| | Johnny Ventura Stille Nacht, Heilige Nach CD Johnny Ventura Discography of CDs
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Stille Nacht, Heilige Nach Music Johnny Ventura Stille Nacht, Heilige Nach Songs | 1. | Stille Nacht Heiige Nacht |
| 2. | Ihr Kinderlein Kommet |
| 3. | Jingle Bells |
| 4. | Morgen Kommt der Weihnach |
| 5. | In Dulci Jubilo |
| 6. | Leise Rieselt der Schnee |
| 7. | Kommet Ihr Hirten |
| 8. | Little Drummer Boy |
| 9. | Vom Himmel Hoch da Komm I |
| 10. | Susser Die Glocken |
| 11. | Aba Heidschi Bumbeidschi |
| 12. | Am Weihnachtsbaume |
| 13. | Alle Jahre Wieder |
| 14. | Macht Hoch Die Tur |
| 15. | Es Ist Ein Ros Entsprunge |
| 16. | O du Frohliche |
| 17. | O Tannenbaum |
| 18. | Kling Glockchen Klingelin |
| 19. | Tochter Zion |
| 20. | White Christmas |
| Stille Nacht, Heilige Nach Review
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$11.05 On 2005's DYNAMITE, Jamiroquai mastermind/vocalist Jay Kay stays deep in a funk/disco groove. While most of the album consists of up-tempo dance-floor-ready tunes, most notably the "Night Fever"-like title track and the bass-driven "Starchild," there are detours into mellower territory, particularly the slow jam "Talulah" and the string-laden "World That He Wants." Kay also takes time to contemplate his favorite subject--expensive automobiles--on the uncharacteristically rocked-out "Black Devil Car." While the British group doesn't cover much new ground here, DYNAMITE's immediate appeal proves that innovation isn't necessarily a key part of the Jamiroquai sound. Kay and company simply want to provide a fun, funky time, and that's exactly what listeners will get.
Not unlike one of its lead singer Jay Kay's much publicized Lamborghinis, the U.K. funk band Jamiroquai is primarily a vehicle for its frontman's various fetishes. Which is another way of saying that Kay loves disco and fancy retro sneakers and he wears both well. He has done so ever since he hippie-danced his way out of the acid jazz ghetto of the early '90s with Jamiroquai's revelatory debut album, Emergency on Planet Earth. That album featured Kay's bright and soulful vocals against '70s-style funk and drew obvious comparisons to Stevie Wonder, Earth, Wind & Fire, and sundry other icons of vintage R&B. Not too much has changed in the years since and 2005's Dynamite finds Kay and Co. delving once again into various '70s- and '80s-inspired dance sounds. Similar to 2001's dazzlingly slick Funk Odyssey, Dynamite reveals Kay as a dancefloor eclectic, inclined to grab as much from Chic and Parliament as Kajagoogoo, the Police, and Terry Callier. Keeping to this grab bag aesthetic, Kay makes the most of his experimentation with some "vocal bass synthetics" on the hard funk title track. Also engaging is the melancholy soul-folk of "Seven Days in Sunny June" and the similarly quiet storm-ready ballad "Talullah." On the funky side of things, "Starchild" finds Kay proclaiming the coming of a disco superman while "Time Won't Wait" is an infectious Off the Wall-era Michael Jackson boogie fest with Kay urging people to make their dreams come true over a bed of pulsating disco beats. The Jamiroquai faithful would accept nothing less. [A Japanese version added a bonus DVD.] ~ Matt Collar
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