| | J Geils Band Love Stinks CD - Import J Geils Band Discography of CDs
After spending the 1970s as a hard-touring rock band with a few hits sprinkled here and there, the J. Geils Band retooled their sound for 1980's LOVE STINKS. The album resulted in the band's first ever back-to-back set of gold certified albums (1978's SANCTUARY reached the half million mark as well), which showed that in addition to their legion of longtime fans, newer fans were just discovering the band as well.
Synthesizers became an integral part of the J. Geils Band's sound around this time, making their albums from here on out much more radio friendly. The decade-old band wasn't afraid of the new promo video marketing tool, as several of the tracks were made into short films--the humorous rock of the title track (an early MTV favorite), as well as the almost disco sounds of "Come Back."
Digitally remastered edition of the followup to the group's biggest album "Freeze Frame" that led off with the title track hitting the charts and heavy rotation on MTV.
Recorded at Long View Farm, Massachusetts.
J. Geils Band: J. Geils (guitar); Seth Justman (vocals, keyboards); Stephen Bladd (vocals, drums); Peter Wolf (vocals); Magic Dick (harmonica, alto saxophone); Daniel Klein (bass).
CMJ (1/5/04, p.6) - Ranked #8 in CMJ's "Top 20 Most-Played Albums of 1980". Love Stinks Review
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Purchase Love Stinks CD To buy, Click on price to add to cart | James Gang Rides Again CD (1970) Remastered
Love Stinks album
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Love Stinks CD music
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Though the J. Geils Band issued a steady stream of solid R&B-infused rock records in the '70s, it always seemed that the group was better suited for raging on the concert stage than being ...
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Love Stinks music CDs
$46.85 This boxed set retrospective includes 3 previously unreleased tracks and a bonus DVD video containing live performances and a promotional film.
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Beginning with its double-LP debut in 1969, Chicago has always done things in a big way, so it's no surprise that the band's career-spanning box set (Group Portrait, an earlier box, covered only their first decade) is lengthy. There are five CDs, containing 94 tracks clocking in at more than six and a half hours, plus a DVD running another 40 minutes. In that time, Chicago's story is told, from the band's ambitious, eclectic beginnings through its two extended hitmaking periods and on into still popular work 30 years on. All but one of the band's ...
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Love Stinks CD music
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| | Stairs Right In The Back Of Your Mind CD (2006)
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$19.79 For those of you who blinked and missed them, the Stairs were a group of never weres, so defiantly, ludicrously out of time and place (Liverpool, early '90s), it's amazing they ever got a gig, never mind a record deal. In a Britain tripping happily over its baggy trousers right into acid rock, these "snot nosed belligerents," as the sleeve notes calls them, were peddling a "cocktail of garage psyche and traditional punk pig-headedness." That didn't deter Go Discs from signing them, however, and releasing the Weed Bus EP and Mexican R 'n' B (mono vinyl!) album before the Stairs collapsed in 1993. Sadly, Right in the Back of Your Mind is not the band's great lost second album; happily though, it does include demos recorded for that set , as well as a clutch of more demos from Weed and Mexican, an unreleased number, and an incendiary live cover of Bo Diddley's "You Don't Love Me." Considering Edgar Jones' own deprecatory comments about the quality of these recordings and his own vocals, everything here sounds surprisingly good, a little rough around the edges and fuzzy around the guitars, but surely that's the way it should be. Okay, maybe "Out in the Country" is a little tinny, but so is the song, its bassline ripped from "These Boots Are Made for Walking" and stamping right over C&W. "Weed Bus" bares its roots -- the Who's "Magic Bus" of course -- but here hijacked by the Small Faces. There again the band's entire raison d'ętre was to pay tribute to the '60s -- the Seeds, the Rolling Stones, the Velvet Underground, ? and the Mysterions, the Kinks, the Beatles, even the Turtles and Cream: you name them, they're here somewhere, lovingly resurrected, spiffed up, tarted out, then spit out with glee. If only the Stairs had held on another year or so, they might have cashed in big with Brit-pop. But it wasn't to be. This album, however, is a pointed reminder of just what a grand band they ...
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