| | Cosmic Jokers Planeten Sit-In CD - Import Cosmic Jokers Discography of CDs
Whereas the two earlier Cosmic Jokers albums, the eponymous first effort and Galactic Supermarket, offered long, intense, free-flowing jams, Planeten Sit-In contains much shorter snippets of music patched together with cross-fades and weird electronic effects. The effects -- burbling electro noises, high-pitched twees, and other sci-fi sounds -- are even more prevalent, erupting out to drown out the drum, guitar, and bass rhythms, as if to make full use of the quadraphonic sound of the original LP. As a much more disjointed effort, and lacking the sustained grooves of the earlier records, Planeten Sit-In is not quite as successful, but still has many fine moments, from the galloping rhythms and siren-like rising synth tones of "Raumschiff Galaxy" to the rotor-blade electronic patterns and echo effects of "Electronic News." The longest track, "Der Planet des Sternenmädchens," adds some vocal trills by Gille Lettmann and moves from loping jam band mode to far more improvisational realms with slow, almost haunting, keyboard tones, to come closest to the prior records. And like those records, Planeten Sit-In represents cosmic space rock in its purest and trippiest distillation. ~ Rolf Semprebon
French digipak reissue of 1974 album, originally released on Metronome. Featuring Klaus Schulze. Cosmic Jokers Planeten Sit-In Songs | 1. | Raumschiff Galaxy Startet |
| 2. | Planet of Communication |
| 3. | Elektronenzirkus |
| 4. | Der Narr im All Raumschiff Galazy Fliegt in Die Sonne |
| 5. | Intergalactic Nightclub |
| 6. | Loving Frequencies |
| 7. | Electronic News |
| 8. | Intergalatic Radio Gurl Broadcasting |
| 9. | Raumschiff Galaxy Fleitet im Sonnenwind |
| 10. | Interstellar Rock: Kosmische Musik |
| 11. | Raumschiff Galaxy Saust in Die Lictbahnen |
| 12. | Der Planet des Stemenmadchens |
| Planeten Sit-In Review
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Purchase Planeten Sit-In CD To buy, Click on price to add to cart | Sci Fi Party CD (1974) (Import) France
Planeten Sit-In
$28.89 Originally, this was not a Cosmic Jokers album, but rather a sampler to promote various releases from Kosmische Musik, the record label ran by Jokers mastermind Rolf-Ulrich Kaiser. With a track taken from each of the other four Cosmic Jokers releases, as well as from Ash Ra Tempel's Starring Rosi and Seven-Up, Wallenstein's Cosmic Century, and Walter Wegmüller's Tarot, which all included some members of the Jokers, it's not too far off to consider this with other Cosmic Jokers releases. Also, the Jokers were never more than an exploitation scheme by Kaiser anyway, and this album, with Kaiser ...
| | Cosmic Jokers CD (1974) (Import) Import; France
Planeten Sit-In
$28.89 The first of Rolf-Ulrich Kaiser's exploitive cosmic space rock albums is also the best, and certainly kicks the seat out of the many jam bands that arose in the '90s. Unlike most "super groups" who collapse under the weight of their own hubris, the Cosmic Jokers, who were never really a proper group anyway, almost improve upon the sound of their precursors, namely Manuel Göttsching and Klaus Schulze from acid-jam-supreme Ash Ra Tempel, and Jurgen Dollase and Harald ...
| | Cosmic Jokers Galactic Supermarket CD (1974) (Import)
Planeten Sit-In
$28.89 This 1974 album by German electronic rockers Cosmic Jokers features two marathon tracks.
The second Cosmic Jokers album, though originally not released under their name, offers another pair of sidelong roller-coaster rides into the cosmic void from the same musicians as the first album, with added vocals from guitarist Göttsching's girlfriend, Rosi Muller, and producer Kaiser's girlfriend Gille Lettmann. Whereas the Ash Ra Tempel elements were more dominant on the earlier record, this one relies more heavily on the conventional psychedelic ...
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Planeten Sit-In
$25.69 Japanese remaster in an LP-replica sleeve also features two live bonus tracks.
Following the release of Pawn Hearts, bandleader Peter Hammill took time out to develop a solo career, choosing to focus his energy on darkly introspective works that seemed to be intended to examine the personal consequences of his life. When it came time for reuniting the members of Van Der Graaf, this change in direction ...
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Planeten Sit-In
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Planeten Sit-In
$12.19 Recorded between 1969 & 1991. Includes liner notes by Steven Ivory.
"Theme from Shaft" aside, Isaac Hayes' greatest successes have been in his ability to recast popular love songs into sensual epics of sexual tension and release, painting sonic masterpieces by skillfully mixing slow, funky rhythms with lush string and horn arrangements, all integrated with the sound of his ever-present Hammond B-3 organ. His versions of Burt Bacharach and Hal David's twin classics "Walk On By" and "The Look of Love" ...
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| | Crowded House Farewell To The World CDs (2006)
Planeten Sit-In
$18.19 Crowded House called it a day on November 24, 1996, with a farewell concert at the Sydney Opera House attended by well over 100,000 people, making it one of the largest concerts in Australian history. The double-disc set Farewell to the World was released a decade later to commemorate the ten-year anniversary of the event, and while the performance lacks the loose energy and off-the-cuff banter that made Crowded House's concerts memorable, it has aged well, and not just because Neil Finn's songs sound every bit as fresh and sharp as they did upon their initial release. That much can be discerned from a listen to any of the group's albums, or their excellent hits compilation, Recurring Dream, but what Farewell to the World reveals is what a tight, professional live band Crowded House could be if the occasion called for it -- and certainly, this farewell show was an occasion that called for it. This was a large-scale, historic performance, and it sounds like it: the band plays all the hits and standards, with none of the left-field detours that could characterize their live shows (and are well documented on the many fan club-only live releases over the years), and they play with focused precision that may not be as exciting as some of their other live shows, but it certainly is easy to enjoy, whether it was in person at the Sydney Opera House in 1996 or hearing it on record years later. This may not be a major release, ...
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