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This 1987 album by French pop vocalist Pierre Bachelet includes "Destiny" and "Reviens Chez Nous."
10 Songs Released In 1987 By Very Succesful French Singer Pierre Bachelet. Pierre Bachelet Songs | 1. | Vingt Ans - (French) | |
| 2. | Mal a Vie - (French) | |
| 3. | Destiny - (French) | |
| 4. | L'Amour a Fleur de Peau - (French) | |
| 5. | Reviens Chez Nous - (French) | |
| 6. | Partis Avant D'Avoir Tout - (French) | |
| 7. | 2001 le Pied Sur la Lune - (French) | |
| 8. | L'Argument du Seducteur - (French) | |
| 9. | C'Est pour Elle - (French) | |
| 10. | Tout Se Ressemble, Rien N - (French) | |
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Purchase Pierre Bachelet CD To buy, Click on price to add to cart | Patrizio Buanne Patrizio CD (2009)
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Loreena McKennitt's A MEDITERRANEAN ODYSSEY collection includes an 11-track anthology of her more Mediterranean-influenced works entitled OLIVE AND ...
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Personnel: Lawrence Welk (accordion).
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Myron Floren was best known as the accordionist on The Lawrence Welk Show between 1950 and 1982.He was highly regarded by bandleader Lawrence Welk, who was an accomplished accordion player in his own right. He has been seen in a hosting role of repeats of The Lawrence Welk Show on PBS.Growing up on a farm near Roslyn, South Dakota, Myron took ...
| | Fred Frith Eye To Ear CD (1997)
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Avant-garde electric guitarist Fred Frith has a long resume. There seems to be very little that Frith can't do. The musician is known for his work with pioneering art rockers Henry Cow, for his own wildly innovative solo work, and for collaborations with musicians from all over the world-most notably with New York super-experimentalists John Zorn and Bill Laswell. EAR TO EYE is a collection of pieces Frith has composed for film and theater, ...
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$26.59 | | Forest Sun Plenty CD (2001)
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Forest Sun -- his real name -- is a Bay Area songwriter who inhabits a musical world populated by the spirits of ghosts and peers and somehow in his songs manages to keep all those identities separate from his. Indeed, in these ten small gems, Sun offers the Muse the gift of his voice to write and sing though. Traces of rock & roll's past, present, and hopefully future mingle with progressive folk music, textured, moody pop, and a healthy sense of literary finesse. These elements wind together in these songs much as they do in the better work of Joseph Arthur, the groove/soul of Terry Callier, the British Isles progressive folk and rock styles of Paul Brady and early John Martyn, and even the occasional restless country-soul of Lefty Frizzell. The set opens with "Alchemy," a prayer so pure in its humility and so fierce in its lurid delivery it could only have been born from the bosom of rock. Sun's electric and acoustic guitars meet Daniel Schacht's elliptical bassline in a dance of yearning. As if to underline the importance of words like: "Love will lay down like a lion at our feet/Your eyes tell the story/That your words can't hide." Dan Foltz's rumbling drums meet the florid percussive interludes of Sun's own congas that accent the end of each line. Another standout is "Red Umbrella," which holds the Celtic soul-brother sung poetics of Van Morrison to the flame of slippery blues and a Caribbean shuffle. It's an easy, deep soul love song (or lust song) that for once puts the low-belly beat inside the body of the tune's lyric concerns. In fact, if it wasn't for Sun's sensual vocal delivery and subtle groove sensibility that allows Matt Henry Cunitz's B3 and Alex Budman's saxophones to waft their way through the middle of the cut, heating up the mix all around the singer, it would just be another folk love song instead of a languid, dripping seduction number. This cat has what it takes to make a mark, if only in a limited way like Dave Carter and Tracey Grammer or perhaps, if he's lucky, a writer like Chris Smither. Sun's music is timeless, which is both its greatest asset and its greatest drawback. Plenty is as fine a singer/songwriter record as is out there. Check it out for yourself: www.paintedsun.com. ~ Thom Jurek
" There are times when one positively reels at the gross injustices in the world --- poverty, hunger, Middle Eastern tomfoolery, war, reality TV, natural disasters, and the fact that Dave Matthews gets gobs of fawning press and the adoration of fans everywhere while Forest Sun toils under relative obscurity. Who? Exactly. But you read it here first: PLENTY, Sun's newest album, is on eof the best CDs of 2002, and no, it really doesn't matter that we're only halfway through the year. Forest Sun (his real name) is a San Francisco based singer/songwriter who others in the press have compared favorably to Jack Johnson, Ben Harper, and Van Morrison. But the comparisons generally end there, as if that were enough. It's not. Sun is all that and a bowl of gravy. By blending soul, blues, jazz, gospel, and a touch of 20th centure "Americana," Forest Sun has managed to carve out a niche that is uniquely his, one which sounds remarkably like all of the above (and a little Keb'Mo' added to the mix) without the unsettling feeling that he's copping others' licks. His is a style of naked, earnest sincerity, with the kind of soul-baring lyrics one expects of someone at least a generation older. What's more, Forest Sun is the consumate musician. Sophomore effort PLENTY features him on -- among other instruments-- ...
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Track Listing of songs: Summertime; Carelessly; I'm Goonne Lock My Heart; I've Got My Love To Keep Me Warm; A Fine Romance; Who Loves You; Those Foolish Things; If You Were Mine; Let's Call A Heart To Heart; Twenty Fours Hours A Day; Mean To Me; Miss Brown To You; He's Funny That Way; Loverman; I Can't Give You Anything But Love; That's Life I Guess; Gettin' Some Fun Out Of Life; This Is My Last Affair; A Sailboat In The Moonlight; ...
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| | Amoeba Crunch Sixteen Worlds CD (2007)
Pierre Bachelet album
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Amoeba Crunch creates music that might be described as forestronic. Think of ambient dub mixed with folk rock, field recordings, and hummable hooks. Think of experimental, electro-acoustic noodling tossed into liquid nitrogen and flash frozen into concise pop structures. Think background music that likes to crash into the foreground.Amoeba Crunch is the soundtrack to what you'd rather be doing. It's the soundtrack to a day spent sitting and watching at what others consider a waypoint. It's the soundtrack to a nonexistent short film featuring a bookie, a pastry chef, and the Deputy Secretary of Weights and Measures carrying a large burlap sack through the woods.Amoeba represents ambient qualities; curves and segues, soft textures and the embrace of the subtle. Crunch represents edginess, experimentation, and the recognition of the power of dissonance and volume. So Amoeba, yet Crunch.Sixteen Worlds brings you the beauty of forgotten places and unobserved events. It is the sound of rituals that signify nothing, the sound of finding things that were never lost, and the sound of thirty-two angry monkeys fighting over a drum kit.If this album could talk (it is mostly instrumental), it would tell you about how much it digs bands where the members swap instruments and are only too happy to have a steel drum on stage. It would tell you about how the rise in urban exploration is rooted in the decline of interactive fiction. It would argue in favor of specifying both east and west poles. It would relentlessly harangue NASA for less low Earth orbit and more outer planets. ...
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