| | Legiao Urbana O Descobrimento Do Brasil CD - Import Legiao Urbana Discography of CDs
Audio Remasterer: Peter Mew.
Recording information: Discover Estudio.
Directors: Marcelo Bonfá; Joao Augusto.
Photographer: Flavio Colker.
Personnel: Renato Russo (vocals, guitar, dobro, sitar, keyboards); Marcelo Bonfá (vocals, keyboards, keyboard bass, percussion).
Audio Mixer: Guilherme Reis.
O Descobrimento Do Brasil Music Legiao Urbana O Descobrimento Do Brasil Songs | 1. | Vinte E Nove |
| 2. | Fonte, A |
| 3. | Do Espirito |
| 4. | Perfeicao |
| 5. | O Passeio Da Boa Vista |
| 6. | O Descobrimento Do Brasil |
| 7. | Os Barcos |
| 8. | Vamos Fazer Um Filme |
| 9. | Os Anjos |
| 10. | Um Dia Perfeito |
| 11. | Giz |
| 12. | Love in the Afternoon |
| 13. | Nuova Giobentu, La |
| 14. | So por Hoje |
| O Descobrimento Do Brasil Review
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Purchase O Descobrimento Do Brasil CD To buy, Click on price to add to cart | Joao Gilberto Amoroso/Brasil CD (1993)
O Descobrimento Do Brasil album
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$156.09 Six CDs, covering 1948 through 1960, and in that 400+ minutes you get an overview of the transition of postwar rhythm & blues from the black community to the heart of mainstream popular music. Disc one opens with their earliest sides from July 1948, when the quintet was still very heavily influenced by the Ink Spots. The group's music during this period grew rapidly in sophistication; their second session shows a startling level of confidence, the group embellishing the melody and harmony of their songs and transforming them into something new. The sound quality of some of the material on this disc is less than perfect, due to the state of the best available masters. Things get very interesting on disc two, with the first recordings to feature a string section (their first conscious effort at crossing over into the pop market. On disc three, they continued to record in their trademark sophisticated sound, although some songs also capture them at their bluesiest. Disc four catches the group moving into a fully mainstream R&B vogue, as well as Sonny Til's superb duets with Edna McGriff. Disc five covers the period of their biggest hit, "Crying In the Chapel" -- by 1953-1954, the Orioles were generally working in a kind of big-band R&B mode, and most of this material, in keeping with their success of the era, did get out. Disc six covers the tail end of the group's original period with Jubilee and then picks up for a coda in the 1960s. This material is a little less focused than much of what has come before, for the Orioles were competing in a crowded new arena of R&B-turned-rock & roll. The notes are fascinating, and the sound, apart from the bulk of disc one, is excellent, improving as the recording dates advance. ~ Bruce Eder
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$25.35 Richard Lee Armstrong Ojibwe music man, was born in 1943 on the Leech Lake Indian Reservation. Richard is an enrolled member of the Minnesota Chippewa Tribe. His father Everette J. Armstrong was a singing, mule skinnner. He was killed when Richard was one years old, while serving the Army Air Force during World War 2. His mother Virginia Susan Fairbanks also loved to sing. She remarried a lumberjack, Robert E. Otto. He was quite the entertainer, using his entire body to emphasize a song. Mother, brother, little sister, and Richard would join in when he played his harmonica. Richard came from a very musical family. Richard and his little brother Bob used to listen to the battery operated radio, because they never had any electricity.They listened to the Grand Ole Opry from Nashville Tennessee. Hank Williams, Ray Price, "Lefty", George Morgan, and Kitty Wells were some of the Great country singers who influenced Richard for the rest of ...
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