| | Casino Royale Sempre Piu Vicini CD Casino Royale Discography of CDs
Casino Royale Sempre Piu Vicini Songs | 1. | Sempre Pił Vicino |
| 2. | Suona Ancora |
| 3. | 9° Configurazione |
| 4. | Anno Zero |
| 5. | Ogni Singolo Giorno |
| 6. | Cose Difficili |
| 7. | 9° Configurazione (Reprise) |
| 8. | Sei In Fila |
| 9. | Pronti Al Peggio |
| 10. | Lunacezione |
| 11. | Tesurasan |
| 12. | Guarda In Alto |
| 13. | Musica Di Bordo |
|
Sempre Piu Vicini Review
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With her "Dancing Light" CD, flutist, composer, producer (Renaissance woman) Radhika Miller celebrates 25 years of recording. The album marks her twenty years of collaborating with the great cellist David Darling (ECM, Paul Winter) and versatile pianist Tony D'Anna. The trio is well versed in both classical and jazz genres and display a remarkable skill at improvising. The music is graceful, uplifting, soothing and inspired.Radhika's twelve albums are all excellent music for relaxation. She has studied and taught yoga and meditation for over thirty years. She has led music meditation workshops at Dr. Dean Ornish's retreats for heart patients. She has sold nearly half a million albums and has received thousands of testimonials as to the healing effects of her music. "Classically based serenity" as one distributor describes it. "Let the harmonious tones of Radhika's flute breeze into your heart like a gentle caress." Stephen Hill, Music from the Hearts of SpaceBiography:Radhika Miller was born and raised in San Francisco, the fifth of nine children. Her parents encouraged a creative childhood in a home complete with puppet theater, ballet bars, pianos, painting easels, dance room with a real juke box, and family sing-a-longs led by a mother who is a professional soprano as well as an accomplished pianist. At age six, Radhika started her own piano lessons. By nine she had discovered the works of Stravinsky and Bartok, whose modern tones spoke to her in a language that sparked an early interest in composing. Her love of choral music led to singing with the San Francisco Symphony Chorus where she met Louis Magor, the renowned conductor. Under his mentorship, she found an artistic model of pure tone that she emulates today in her flute playing."It was on a whim," says Radhika, "that I began playing the flute in college. Inspired by a passage about the flute in a yoga book, I decided to try one, find a good teacher and spend about six hours a day studying it." By the end of her first year she was studying at the Academie International in France, with Jean Pierre-Rampal. Three years later she graduated from San Francisco State University with a Bachelor's Degree in Music, with an emphasis in flute, composition, and choral music. A desire to link the human voice with an instrument and to unite imagination ...
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Before the Tubes nabbed an MTV-fueled pop hit in 1983, this art rock group from San Francisco was one of the cultest of cult favorites. Led by the flamboyant and glammy Fee Waybill, the Tubes were initially more a collective of performance artists who came together in music, blending the bizarre with the hilarious, creating a live show that became an underground sensation. A generous double-disc set, GOIN' DOWN...THE TUBES, captures the aura of the act's 1970s incarnation, one of the unique musical forces of the rock era.
Although they are known to modern listeners as the band behind the new wave gem "She's a Beauty," the Tubes had an entirely different career during their mid- to late-'70s tenure on the A&M label. Working with gifted producers like Al Kooper and Todd Rundgren, the group created a body of work that fused prog rock instrumental virtuosity, the sarcasm of new wave, and Frank Zappa-styled musical satire into a style all its own. Listeners get a great chance to sample the Tubes' ambitious style on Goin' Down, a generous two-CD compilation that includes all of their radio favorites, album tracks from each of their A&M releases (including the Remote Control album in its entirety), and most of the rarities that had previously appeared on T.R.A.S.H. (Tubes Rarities and Smash Hits). The end result is one-stop shopping for any listener who wants to get all the highlights of their 1970s work without having to hunt down the group's often inconsistent albums. Songs like "What Do You Want from Life" and "Don't Touch Me There" sound as eccentrically witty as ever, but the real surprises are the album tracks: "My Head Is My Only House Unless It Rains" is a surprisingly subtle ballad full of hypnotic synthesizer textures, and "This Town" skewers big city life over a tune that re-creates the vintage Frank Sinatra/Dean Martin lounge pop sound with surprising faithfulness. ...
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