| | Piquet Faulty Caress CD - Import Piquet Discography of CDs
Faulty Caress Music | List Price | $13.99 (You save $0.84) | | Category | Rock/Pop Albums, Rock CDs, Pop, Alternative | | Label | Parallel Series | | Orig Year | 1996 | | CD Universe Part number | 1392765 | | Catalog number | 31570 | | Discs | 1 | | Release Date | Jan 01, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | United Kingdom |
Piquet Faulty Caress Songs | 1. | Feed #1 |
| 2. | Caress |
| 3. | Feed #2 |
| 4. | Alone in Stone |
| 5. | Paraph |
| 6. | Pre-Remains |
| 7. | Remain |
|
Faulty Caress Review
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Purchase Faulty Caress CD To buy, Click on price to add to cart | Gov't Mule By A Thread CD (2009)
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BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than either Woody or Hess. Carlsson and drummer Matt Abst are a solid match, since Abst is a drummer used to shifting time signatures and allowing the unexpected in while still driving a band. The band's keyboardist and rhythm guitarist, Danny Louis, is a shape-shifter, playing to whatever is needed in a given track. His manner of coloring sounds inside and around a particular tune's framework is a large part of what makes Gov't Mule's sound so fresh here - despite the fact that they don't stray far from what they do best. Warren Haynes and his guitar are, as usual, front and center, his guitar screaming, his big throaty growl hammering down lyrics like a Southern fire-and-brimstone preacher with earthshaking soul. The material on this set is tight; there is less jamming but Gordie Johnson's production and mixing equalize everything at ten, making it feel like the disc is recorded live.
The set opens with the pulsing bass throb of "Broke Down on the Brazos," just before Haynes and guest guitarist Billy Gibbons enter and let the tough, riff-laden blues snarl ...
| | Creed Full Circle CD (2009) Digipak
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Getting right back to where they started from, Creed reunites for Full Circle, putting all tensions to rest and cutting their first album in eight years. FULL CIRCLE is a none-too-subtle allusion to how they're getting back to their beginnings, but a cynic could say they never got much past it, toiling the same weathered ground on each of their albums, but this bears some subtle differences, particularly in how Creed sounds heavier yet more open than they did in the past. While they're still delivered with the finesse of a hammer on a railroad ...
| | Michael Jackson - Video Greatest Hits - History V. 2: On Film DVD (1997)
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| | Backtracks CDs (2009) With DVD; Box Set
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| | Beatles The White Album CDs (1968) Limited Edition; Remastered; Digipak; Enhanced CD
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Each copy of this limited edition is sequentially numbered. The packaging recreates the original double-gatefold sleeve and includes the original poster as well as the individual photos of each band member.
Additional personnel includes: Yoko Ono (vocals); Eric Clapton (electric guitar); Mal Evans (trumpet, tambourine); George Martin (piano, harmonium); Chris Thomas (harpsichord, Mellotron); Maureen Starkey, Patti Harrison (background vocals).
This reissue of THE WHITE ALBUM has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album.
THE BEATLES (generally known as "The White Album" because of its cover) was a sprawling two-record set, highlighting the distinct personalities in the group as they ...
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| | Galactic Ruckus CD (2003)
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On their fourth studio album proper -- Vintage Reserve was a best-of, and We Love 'Em Tonight was a live offering -- Galactic wholeheartedly move not so much away from their past as a bad-ass New Orleans jazz & roll concern, as they move toward another of its traditions: Voodoo funk. There is a twist though. Not merely content to grasp the Mardi Gras Indians or Dr. John esthetics, Galactic points firmly toward the technological present with their primordial groove machine music. Drummer Stanton Moore uses as many loops as he does organic drums, bass, bass, and more bass is the order of the day, and strange keyboard sounds come bubbling under like some lost Lee Perry session gone digital. Does that make this a techno or an electronica record? C'mon. Ruckus is a spooky ride to the other side of midnight. The party is either gonna break out or break up; it exists on the edge of that fine distinction, that moment in time when anything is possible. And possibility is what Ruckus is all about: simmering organ grooves encounter striated acoustic and electric guitars under a series of syncopated rhythms by Moore on "Bongo Joe." Jagged synth lines by Richard Vogel meet ragged-then-overdriven guitars from Jeffrey Raines on "The Moil," and monstrous tom tom loops collide with basslines and keyboard riffs before Raines comes in on the acoustic bottleneck to smooth out the off-kilter funk on "Kid Kenner." This is music as the deconstruction of a sonic palette, as the deconstruction, death, and rebirth of a band. And, like Medeski, Martin and Wood before them, Galactic is all the better for its brave new world direction. Ruckus is no less a roots album than Coolin' Off was. But perhaps it is more so because in order to use all this gear and create the kind of ass-burning grooves the band comes up with, there is only one place to go to find the source: rhythm itself (if you need further evidence check out "The Beast," and let it ...
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'Starlight Avenue,' the debut album by Tim Harris was released in May 2007 by 1979 Records. As a singer-songwriter, Harris wanted a big sound on the album. "I grew up listening to ELO and Supertramp and loved the way that these bands layered up their songs." Harris spent the early part of 2006 writing the songs for the record. "I'd stay up late at night banging around on the piano and once the songs had been written I wanted to find a producer who had a similar musical background." Producer David Carr (Taxiride, Antiskeptic and Paperadio) agreed ...
| | Cecilia Garcia Daja Vu (Canciones Sin Olvido) CD (2007)
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| | Lil Jay Future Of TH@ South CD (2008)
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I'm in tha Building . . as the title of my Album is self explanatory entitled: "Future of th@ South". . My name is Jamarrius "LiL Jay" Giles (age 14) and I am an 8th Grade student at Haywood ...
| | Damned Best Of CD (2008) Import
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