| | Sodom Get What You Deserve CD Sodom Discography of CDs
Come 1994's rather dreadful Get What You Deserve album, Germany's Sodom weren't just treading creative water, they seemed to be taking a piss! Seriously, or are we to take clever ditties like "Jabba the Hutt" and "Tribute to Moby Dick" with anything but an industrial-sized, proverbial grain of salt? Except for the mildly interesting title track, and the almost convincing "Silence Is Consent," it was abundantly clear that lone remaining founding member Tom Angelripper was running through the motions on this L.P. Making matters worse, any leftover pretense of selling Sodom as a true "band," had been rendered moot by the faceless yabbos that surrounded him, this anonymous pair owning about as much on-stage charisma (never mind contributing songwriting talent) as a pack of cliff-bound lemmings. The bottom line is that Sodom had ceased having anything worth saying in the extreme metal universe at least a half-a-decade prior, making this particular release the sort of stuff for blind idolaters and soft-hearted thrash metal martyrs. ~ Eduardo Rivadavia
Recorded in 1993.
Sodom includes: Tom Angelripper (vocals); Andy Brings (guitar); Atomic Steif (drums).
Get What You Deserve Music Sodom Get What You Deserve Songs | 1. | Get What You Deserve |
| 2. | Jabba the Hut |
| 3. | Jesus Screamer |
| 4. | Delight in Slaying |
| 5. | Die Stumme Uresel |
| 6. | Freaks of Nature |
| 7. | Eat Me |
| 8. | Unbeury the Hatched |
| 9. | Into Perdition |
| 10. | Sodomized |
| 11. | Fellows in Misery |
| 12. | Moby Dick |
| 13. | Silence Is Consent |
| 14. | Erwachet |
| 15. | Gomorrah |
| 16. | Angel Dust |
| Get What You Deserve Music Get What You Deserve Review
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Purchase Get What You Deserve CD To buy, Click on price to add to cart | Breaking Benjamin Dear Agony CD (2009)
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$13.15 Jake Armerding's eponymous second release is reminiscent of a style and sound that might be traceable to Alison Krauss. Though she did not produce this effort, it sounds rather much like she could have, as it strays not far at all from the formula Krauss infuses her own work and that of her protégé band, Nickel Creek, with. It's not that there's anything particularly wrong with the formula; it's more that there's nothing particularly special about its results. Armerding's writing, performing, and producing are not what would be considered especially offensive to the senses. Yet the sum total of the album is far more sanitized and safe than it is challenging and engaging. The things Krauss have going for her are her distinctive voice and amazing backing band. Even Nickel Creek has their soaring harmonies to fall back on. Armerding has none of that in his corner. He's out there trying to do it all on his own. Perhaps that's where things went astray. ~ Kelly McCartney
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