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Our Price: $37.25  CDFor Sale Usually ships in 1-2 days
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The self-titled release from Mover features "Move Over" and "Junk."
This Japanese import contains three bonus cuts--"Capital Light," "Mr X," & "Fat Savaloy."
Japanese Release Featuring 3 Bonus Tracks: Capital Light, Mr X, & Fat Savaloy. Mover Songs | 1. | Kick the Beam |
| 2. | Move Over |
| 3. | Junk |
| 4. | Samba Diablo |
| 5. | Tricolore |
| 6. | Stand |
| 7. | We Got It Going On |
| 8. | Bite the Bullet |
| 9. | Classic No.9 |
| 10. | Let's Bond |
| 11. | Stay Gold |
| 12. | Capital Light |
| 13. | Fat Savaloy |
| 14. | Mr. X |
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Mover Review
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Purchase Mover CD To buy, Click on price to add to cart | Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition
Mover album
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The finest example of perfect disco pop, and a record that should be prescribed to musical snobs and manic depressives. The album is a true ambassador of what pop music can be. Jackson whoops and dances through a suite of unforgettable melodies that should be danced to with a smile ...
| | Melanie Fiona Bridge CD (2009)
Mover CD music
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Melanie Fiona's debut single, "Give It to Me Right," was a perfect 2009 pop-R&B recording. The single coupled a timeless classic (the Zombies' "Time of the Season") with roof-raising vocals and infectious pop hooks that stuck like peanut butter. Fiona's single was perfect, albeit a touch formulaic. Because of this, it's no surprise that a large chunk of her debut album, THE BRIDGE, is much of the same. Like any good 2009 pop-soul recording, the album offers influences from decades of soul music. Fiona, a Kanye West protégé, collaborates with about ...
| | 50 Cent Before I Self-Destruct CDs (2007) With DVD
Mover music CDs
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Released without the usual flurry of hype, Before I Self Destruct fulfills 50 Cent's contractual obligation to the Interscope label. It also doubles as a throwback album, returning the rapper to the hunger and hatred of his early mixtapes while skillfully recasting him as a wannabe upstart. That is, for the most part. The four radio-friendly bedroom numbers that conclude the album are out of place but fairly good to dime-piece beautiful, with the best being the Ne-Yo showcase "Baby by Me" ("Have a baby by me, baby/Be a millionaire"). As pleasing as these final numbers are, if you leave the room after the macho bruiser "I Got Swag" ("I'm infinitely special/Girl the Lord is gonna bless you/If you do what I tell you to do"), you'll return to a confusingly different album, one that's as glamorous but less vital. The monstrous run of tracks that leads up to this flash and polish can be summed up by 50's "This ain't Tha Carter/It's Sparta!," a witty, deceptive, and brutish line barked over a prime Dr. Dre beat during the great "Death to My Enemies." On the cut, the producer sounds like he's been digging on RZA, but the tension and dark-night feel he has created for "Psycho" is easily identifiable as Dre. Add an especially rapid 50 trading horror-show rhymes with Eminem and the G-Unit soldiers will testify that the Shady/Aftermath dream is still ...
| | Maxwell Blacksummers' Night CD (2009)
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It's been eight long years between Maxwell's third and fourth studio albums. BLACKSUMMERS'NIGHT is the first release of a trilogy, with BLACKSUMMERS'NIGHT(rooted in gospel, with a twist, apparently) and BLACKSUMMERS'NIGHT(promised as a disc of slow jams) to follow. ...
| | Chrisette Michele Epiphany CD (2009)
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| | K'Jon I Get Around CD (2009)
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| | Rita Coolidge Collection CD (1998) (Import) England; Germany
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| | Sound Of Garden CD (2001)
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| | Ted Lewis 1929-34 CD (2003)
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Here's a superb album of rare Ted Lewis recordings that is well worth investigating. It is the perfect counterpart to The Jazzworthy Ted Lewis on Retrieval and Is Everybody Happy? on Living Era. The folks at Timeless Historical were wise to concentrate on a timeline beginning in December 1929 and ending in November 1934, after Lewis had switched from Columbia to Decca. This emphasizes the important role that Lewis played in jazz and pop culture during the Great Depression. Despite the omission of the famous Fats Waller-driven session of March 5, 1931, this compilation contains a small gold mine of tasty jazz solos by cornetist Muggsy Spanier; trombonist George Brunies; and reedmen Benny Goodman, Rod Cless, and Jimmy Dorsey. Mention should also be made of Harry Barth's sousaphone and Jimmy Moore's slaphappy string bass. Ted Lewis was a staunch exponent of vaudeville who declaimed every lyric in a heavily affected drawl, squeezing sentiment like apple pie filling from each song in a manner that made him terrifically popular during the 1920s and '30s. Lewis, whose band sounded at times like the Casa Loma Orchestra (examples herein being "Rhythm" and "Earthquake"), should be credited with having hired many of the most talented jazz musicians on the scene and granting them plenty of solo space. When not pandering to popular taste, he was careful to choose material already proven by the best black bands in Harlem. Examples heard here are "Lazy Bones," closely associated with Claude Hopkins; "Sweetie Pie," recorded by Fats Waller & His Rhythm only four days prior to the version heard here; and "White Heat" and "Jazznocracy," recorded eight months earlier by Jimmie Lunceford's Orchestra. As for the pop element, this portion of the Ted Lewis story is padded with guest vocalists Fred Astaire, Vernon Dalhart, Shirley Jay, the Royce Sisters (almost as sharp as the Boswells), and a spiffy male vocal group chortling pep-talk anthems for the Depression Era like "There's ...
| | Ultra Zip Presents: Dancepop Special 10 Years CD (2003) (Import) Japan
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| | Scissor Sisters Ta-Dah CD (2006)
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The Scissor Sisters' self-titled 2004 debut proved the band to be postmodern recombinant wizards of the first order, mixing the hookiest elements of pop history ...
| | Lex Land Orange Days On Lemon Street CD (2008)
Mover album
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