| | Robert Payne Fuer Stunden Der Freude CD - Import Robert Payne Discography of CDs
Fuer Stunden Der Freude Music | List Price | $16.99 (You save $1.24) | | Category | Rock/Pop Albums, Rock CDs | | Label | Sonia | | Orig Year | 1991 | | CD Universe Part number | 1417371 | | Catalog number | 15879 | | Discs | 1 | | Release Date | Sep 01, 1991 | | Mono/Stereo | Stereo | | Additional Info | Germany |
Robert Payne Fuer Stunden Der Freude Songs | 1. | Hallo Freunde, Nun Sind Wir Da |
| 2. | Fuer Stunden der Freude |
| 3. | Schenk Mir Einen Goldenen Ring |
| 4. | Huettenpolka |
| 5. | Beim Muskatwein |
| 6. | Des Jaegers Abschied |
| 7. | Immer Unterwegs |
| 8. | Wenn in der Pussta Die Lichter |
| 9. | Das Dreigespann |
| 10. | Sterne der Heimat |
| 11. | Die Spassvogel |
| 12. | Heimatfreude |
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Fuer Stunden Der Freude Review
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Purchase Fuer Stunden Der Freude CD To buy, Click on price to add to cart | Rosanne Cash List CD (2009)
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After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. THE LIST is a renewal and a testament to life, and it belongs to her father as much as it belongs to her, a beautiful restatement of her father's passions, only now, they've become his daughter's treasures, as well. It's an affirming story, but that's all it would be if Cash didn't ...
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North Carolina sibling duo the Avett Brothers return in 2009, fresh off a few years of building a cult following for its melodic and rootsy alt-bluegrass sound, with the subdued I AND LOVE AND YOU. The opening single and title track basks in piano-pop splendor in an odd mix of Beach Boys, Byrds, and the Band.
The Avett Brothers continue charting the same musical course as EMOTIONALISM and MIGNONETTE on major-label debut I AND LOVE AND YOU, despite the presence of hands-on producer Rick Ruben. The country-folk duo continue to add elements of pop and hillbilly rock to a country/bluegrass foundation on the 2009 LP, a record with a newfound emphasis on piano and nuanced arrangements. Working with a larger budget allows the group to add small flourishes -- a cello line here, a keyboard crescendo there -- but the resulting ...
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Returning to the American concert scene after a three-year layoff, the Rolling Stones recorded GET YER YA-YA'S OUT! during a triumphant two-date stand at Madison Square Garden in late November 1969 that found B.B. King and Ike & Tina Turner opening for them. Having amassed an ...
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"We don't have bar mitzvahs," raps Brother Ali on "Room With a View," "we become men the first time our father hits us." There's a lot of anger and pain behind the sophomore (and first CD) release by the self-described "urban Norman Rockwell," but Brother Ali chooses not to wallow in self-pity. Instead, his carefully observed lyrics draw on his Muslim faith ...
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This is a 2009 reissue of an album originally self-released by Northern California songstress Emily Jane White in 2008. A bluesy, spooky, death-obsessed blend of Joanna Newsom and Cat Power, White writes dark murder ballads and sinister character studies, which she plays on fragile acoustic guitar and sings in a wispy, quiet voice. This reissue adds a new song, "Robotic Arms."
Listening to Dark Undercoat, it's difficult to believe that Emily Jane White once fronted various college punk and metal bands. The frenetic energy that fuels both those genres is totally at odds with the incredibly languorous feel of this set, as White whiles away her time moodily musing, mostly accompanied only by her acoustic guitar or piano. Dark Undercoat, her debut, is awash in dark undercurrents, and tinged ...
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