| | Elevators Linoleum CD - Import Elevators Discography of CDs
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Our Price: $17.09  CDFor Sale Limited Availability
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Elevators Linoleum Songs | 1. | No Business |
| 2. | Separator |
| 3. | Cockroach |
| 4. | 3 Am |
| 5. | Banada Bells |
| 6. | Tijuana Extension |
| 7. | Somewhere In Mukkula |
| 8. | Night In Hesberia, The |
| 9. | Link-A-Ping |
| 10. | Khe Sanh |
| 11. | Just Say Oh |
| 12. | Jehovah |
| 13. | Burn The World |
| 14. | ############## |
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Linoleum Review
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Purchase Linoleum CD To buy, Click on price to add to cart | Norah Jones Fall CD (2009)
Linoleum
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With The Fall, Norah Jones completes the transition away from her smooth cabaret beginnings and toward a mellowly arty, modern singer/songwriter. Jones began this shift on 2007's Not Too Late, an album that gently rejected her tendencies for lulling, tasteful crooning, but The Fall is a stronger, more cohesive work, maintaining an elegantly dreamy state that's faithful to the crooner of Come Away with Me while feeling decidedly less classicist. Some of this could be attributed to Jones' choice of producer, Jacquire King, best-known for his work with Modest Mouse and Kings of Leon, but King hardly pushes Norah in a rock direction; The Fall does bear some mild echoes of Fiona Apple or Aimee Mann in ballad mode, but its arrangements never call attention to themselves, the way that some Jon O'Brien productions do. Instead, the focus is always on Jones' voice and songs, which are once again all originals, sometimes composed in conjunction with collaborators including her longtime colleagues Jesse Harris, Ryan Adams, and Will Sheff of Okkervil River. In addition to King's pedigree, the latter two co-writers suggest a slight indie bent to Jones' direction, which isn't an inaccurate ...
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Much like 2001's SONGS I HEARD and 2004's ONLY YOU, 2009's YOUR SONGS finds vocalist/pianist Harry Connick, Jr. coming up with an urbane, passionate set of American popular standards and contemporary pop classics that he both performs and orchestrates. While his previous recordings leaned toward the classicist side--ONLY YOU featured songs of the '50s and '60s--YOUR SONGS features a more eclectic mix of standards and pop songs, with Connick's own lush orchestration lending an overall aesthetic of languid romanticism. To this end, Connick turns Billy Joel's "Just the Way You Are" into a kind of Herb Alpert-inspired '60s pop nugget and, conversely, the Beatles' 1964 classic "And I Love Her" gets a kind of '70s Latin lounge feel with classical guitar flourishes. However, Connick isn't only concerned with reworking tunes in unexpected ways; on the contrary, longtime fans of Connick's swinging neo-crooner vocals will be pleasantly surprised by his straightforward takes on "The Way You Look Tonight" ...
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Chico Science & Naçao Zumbi was undoubtedly one of the best and most creative bands to emerge in Brazil in 1990s. Their fantastic debut, Da Lama ao Caos, with its raw, powerful blend of hardcore, rock, maracatu, and samba has already been considered a classic for some time. This collection brings together some of the best tracks from the band's first three albums. That is, the ones recorded before Chico Science's tragic and much ...
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| | Kiss Kiss Meek Shall Inherit What's Left CD (2009) Digipak
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THE MEEK SHALL INHERIT WHAT'S LEFT, the much-delayed second album from New York-based indie rock band Kiss Kiss, continues in much the same vein as their celebrated debut REALITY VS. THE OPTIMIST. Opener "The Best Mistake" starts the album off in typically understated fashion, melding soft, classical-tinged piano strokes with lush guitar chords before singer Joshua Benash establishes his presence with vocals that are equal parts sweet tenor and gut-wrenching emotional hardcore. "Innocent" (half of a suite on the album) recalls the romping Eastern European folk of Gogol Bordello, while "Plague #11" and "Hate" blur the lines between Baroque pop and barbed-wire punk. Musically, the developments are subtle: Rebecca Schlappisch's violin isn't quite so prominent as a lead instrument, with the focus more on the contrast between the violin, softer piano motifs, and dissonant, post-hardcore-influenced guitar sections. The ...
| | Roger Troutman More Bounce To The Ounce And Other Hits CD (2005)
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