| | Depeche Mode Everything Counts CD Single Depeche Mode Discography of CDs
Depeche's proto-industrial/dance/breakbeat anthem still cuts right to the quick, a note-perfect combination of electronic innovation; big, punchy production; a perversely catchy, nursery-rhyme chorus; and Gahan's increasing abilities with a fuller singing voice. As the initial fruit of the band's first recording labors in Berlin, it's perfect, retaining its appeal to the present. The "In Larger Amounts" mix, which also appeared on the American CD version of the Construction Time Again album, extends but otherwise doesn't mess much with the original song -- if anything, its main value is being able to hear such a fine song for a longer period of time. Its flip side, "Work Hard," is even more of an upfront mechanical body slammer, clattered metal, and sometimes hollow production as much the key refinement of Einstürzende Neubauten-styled noise into dancefloor terms as anything. That not a little is owed to DAF's own earlier fusion of electricity and volume is clear enough as well, especially with the chanted chorus and low bass pulse. Similar to the A-side, the "East End" remix extends and plays around with but otherwise doesn't radically reinvent the song, though the collage of clattering and rhythmic machine noise does make for good dance atmosphere. ~ Ned Raggett Everything Counts Review
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Purchase Everything Counts CD To buy, Click on price to add to cart | Depeche Mode Enjoy The Silence 2004 (1990)
Everything Counts album
$11.99 ENJOY THE SILENCE 2004 PT. 3 offers four new remixes of Depeche Mode's hit song of the same name.
"Personal Jesus" primed the pump, but "Enjoy the Silence" completely kicked down the door worldwide. Arguably the group's most well-known song, it's an astonishing number that captures not merely Martin Gore's ear for a melody and lyric and David Gahan's ability to sing, but Alan Wilder and Flood's success as an arranging team. The "harmonium" mix that appears at the end of this release is the original demo, sung and played by Gore as a minimal, mysterious ballad. In Wilder and Flood's hands, the final single and album version became a massive epic, with synth orchestrations, backing vocals, horns, and more on top of a near-perfect beat and Gahan's majestic performance. Besides those two versions, four others appear on this disc, each of which is as strong as the original, but in different ways. François Kevorkian once again helps with some of the mixes, starting with the fantastic 'hands and feet' mix. Arguably even more epic than the single mix, it starts with a mysterious, soaring opening before moving into a big, brute beat behind a loop of Gahan's singing. When everything culminates in a mini-climax toward the end, the effect is jaw-dropping. His other two efforts are the "bassline" mix, which strips things down to a straightforward beat collage and some trippy vocal treatments for Gahan, and the "ecstatic dub," which isn't like dub per se but pulses along with a good groove. Mute boss Daniel Miller contributes a fine mix of his own, the "ricki tik tik" mix, which has a constant build and flow thanks to his abbreviated samples of the main guitar line and extra synth backing. Two instrumentals fill out the release, both of which are mood pieces in the vein ...
| | Depeche Mode Enjoy The Silence (1990) Remixes
Everything Counts CD music
$7.49 "Personal Jesus" primed the pump, but "Enjoy the Silence" completely kicked down the door worldwide. Arguably the group's most well-known song, it's an astonishing number that captures not merely Martin Gore's ear for a melody and lyric and David Gahan's ability to sing, but Alan Wilder and Flood's success as an arranging team. The "harmonium" mix that appears at the end of this release is the original demo, sung and played by Gore as a minimal, mysterious ballad. In Wilder and Flood's hands, the final single and album version became a massive epic, with synth orchestrations, backing vocals, horns, and more on top of a near-perfect beat and Gahan's majestic performance. Besides those two versions, four others appear on this disc, each of which is as strong as the original, but in different ways. François Kevorkian once again helps with some of the mixes, starting with the fantastic 'hands and feet' mix. Arguably even more epic than the single mix, it starts with a mysterious, soaring opening before moving into a big, brute beat behind a loop of Gahan's singing. When everything culminates in a mini-climax toward the end, the effect is jaw-dropping. His other two efforts are the "bassline" mix, which strips things down to a straightforward beat collage and some trippy vocal treatments for Gahan, and the "ecstatic dub," which isn't like dub per se but pulses along with a good groove. Mute boss Daniel Miller contributes a fine mix of his own, the "ricki tik tik" mix, which has a constant build and flow thanks to his abbreviated samples of the main guitar line and extra synth backing. Two instrumentals fill out the release, both of which are mood pieces in the vein of earlier tracks like "St. Jarna" and "Agent Orange," though neither quite ...
| | Ten Years After Space In Time CD (1971) (Import) United Kingdom
Everything Counts music CDs
$17.15 A SPACE IN TIME was Ten Years After's biggest commercial success. The reasons are pretty obvious; Alvin Lee's songwriting had improved markedly and there was far more stylistic variety than on their previous albums.
The big hit here was "I'd Love to Change the World," with its catchy acoustic guitar hook and the immortal opening line, "Everywhere is freaks and hairies." Other highpoints include: "Baby Won't You Let Me Rock 'n' Roll You," the band's first stab at Stones-style raunch (complete with a riff from Led Zeppelin); the country-ish romp "Once There Was a Time"; and the gently folky and surprisingly ...
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| | Neil Young Archives Vol. 1 (1963 - 1972) CDs (2009) 1963-1972; Box Set
Everything Counts CD music
$84.75 This eight-CD box set, with about one-third previously unreleased material, sparks the beginning of a promising series of Neil Young ARCHIVES, and serves as a document of the heady exploration and growth that the beloved artist undertook between the innocent early 1960s and the explosive early '70s. The first CD preserves some early solo demos and his work with his teenage band the Squires, a Duane Eddy-ish enterprise that made the best of Young's nascent signature guitar style--simple, effective, dramatic. The second disc covers the Buffalo Springfield years, and includes two versions of the delicious "Flying on the Ground is Wrong."
The rest is prime Young, from DEJA VU through ...
| | Experimental Pop Band Bang Bang You're Dead (2000) (Import)
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| | U-Ka Saegusa In Db Tobitatenai Watashi Ni Anata Ga Tsubasa O Kureta (2005) (Import) Japan
Everything Counts songs
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| | Donuts Shoppin Boogie (2007) (Import)
$17.09 | | Benioto Himekaze (2007) (Import)
$17.09 | | Kisho Sampo (2008) (Import)
$17.09 | | Tammy Ingram Modern Love (2008) (Import)
Everything Counts album
$10.99 Tammy Ingram's debut EP 'Modern Love' ...
| | Kjell Hoglund Schlager (2008) (Import)
Everything Counts CD music
$11.79 Track Listing of songs: Schlager;
| | Gabriella Cilmi Sweet About Me (2008) (Import)
Everything Counts music CDs
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