| | Veronique Sanson Laisse-La Vivre CD - Import Veronique Sanson Discography of CDs
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Veronique Sanson Laisse-La Vivre Songs Laisse-La Vivre Review
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Purchase Laisse-La Vivre CD To buy, Click on price to add to cart | Nini Rosso Il Silenzio CD (2007) (Import)
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| | Pink Martini Sympathique CD (1997)
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The first album by Portland, Oregon's tongue in cheek ...
| | Masters Of Acoustic Guitar CD (1997)
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| | John Zorn Complete Studio Recordings CDs (2005) Box Set
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| | Yasmin Levy Mano Suave CD (2007)
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Yasmin Levy has proved herself to be the leading exponent of Ladino song (Ladino is the language of the Sephardic Jews whose roots are in Spain). However, her previous albums have never quite captured her potential. This time, ...
| | Cilla Black Abbey Road Decade 1963-1973 CDs (1997) Import; Boxed Set
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This Cilla Black box set includes all of her Parlophone singles (A-sides and B-sides) from 1963 to 1973, rare songs, and previously unreleased tracks. A popular British singer in the '60s, Black used to have the same manager (Brian Epstein) and producer (George Martin) as the Beatles; Martin produced this collection.
Three CDs and 65 songs is probably more Cilla Black than most of us want to own. As it turns out, however, Black's output is far superior to the limited reputation the carries in the U.S., where she charted but a handful of songs. The material features all of Black's hits, all of her important B-sides, and album tracks; also, disc three is made up entirely of rarities, including some surprising demos like "Step Inside Love" from 1968 with Paul McCartney accompanying her on acoustic guitar -- it's almost good enough to have been released, which also proves that McCartney could have been a top session player if he hadn't made it in any other area. There's also Black's original rehearsal cut of "A Shot of Rhythm and Blues," a full-blown, Cavern-style Merseybeat performance with a band; a surviving Dick James Music acetate of Black's cover of "Fever," accompanied by Gerry & the Pacemakers; plus her unissued versions of "Heatwave" and "Shotgun," both among the best records she ever made, and closing with her mid-'70s cover of Phil Ochs' "Changes." All of the relevant tracks that weren't originally released in stereo have been remixed that way, and a good job was done of it, too. The surprise for most casual listeners will come from the non-hits -- even with her original ...
| | Charles Trio Brown Walkin' In Circles CD (1995)
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| | Los Pumas Del Norte Corridos Verdaderos CD (2001)
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| | Joey Tempest CD (2002) Germany
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| | Paolo Meneguzzi Lei E' CD (2003)
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$26.79 | | Mark Bransfield Night Time CD (2005)
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| | Dale Fielder Hipster CD (2002)
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B.E.T. Jazz Discovery Award winner 1999, Dale Fielder. If originality is the barometer of what truly makes a great jazz artist, Dale Fielder posesses this quality in abundance. It has earned him a position in the front ranks of saxophonists over the span of the last ten-plus years. In listening to Fielder perform today, it is without question that here is a saxophonist who has developed his own very personal and original voice. His originality can be experienced on several levels: he is a multi- instrumentalist that plays all three saxophones with equal authority; his original compositions and choice of rare, obscure jazz classics; and in his overall group concepts and constant variety of presentations. The integrity of his music and his strong belief in creating his own path is the most moving aspect presented by Fielder. He truly means so much of everything he plays, the effect of experiencing it, can best be described as "spiritual. Fielder is originally from the Pittsburgh, PA, area and is now based in Los Angeles, by way of eight years in New York City. The international jazz community has been watching Fielder's career with keen interest since he first stepped on to the national jazz scene in 1993 with his first recording. A critical success early on, critics have praised Fielder's work as a composer, comparing his writing to Charles Mingus, Wayne Shorter and Duke Ellington. As a saxophone stylist, the one name that constantly comes up is John Coltrane of whom Fielder calls "My Master and guiding light." Others have mentioned the influences of Wayne Shorter, Joe Henderson, Dexter Gordon, Mobley and Rollins in his tenor playing; Charles Parker, Jackie McLean, Dolphy, Stitt and Donaldson, as well as that of his friend and mentor, Charles McPherson, in his alto playing. This new recording introduces the great talent of young pianist, Danny Grissett and also features long-time associates Thomas White, drums; Trevor Ware, bass and Fielder's nephew, Baltimore percussionsit Robert White, Jr. Fielder's most mature date yet, it features almost entirely new Fielder compostions and his strong passionate playing. When recently asked about his development as a saxophonist, Fielder had this to say: "Well, ...
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