| | Well Buam Sautanz CD Well Buam Discography of CDs
Well Buam Sautanz Songs | 1. | Auftanz |
| 2. | Galopp |
| 3. | Jagawalzer |
| 4. | Korobuschka |
| 5. | Boarischer Furn Berti |
| 6. | Leit Muassts Lustig Sei |
| 7. | Siebenschritt |
| 8. | Frisch auf Polka |
| 9. | Mexikanischer Walzer |
| 10. | Zwiefache Einfach |
| 11. | Sautanz |
| 12. | Neuer Klapptanz |
| 13. | Munchner Polka |
| 14. | Da Goassbock |
| 15. | Hutschnwalzer |
| 16. | Reissts Enk Zamm |
| 17. | O Sole Mio |
| 18. | Woaf |
| 19. | Sternpolka |
| Sautanz Review
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Purchase Sautanz CD To buy, Click on price to add to cart | Adam Lambert For Your Entertainment CD (2009)
Sautanz album
$11.18 With Adam Lambert, American Idol finally got a finalist who was completely, utterly contemporary, aware of what's hip in music and culture and aware of how music is made and consumed in 2009, never seeming to try to follow fads or set trends, just embodying the time. Mercifully, he came in second to Kris Allen, for if he came in first he may have had to tame his self-styled glamazon ways. A second place finish allowed Lambert to come out of the closet and indulge in his penchant for theater on his debut, For Your Entertainment -- which isn't quite the same thing as camp, for if Adam Lambert is anything, he's earnest about his dress-up, never winking at the audience because he doesn't think there's much funny about his glitter and mascara: that's just what pop stars are supposed to do. He's learned that by listening to his stacks of Queen and Bowie records, from watching old MTV videos on YouTube, from living in a present that always competes with the ever-present past, so he takes it all at face value, mixing up arena rock guitars, new wave, disco, operatic overdubs with a constant electro ...
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| | Doors Live In New York CDs (2009) Box Set; Special Edition
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| | Irish Tenors The Irish Tenor Christmas CD (2009)
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| | Rusty Scott Quartet Every Time CD (2001)
Sautanz music CDs
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| | Melody Mann Hard Road CD (2006)
Sautanz songs
$16.45 “Kelly Williams-Mann’s strong, rich voice sounds flawless whether it has a Texas twang or a New Orleans’s blues feel......Melody Mann’s versatile sound on its debut album could be just what the band needs to become a new Austin ‘it’ band.” –Katie Reed, The University Star, Texas State University.Kelly Williams-Mann has been writing and performing "a blend of blues, rock and jazz with a little Texas twang" for the last 11 years. But Kelly was somewhat of a late bloomer. After entertaining audiences in theater, recitals and other events as a very small child, Kelly took a long hiatus and pursued a career in corporate wellness that took her from Texas, to Pennsylvania, to Connecticut and finally to Atlanta, GA. Although she loved her career at the time, there was always something missing.Thomas Mann first sat down at the piano in Buffalo NY at the age of 3, with his great Aunt Sophie (who was a piano teacher) by his side. Thomas immediately fell in love with the piano, and thus began his life long connection to music and composition. As a teenager, he also took up guitar, was an All-State tuba player and played bass in his award-winning high school jazz band. After graduating from high school and attending college, Thomas hitchhiked across the country with his guitar in tow (the piano was a little too heavy to carry) and ended up in Cape Cod, Florida and eventually Atlanta. In Atlanta, Thomas began teaching piano and guitar lessons for The European School of Music while he played in several bands. One of those bands was Sock, a jazz-punk band for which Thomas was the principal songwriter.In 1994, Kelly began taking guitar lessons while in Atlanta, and found her voice once again. And for the first time, Kelly began writing her own music. In 1995, with twin brothers Doug and Don Pharris, she formed The Kelly Williams Band, a rockin’ southern, blues band featuring Kelly’s original music. When the band went into the studio in August of 1995, Don introduced Kelly to his daughter’s guitar teacher, Thomas Mann. Kelly invited Thomas to play piano on several of the songs on the CD, and Thomas later joined The Kelly Williams Band.Kelly eventually quit her job in the corporate world and began focusing on music while The Kelly Williams Band began touring extensively throughout the Southeast, Southwest and Midwest. They shared the stage with acts such as Storyville, Chris Duarte, Delbert McClinton and Robert Earl Keen, and played in notable clubs such as The Grand Emporium in Kansas City, Antone’s in Austin, The Zoo Bar in Lincoln, NE and The Cotton Club and Smith’s Olde Bar in Atlanta. They received numerous accolades from music writers and appeared on numerous local TV shows and radio shows. The Kelly Williams Band headlined on one of the stages at the annual Spirit Fest in Kansas City and was one of 8 bands asked to ...
| | O'Malley's March Celtic Fury CD (2006)
Sautanz album
$17.09 Martin O'Malley- lead vocal, bodhran, guitar, whistle on "Streets of Baltimore"Paul Levin - uillean pipes, wooden fluteBob Baum - base guitar, backup vocals Jamie Wilson - drums, cajon, djembe, vocalsJared Denhard - celtic harp, trombone, whistle on "Leaving Home Once More"Special Guest MusiciansTerry O'Neill, fiddle (Courtesy of the Great O'Neill)Peter Fitzgerald, tenor banjo (courtesy of Mr. & Mrs. Fitzgerald)Maureen McCusker, Lass Kickin' vocals We've tried to capture the same full spectrum of traditional music and contemporary influence that you would hear at our live performances.Jamie and Bob go to town with fat-back drumming and funky bass licks on a couple of re-worked pub favorites, Black Velvet Band and Barnyards of Delgarty; but you'll also hear traditional pieces. From O'Carolan's timeless melody, Young Catherine, to Paul's slow air on the wooden flute, The Golden Barley, and Jared's harp on Eamann An Chnoic, we'll storm into lively sets of jugs, reels, and polkas.There are songs of rebellion about The Great O'Neill and Ned of the Hill and the young men who fought and died in 1920 in the Valley of Knochanure. There are also songs of emigration, ranging from the exile of Paddy's Green Shamrock Shore to the new world hope of The Streets of Baltimore, and finally to the modern-day regrets of Leaving Home Once More.CITY PAPER Vol.21 No. 15 - 04/09/97 - 04/16/97 Lee Gardner,Baltimore's Free Alternative Weekly "Celtic Fury, "This is not your auld da's Irish traditional,... The rollicking energy the band channels, ... could probably get pint glasses waving in just about any pub anywhere ... Wilson (on the drums) and Baum (on the bass) provide a modern pulse throughout, adding a strange "La Bamba"-like swing to the unlikely "Barnyards of Delgaty", and ... providing an almost fusionoid rhythmic riptide to a medley of reels... Jared Denhard's celtic harp and Paul Levin's pipes prove to be the musical backbone of the performances, especially with Levin's grace and bite on the airs, jigs ...
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