| | Shadows/Out Of The Shadows CD - Import Shadows Discography of CDs
 (2 Customer Reviews)
In 2000, EMI released Shadows/Out of the Shadows, which contained two of the Shadows' first Columbia releases from the early '60s on one convenient disc. ~ Rob Theakston Shadows/Out Of The Shadows Music Shadows/Out Of The Shadows Songs Shadows/Out Of The Shadows Music Review Average Rating: (4 out of 5 stars)   The Original
I like this CD, its a real copy of the the original albums. So many times you get the filtered down versions of the original albums. This CD has all the the songs of their original release. A lot of vocal tracks. Many people don't know, Hank And Bruce used to imitate the Everly Brothers. A great one for Shadows fans.
Submitted by alainjs22 (Orlando,Fl)
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 Good instrumental sound from the early sixties
This original lp from 1961(The Shadows)and Out of The Shadows 1962 content different sound because shanging of personell in 1961/1962.Drummer Brian Bennet replaced Tony Meehan autumn 1961,and Brian Locking replaced Jet Harris april 1962.In my oppinion Brian Bennet shange the drumsound to a better tighter powerful drumsound.Listen to Little B, a superb drumsolo(Out of the Shadows).Brian Locking was not so fast bassplayer as Chet Harris,but he was more stedy.In Autumn 1963 Brian Locking was replaced by John Rostill,The groop best bassplayer ever,and this combination was a sucsellfull won during the sixsies to the late end of 1968.Anyhow this is superb instrumental music,and i have the orignal lp from that time,and on good equipment i prefere the sound of vinyl.
Submitted by Jarle (Norway)
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Buy Shadows/Out Of The Shadows CD Purchase Shadows/Out Of The Shadows CD To buy, Click on price to add to cart | Shadows At Their Very Best CD (2000) (Import) England; United Kingdom
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Today the most recognition the Animals get is "House of the Rising Sun" being played on oldies radio, but in the mid-1960s they were a powerful part of the British Invasion, often reckoned on a par with the Beatles, the Stones, and the Who. Like those bands, the Animals had strong roots in blues and R&B, but, in their original incarnation, they stayed closer to those roots than their peers did. This definitive compilation, masterfully assembled by the ABKCO think tank of Teri Landi and Jody Klein, shows the tough, uncompromising use to which the Animals put their American influences. John Lee Hooker's "Boom Boom" is recast as a raw garage rocker glazed with Alan Price's sinister organ riffs, and the aforementioned "House of the Rising Sun" is transformed from a traditional folk lament to an urgent, ominous piece of churning tumult.
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So long, farewell...the Shadows had been around so long that it felt like they'd go on forever. But their tours had been growing more sporadic as the years piled up behind them and, when 2004 brought the news that they were finally closing the lid on their career, it was difficult not to shed a tear for auld lang's syne. Of course they wouldn't really be gone; almost from the moment the first CD fell off the pressing plant, the Shadows have been subject to one of the most vociferous reissue/remastering campaigns of all. All their absence would really mean was, no more "new" albums to compete with the oldies. Well, almost. There would be one more. Recorded on that final tour, to be spread across both a two-CD package and ...
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This second album by the Washington, D.C.-area quintet with the ungainly name of the Shook-Russo Quartet featuring Greg Gisbert is a well-performed, straight-ahead bebop jazz effort of a sort that could have been heard any time since the mid-'40s, though its primary locus would be, say, 1955. In the tunes, all originals written by either bassist Amy Shook or saxophonist Pat Shook, a "head" theme played in unison by Pat Shook and Gisbert gives way to solos, usually first by Pat Shook and then by Gisbert, with the other bandmembers ...
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