| | Folkbluesfestival, Vol. 81 CD
Folkbluesfestival, Vol. 81 Music Folkbluesfestival, Vol. 81 Songs | 1. | Bowling Green Rag |
| 2. | Bye Bye Baby |
| 3. | Last Fair Deal |
| 4. | One Room Country Shack |
| 5. | Tin Pan Alley |
| 6. | Dust My Broom |
| 7. | Woodchopping Blues |
| 8. | Everything I Do Gonna Be Funky |
| 9. | I Need You So Bad |
| 10. | Man and the Blues |
| 11. | 29 Ways |
| 12. | Trouble Trouble |
| 13. | Hound Dog |
| 14. | Next Time I See You |
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Folkbluesfestival, Vol. 81 Review
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THE BLUEPRINT was nominated for the 2002 Grammy Award for Best Rap Album. "Izzo (H.O.V.A.)" was nominated for the 2002 Grammy Award for Best Rap Solo Performance.
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Since the disco underground communicated through the 12" format, containing A-sides and B-sides that almost always surpassed the several-minute mark, full-length albums were a rarity. Cloud One's self-titled album (reissued on CD in the mid-'90s as Atmosphere Strut, and then included in its entirety on both The Best of Cloud One and The Very Best of Cloud One) is one exception to the rule. As with the remainder of Cloud One's material, each song on this LP was produced and arranged by Patrick Adams, a remarkably prolific cult legend whose name should be just as instantly recognized in dance music circles as Giorgio Moroder and Arthur Baker's. Not only was Adams an incredibly talented figure behind the boards (and a label operator on top), but he also revolutionized synth playing -- no one before, during, or since has played the synthesizer like him. Cloud One is one of several testaments to these facts, containing a handful of classic disco cuts that remain in DJ crates decades after being recorded. "Atmosphere ...
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FATE began in 1994 in Traverse City, MI, when guitarist Pat Sullivan and vocalist Justin Babcock spawned the idea of a powerful new rock band, a unique package that had not been seen before. They shared their vision with longtime friend and guitarist Mike Lumbert, and together, these three formed the core of FATE.After an extensive search of the Michigan area for a top-notch bassist and drummer, the three were not satisfied with their results. They decided to relocate the band to a market with national musical exposure, so they moved to Nashville, TN, in 1998. Once in Nashville, the band began countless interviews and auditions to find the right players. It took until September 1999 for the band to finally land bassist Garry Todd, a Tennessee native, whose winning personality and impressive musical ability instantly clicked with the band. The search for the right drummer proved more exhausting. In time, the band turned once again down a familiar path and asked another longtime friend from Michigan, drummer Mark Pulley, to move down to Nashville and join the band. Mark agreed, locking in the final piece of the puzzle.Hard-driving, heavy music combined with incredible vocal harmonies had Nashville's rock audiences believing in FATE from the band's very first performance. The members' reputation for great music and impressive live performances enabled them to easily land opening honors for Great White, Def Leppard and Zakk Wylde's Black Label Society. The band then began recording its first full-length CD in late 2000 while, at the same time, working on new material.FATE brings a blend of dark three and four-part harmonies laid over heavy, driving grooves and well-crafted lyrics that question and explore the deepest issues of the human existence. It is within these lyrics where the members of FATE explore their thoughts, fears, triumphs and struggles - always referencing their faith in the existence of God.Many diverse musical influences have contributed to the band's work, ranging from Queensrÿche, Dream Theater and Rush to Alice in Chains, Rob Zombie and Pantera. In the April 2000 issue of "Nashville Music Guide," Barye Cassell described FATE as "...not your typical metal band. They have the drive of Creed or Metallica, but rich harmonies reminiscent of Triumph."FATE dedicates itself to the audiences of the genre that has supposedly ...
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