| | Arno La Francaise CD Arno Discography of CDs
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Our Price: $10.49 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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Arno La Francaise Songs | 1. | Depuis Ce Jour La |
| 2. | Les Yeux de Ma Mere |
| 3. | Laisse Moi Danser |
| 4. | Elle Pense a Lui |
| 5. | Marie Tu Mas |
| 6. | Danseuse de Java |
| 7. | T'Inquiete Pas |
| 8. | Le Bon Dieu |
| 9. | Tu Sais |
| 10. | Je Ne Veux Pas Etre Grand |
| 11. | Seul |
| 12. | Oui la Bas |
| 13. | Comme a Ostende |
| La Francaise Review
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$13.49 Chris Potter took his electric band, Underground, on the road throughout 2005, trying out new material and working through some of his gems. This Sunnyside date is the first time this band has been in the studio together. Underground features Potter playing tenor saxophone exclusively, guitarist Wayne Krantz (in a rare sideman role to be sure), Craig Taborn on Fender Rhodes, and drummer Nate Smith. Right, that's not an error: there's no bassist. The program is diverse, featuring six Potter originals and some startling choices for covers: Billy Strayhorn's "Lotus Blossom," Lennon and McCartney's "Yesterday" (which also features Adam Rogers on an additional guitar), and the Radiohead tune "Morning Bell." The obvious question is whether this a "fusion" record. The answer would have to be yes, given the knottiness of the arrangements, the twisting and turning original tunes, and the phrasing between Krantz and Taborn. But then, that's an obvious answer. The less obvious one is that this is fully an electric jazz record with plenty of groove and some swing in the mix, too. Potter is a fine composer and understands the strengths of the bands he writes for. He never leaves notions of hard bop or post-bop out completely -- check out the opener for evidence with its knotty head that echoes the Jazz Messengers. "Morning Bell" is beautifully illustrated here. Potter tempts the melody to come out of his horn, and then moves around and through it to bring out something else entirely. Krantz's gently pulsing guitar work and Taborn's painterly touch in the lower register keeps the dynamic static until the tension builds and then releases again. "Lotus Blossom" will piss off some because of its soft, space-age atmospherics at the beginning and Taborn's strange illustrative tinkling around Potter's melody. It feels so nocturnal, but more like Sun Ra haunting the backdrop ...
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