenco ensemble that explores the boundaries of flamenco and fusion while embracing the elements of tradition that make this genre of music such an incredible art form. Inspired by such notable artists as Paco de Lucia, Gerardo Nunez, Tomatito, and Vicente Amigo, Tres Compadres continues the legacy of seeking new ways of applying musical growth to an old tradition.The concept behind the songs recorded on Que Pasa was to reflect the ensemble as a unit. This is not your ...
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