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Fleck, Bela - Daybreak CD Cover Art
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Bela Fleck Daybreak CD

 Bela Fleck Discography of CDs

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Personnel: Bela Fleck (banjo); Mark O'Connor (guitar, fiddle, viola); Russ Barenberg, David Parmley, Glenn Lawson (guitar); Bill Keith, Tony Trischka (banjo); Jerry Douglas (dobro); Bob Applebaum, Jimmy Gaudreau, David Grisman (mandolin); Darol Anger (fiddle, violectra); Sam Bush (fiddle); Mark Schatz (bass).
Recorded between 1979 & 1982.
Released the same year as PLACES, 1987's DAYBREAK has less of the eclecticism of the former outing, but still captures banjo player Bela Fleck merging his bluegrass roots with forays into other genres (fusions he would perfect with his '90s outfit the Flecktones). The lead-off track, "Texas Barbeque," shows Fleck can still pick his way masterfully through the bluegrass idiom, but the following cut, a version of Chick Corea's romantic, pulsing composition "Spain" (with banjo and mandolin taking the lead lines), proves Fleck is no straight-laced traditionalist.
Likewise, the Celtic-flavored "Growling Old Man and the Grumbling Old Woman," the Fats Waller rag "How Can You Face Me Now," and the sweeping ballad "The Natural Bridge Suite" have Fleck moving all over the musical map with grace and ease. There are occasional glances back to good old bluegrass, albeit often in a warped mirror, as on the progressive charts of "Reading in the Dark." In addition to his arrangements of traditional tunes, Fleck wrote many of the compositions on DAYBREAK, with the melancholy title cut and the slanted, jive-oriented "Flexibility" being the standouts.
Daybreak Music


Detailed Daybreak Music Information



List Price $17.97 (You save $3.42)
Category Rock/Pop Albums, Rock CDs, Jazz, Country, Jazz Instrument, Soundtrack Collections, Bluegrass, Banjo
Label Rounder
Orig Year 1987
All Time Sales Rank   78968  
CD Universe Part number 1409383
Catalog number 611518
Discs 1
Release Date Oct 25, 1990
Studio/Live Studio
Mono/Stereo Stereo
Producer Bela Fleck
Personnel Bela Fleck - banjo
Bela Fleck - banjo
Mark Schatz - bass
Darol Anger - fiddle, violectra
David Parmley
Russ Barenberg
Jimmy Gaudreau
David Parmley
Bob Applebaum
Glenn Lawson - guitar

Also: Jerry Douglas, Sam Bush, Sam Bush, Mark O'Connor, David Grisman, Bill Keith, Tony Trischka
Bela Fleck Daybreak Songs


Bela Fleck Daybreak Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Texas Barbecue
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Spain (I Can Recall)
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Twilight
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Reading in the Dark
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Growling Old Man and the Grumbling Old Woman
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.How Can You Face Me Now
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Bill Cheatham
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Christina's Jig / Plain Brown Jig
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Silverbell
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Fiddler's Dream
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Daybreak
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Dawg's Due
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample13.Flexibility
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample14.Old Hickory Waltz
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample15.Crossfire
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample16.Applebutter
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample17.Natural Bridge Suite, The
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample18.Punchdrunk

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Until about a year or so ago David Elliott was just a name on one of the tracks on the 'Koss' compilation album to me. At that time, and for an afternoon and an evening, he was the keyboard player on 'You've Taken Hold Of Me', the track written by Eddie Baird for Paul's proposed solo album 'Love Is The Lord'. So I was surprised when David got in touch to say he was trying to get the masters to a track of his featuring Paul, recorded during the same session. It took some time but I gave him the tape box and reference numbers I had, and he diligently worked the business necessary to get the multi-tracks he needed to finish the song and mix it for an album he was putting together. And when everything was coming together I was happy to provide sleeve notes for his new CD In fact, initially David Elliott was signed to Island Publishing in London by Lionel Conway, and a deal with Atlantic Records produced two albums back in the days before his meeting with Kossoff. It was a brief liaison, but it certainly left an impression on him, and he speaks with great pride at being able to record with Koss, even if a band never did ensue from the short association. David's first Atlantic album hosts a wealth of musical talent and positively drips with celebs including Nigel Olsson and Dee Murray from Elton John's band. Caleb Quaye later worked on Elton's 'Captain Fantastic'. Albert Lee is on here; Tim Renwick, veteran of KKTR; B.J. Cole'; Mick Grabham (Procol Harum). Even Rick Wills, later of Foreigner and Bad Company. It's an impressive list and shows the weight Atlantic was throwing behind their signing. The album has 11 cuts, nothing over 5 minutes in length, and really shows the songs and the writing. It's very US sounding, lots of acoustic guitars and finger picking stuff. 'Some' is very Nick Drake and my favorite cut. It comes complete with a nice string arrangement by none other than Robert Kirby, who actually did the beautiful stuff on Nick's 'Five Leaves Left'. In that respect it's a good Sunday afternoon type record and that's not a bad thing. Some of Elton's early stuff falls into that category too. His second album 'Solid Ground' sounds much for confident and has a nice cohesive feel lacking somewhat in the debut. Nothing counts more than a little experience when you are making records. The sound is still tilted towards the west coast of the US with B.J. Cole's pedal steel slipping between the acoustic guitars and strings, but the production is better and that makes quite a difference. 'Railway Line' is particularly good and would have made a great US single I'd have thought, but the track here that counts is 'I'm On Fire For You Baby', recorded at Muscle Shoals, using all the usual suspects (David Hood, Roger Hawkins, Barry Beckett, Pete Carr, and Jimmy Johnson), and produced by Brad Shapiro (see Andy Fraser's ...
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