| | N-Trance Happy Hour CD N-Trance Discography of CDs
N-Trance's second full-length album Happy Hour finds the group crafting more sample-friendly, hip-hop-tinged dance-pop. The album includes international hit singles like "Da Ya Think I'm Sexy?" based on the Rod Stewart hit of the same name and "Paradise City" which borrows the riff from the Guns N' Roses original. Crystalline synth-pop ballads like "Tears in the Rain" and dance numbers like "D.I.S.C.O." are also included, along with two of N-Trance's earliest hits, "Stayin Alive," and "Set You Free." Happy Hour is a fine collection of N-Trance's slick, expertly crafted Euro-dance-pop. ~ Heather Phares
Japanese Release To Include Exclusive Bonus Tracks: So High, Take Me Home Tonight, & 2012.
Additional personnel includes: Kelly Llorenna, Jerome Stokes, David Grant (vocals); Ricardo Da Force (rap vocals).
Japanese version includes three bonus tracks.
N-Trance: Kevin O'Toole, Dale Longworth.
N-Trance Happy Hour Songs | 1. | Da Ya Think I'm Sexy  |
| 2. | Tsunanmi |
| 3. | Andare con Me |
| 4. | Self Destruct |
| 5. | Amadeus |
| 6. | If |
| 7. | Superstition |
| 8. | D.I.S.C.O. |
| 9. | So High |
| 10. | Take Me Home Tonight |
| 11. | 2012 |
| Happy Hour Review
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Purchase Happy Hour CD To buy, Click on price to add to cart | Bananarama True Confessions CD (1986)
Happy Hour album
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| | Bananarama Pop Life CD (1991)
Happy Hour CD music
$9.85 1991's POP LIFE, the only Bananarama album featuring Jacqui O'Sullivan (who replaced original member Siobhan Fahey when Fahey married Eurythmics' Dave Stewart and left to form the more experimental Shakespear's Sister), is an all-out dance record in the tradition of Soul II Soul and other then-fashionable UK dance outfits. POP LIFE downplays the disco-style Hi-NRG beats and somewhat ...
| | Bananarama Wow! CD (1987)
Happy Hour music CDs
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| | Bananarama Deep Sea Skiving CD (1983)
Happy Hour songs
$9.85 Bananarama's first album is by far their best. Before they fell in with the lucrative but often boring Stock, Aitken & Waterman assembly line starting with 1986's True Confessions, Siobhan Fahey, Sarah Dallin, and Keren Woodward were unashamedly poppy, but they had enough artistic credibility to create a debut album that, barring a couple of small missteps, actually works as an album instead of a collection of singles with some filler. (They were even hip enough for their first single to be produced by ex-Sex Pistol Paul Cook.) Of course, the singles are terrific. There are four British chart hits in these 11 songs, and every one of them still sounds terrific, where later hits like "I Can't Help It" are terribly dated. The slinky "Shy Boy" and a rattling cover of the Marvelettes' "He Was Really Sayin' Somethin'" (co-starring the trio's early mentors Fun Boy Three) are classic girl group songs updated for the '80s, every bit as credible as any mid-level Spector or Motown singles. That Cook-produced debut single, "Aie a ...
| | Bananarama CD (1984)
Happy Hour album
$9.95 For their second album, Bananarama underwent a telling change in persona, from the flyaway-haired, overall-clad everygirls of Deep Sea Skiving into a sleeker and glammier look. Similarly, the album has a much more polished feel than the occasionally scattershot debut, which is not always a good thing; sticking with Tony Swain and Steve Jolley to produce the whole thing (the duo had shared production duties with three others on the debut), Bananarama traded their early tropical-tinged playfulness and ironic overtones for a more commercial sound that scored well on the charts (the terrific opener "Cruel Summer" was a worldwide hit, and several other tracks were U.K. hits) but was less unique than before. What's most ...
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| | Toe Fat II CD (1971)
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$19.79 Having represented the first half of their curious moniker on the cover of album number one, Toe Fat proceeded to address the second on album number two, the imaginatively named Toe Fat II, with what appears to be a battle scene, pitting some species of alien lard against assorted roast chicken parts and a helpless bunch of grapes. Oh, and if you think that makes no sense, little else about the group's sophomore slump, which was released by Motown's rock imprint ...
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