| | Chris Jones Blinded By The Rose CD - Import Chris Jones Discography of CDs
Chris Jones' debut album, "Blinded By the Rose," features a fresh new sound in bluegrass music contemporary original material rooted in solid traditional bluegrass, with powerful vocals, backed by Alison Krauss' band Union Station, along with bluegrass luminaries such as Mike Compton, Keith Little, and Rob Ickes. CHRIS JONES guitar, vocalsBARRY BALES bassRON BLOCK banjo, guitar, vocalsMIKE COMPTON mandolinPAM GADD vocalsAUBREY HAYNIE fiddleROB ICKES dobroSALLY JONES vocalsBOBBY KING bassKEITH LITTLE banjo, vocalsKENNY MALONE percussionJOHN PENNELL bassADAM STEFFEY mandolinBRENT TRUITT mandolin
Recorded in Nashville, Tennessee.
Personnel: Chris Jones (vocals, guitar); Ron Block (vocals, guitar, banjo); Keith Little (vocals, banjo); Pam Gadd (vocals); Rob Ickes (dobro); Adam Steffey, Mike Compton, Brent Truitt (mandolin); Aubrey Haynie (fiddle); Kenny Malone (percussion).
Audio Mixer: Richard Adler .
Liner Note Author: Lynn Morris.
Recording information: Suite 2000 Recording Studio, Nashville, TN.
Photographer: Scott Esteran.
Arranger: Chris Jones .
Personnel includes: Chris Jones, Ron Block, Barry Bales, Adam Steffey.
Blinded By The Rose Music Chris Jones Blinded By The Rose Songs Blinded By The Rose Review
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Purchase Blinded By The Rose CD To buy, Click on price to add to cart | Taylor Swift Fearless CD (2008) Enhanced CD
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Taylor Swift abandons any pretense that she's a teen on her second album, FEARLESS--which isn't to say that she suddenly tarts herself up, running away from her youth in a manner that's all too familiar to many teen stars. Swift's maturation is deliberate and careful, styled after the crossover country-pop of Shania Twain and Faith Hill before they turned into divas. Despite the success of her self-titled 2006 debut, there's nothing at all diva-like about Swift on FEARLESS: she's soft-spoken and considerate, a big sister instead of a big star. Nowhere is this truer than on "Fifteen," a kind warning for a teen to watch her heart sung from the perspective of a woman who's perhaps twice that age--a sly trick for the 18-year-old Swift. There may be a hint of youthfulness to her singing but that's the only hint of girlishness here; her writing--and she had a hand in penning all 13 tracks here, with six of them bearing her solitary credit--is sharply, subtly crafted and the music is softly assured, never pushing its hooks too hard. Like many country-pop albums of the 2000s, the pop heavily outweighs the country--there aren't fiddles here, there are violins--yet the ...
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In the manner of Natalie Cole's UNFORGETTABLE, Elvis Presley's CHRISTMAS DUETS is a collection of Christmas songs that Elvis recorded throughout his career, remixed in 2008 to add new vocal parts by many of today's biggest ...
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When Willie Nelson took the unexpected step of releasing STARDUST in 1978, many predicted that the album of popular standards would severely derail the outlaw country singer's career. Confounding the critics, the disc became Nelson's best selling effort, and spawned a whole sub-genre of modern singers covering the classics. Nelson revisited the format with 1994's orchestral HEALING HANDS OF TIME and to varying degrees on several other records, but it wasn't until 2009's AMERICAN CLASSIC that the red-headed stranger delivered an album billed as the true follow-up to STARDUST.
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The title was a promise to themselves, Wham!'s assurance that they would make it big after struggling out of the gates the first time out. They succeeded on a grander scale than they ever could have imagined, conquering the world and elsewhere with this effervescent set of giddy new wave pop-soul, thereby making George Michael a superstar and consigning ...
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The cover of Troubled Times displays a pensive photo of David Davis standing in front of a dilapidated building in what could be any American town or city. As a son of Alabama, Davis, wearing a neatly pressed shirt, sporting a tie and cowboy hat, and carrying a mandolin, is certainly out of place. If one gathers from this info that Davis, the Warrior River Boys, and the music they make are out of step with modern times, he or she figures correctly. As if to underline this point, Davis and the band open with a recently written murder ballad in the tradition of "Tom Dooley" and "Knoxville Girl." While the narrative structure of "The Ballad of Sarah Malone" is much more complicated than these earlier songs (switching to first person halfway through the song), the basic story is as old-fashioned as they come: girl reveals that she is pregnant, boy stabs her with dagger. The interesting twist here is that Sarah Malone has woken up after 50 years to seek revenge, though ...
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