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Skooshny Even My Eyes CD

 Skooshny Discography of CDs

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Skooshny's second release for London's Minus Zero records is comprised of just three "new" songs, circa 1996; the rest of the tracks were songs written between 1992-1994, including the four tracks included on the band's 1992 Holy Land EP. Overall, the collection has a rough and unfinished demo-quality sheen, and while some of the songs themselves are top-notch paeans to broken hearts and shattered dreams, lyrically they're a little clumsy and not as accomplished as songs by others who were doing the same type of thing at the time. Nevertheless, the spirit and approach here is a throwback to a songwriting style more prominent in the '60s -- including Love, the Byrds, and the Left Banke -- even as it's also inspired by a wide assortment of '80s L.A.-based "paisley pop" influences. Most of the songs are written by guitarist/songwriter/singer Mark Breyer, a few are by guitarist Bruce Wagner, and two are collaborations between them. Drummer David Winogrond doesn't appear on many of the tracks here, replaced instead by computerized drum programs. The collection -- co-produced by Beach Boys engineer Jeff Peters -- is sparkling with folk-rock jewels, and begins with the serpentine jangling title track, "Even My Eyes," which kicks off with a semi-psychedelic riff fusing an "Eight Miles High"-style riff. Breyer's affected, reedy voice may take some getting used to; he doesn't sound like anyone else in particular, though the careful listener may detect a British inflection now and then. "Holy Land," written by Bruce Wagner, is a more somber ballad, but not as somber as "You Can't Love Me," a demo-ish track highlighted by Breyer's Robyn Hitchcock-ian vocal and guest musician Peters' multi-tracked guitars, keyboards, bass, and computerized drums. Spirited keyboards, oohing background vocals, and a multitude of various acoustic and electric guitars overlap each other on "Private Jokes." The harder-edged and vaguely Love-inspired "Tonight" is probably the most accomplished track overall, especially compared with the track that follows, 1990's appropriately titled "Time Goes Fast." ~ Bryan Thomas

"...that rarest of breeds, an album that sounds totally self-contained and complete...Pain, heartache and loss never sounded so gorgeous."--MOJO (UK)"...an irresistible era-defying classic."--The (London) Sunday Times (UK)"Album of the Week!"--Swedish Broadcasting Corporation (Sweden)Skooshny has its own sound, although certainly The Everly Brothers, The Beatles, The Byrds, Love, The Left Banke, and especially The Kinks paved the way.Skooshny writes and produces great songs--lyrics that keep you listening, dynamics that draw you in, melodies that stick in your head--enhanced with delicate strings, blistering guitar, and blissful harmonies.
Even My Eyes Music


Detailed Even My Eyes Music Information



Category Rock/Pop Albums, Rock CDs, Folk Rock
Label Minus Zero
Orig Year 1996
CD Universe Part number 1400374
Catalog number 36233
Discs 1
Release Date Jun 20, 2000
Studio/Live Studio
Mono/Stereo Stereo
Recording Time 51 minutes
Skooshny Even My Eyes Songs


Skooshny Even My Eyes Album Track Listing



1.Even My Eyes
2.Holy Land
3.I Never Change My Mind
4.You Can't Love Me
5.Private Jokes
6.No Life Story
7.Words of War
8.Love's Not Impossible
9.We Share Breath
10.Science Changes Everyone
11.Tonight
12.Time Goes Fast
13.Holy Land (Reprise)
14.Clickin' My Fingers
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Thomas Itty's debut cd The Dark Edge Of The Light proves there's still great, original pop/rock music being made. A singer/songwriter in the tradition of Bob Dylan, John Lennon, Tom Petty, Jackson Browne and Bruce Springsteen, Thomas Itty's songs are intelligent and evocative.Thomas was born in India and spent his youth in the South Indian city of Bangalore. His songs have a maturity that suggests that the songwriter has been doing this for a while. Thomas Itty has been writing songs for over twenty years. "I was about seventeen when I wrote my first song and I can still remember the wonder and excitement I felt at having found this ability within me," he says. "My best friend Krishna and I would get together and jam every night in the garage of my parents house. We were going to be as big as The Beatles..."It's taken twenty years to release his first record. "There weren't too many opportunities for rock singer/songwriters in India those days. You couldn't make any money unless you wanted to play covers in bars and nightclubs. I never wanted to do other people's songs and ...
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Although having performed for several years in coffeehouses and street corners, Lily Holbrook sounds like she's far away from the audible butterflies heard on many debut efforts. Dedicated to Christopher Holbrook, a deceased brother, the record has a distinct and audible sense of innocence and naïveté to it. Consisting of a range that calls to mind Jewel if she began her career doing musicals, Holbrook wastes little time showing her talents on "The Snow." With a quasi-orchestral sound, the track is melancholic but has a certain beauty to it. This is fully developed in "Mermaids," a song that has more of a pop slant to it in the vein of Lisa Loeb and Aimee Mann. The arrangements emit a fairy tale atmosphere in some instances, but at times they are a bit too polished and over-produced. "Spaceship" showcases more of Holbrook, as she shines on this ...
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13 sizzling new pieces – from pop to jazz to reggae; from laid back vocals to upbeat instrumentals, this is an exploration of many styles, but has the recognisable signature of Caroline.This is the 3rd solo album on CD & mp3 by English musician Caroline Guirr. The jazz, rock and latin tinged pop songs portray a world of random thoughts on subjects as diverse as supermarket trolleys, chocolate and cheese, Geordie and more serious musings on self-reflection and loss.Rich punchy pop melodies and memorable hooks combine with an underlying sophistication of ‘jazz chops’ harmonies, textures and performance. The subtle nuances in the instrumental playing are as important as the lyrical content, resulting in an intriguing, beguiling and enervating collection of pieces.“Crafted with care, these songs allow space and lightness to pervade intricate compositions.â€â€œJazzy, funny and funky; bluesy, poppy and cool.â€â€œThe songs are written, recorded, produced, engineered and largely performed by a female musician whose many influences trickle down through the songs.â€Caroline sings, plays all the keyboard parts, the trumpet, the bass guitar, rap and percussion on the CD. The fabulous virtuoso guitar playing of Tom Cantwell is featured – from jangly acoustic to overdriven power playing. Andrew Long contributes a vibrant musical drum accompaniment. Ian Ainsley – who has a voice laden with rich bubbly, rocky yet gentle ...
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Audio Mixer: Michi Lange.
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