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Heidelberg, Thomas - Voice Is A Sax CD Cover Art
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Thomas Heidelberg Voice Is A Sax CD - Import

 Thomas Heidelberg Discography of CDs

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Voice Is A Sax Music


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List Price $41.99 (You save $2.60)
Category Jazz Albums, Jazz Instrument CDs
Label Sob
Orig Year 1994
CD Universe Part number 1420538
Catalog number 31900
Discs 1
Release Date Jan 22, 1994
Mono/Stereo Stereo
Additional Info Germany
Thomas Heidelberg Voice Is A Sax Songs


Thomas Heidelberg Voice Is A Sax Album Track Listing



1.Voice Is a Sax
2.Gallery
3.DeEply DeEply
4.Blow Up
5.Quarter Past Time
6.Why Don't We Do It
7.For You
8.Feel So Good
9.Grow Up
10.I'm Playing the Sax for You
11.Never Never
12.Illusions in My Mind
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Steve Tyrell has attracted enough attention for his two regular albums, A New Standard and Standard Time, that he is almost beyond journalists' usual tack of describing a new singer's voice by who he sounds like; pretty soon, they'll be saying that other singers sound like him. But it remains true that if you have never heard him but you are familiar with Dr. John, your first reaction upon hearing him is likely to be that you are listening to Dr. John. Well, maybe a younger Dr. John, and one whose accent isn't quite as swampy. But the basic elements -- the grit and gravel in ...
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On Invitation, Moonwater proves to be a hard rocking band with some respectable material, but one glaring problem -- the singing is irritating as hell. Vocalist Danny Whitt overdoes his Robert Plant-meets-Perry Farrell voice on practically all 12 tracks, making the entire album almost unlistenable. The songwriting may be decent and the instrumental performances may be adequate, but the vocal performance subtracts from the other positive contributions. ~ Tim Griggs It\'s 1 a.m. on a Saturday night in late June. The heat inside the overcrowded confines of Atlanta\'s The Point hands over everyone\'s shoulder like a half-drunk, heavy breathing, companion. Red velvet upholstered amps and speaker cabinets seem to melt into the stage as the bright room lights dim and a solitary red light washes down from directly overhead. ...
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It's taken a long time, but he finally nailed it. Everette Harp is a bona fide star in the smooth, or "contemporary" jazz genre. As a saxophonist, his talent is undeniable. One can hear everyone from Junior Walker to Grover Washington, Jr to Stanley Turrentine, Cannonball Adderley, and David Sanborn in his playing, which is forceful, song-like and emotive. He cops to it in the liner notes, and that's just fine; that honesty is what frees him up to make the kind of music he wants to and acknowledging those influences places his own music in a direct line from his predecessors. That said, while some of his records have been very good, he's never gotten exactly what he needed from a label or a producer -- or an engineer for that matter -- to really make it all come together in a way that knocks the ball out of the park. Until now, that is. With his move to Shanachie Records in 2006, Harp found a new creative freedom, to let his jazz chops shine right along with his soul and funk grooves. Harp brought in a bunch of old friends for this date, George Duke is here, as is Jeff Lorber and James K. Lloyd from Pieces of a Dream, but he's done that before. What really gets it here is that the band he put together on this set is tight, sympathetic, and ready to punch it up a notch. Harp wrote seven of these ten tunes, with one each by Lloyd and Lorber, and there's a nice little cover of "Don't Look Any Further." Lloyd's "Juke Joint" opens the set, and it's pure funky J.B.'s funk all slicked up with a slippery backing groove, punched up horns, and a melody that exists because the groove is so pronounced. The Rhodes solo by Lloyd is smokin' but it's Alex Al's rubbery bassline and Harp leading off a three-piece horn line that makes it pop. The production on this tune is a bit compressed, but there are enough raw edges to really make it pop. Harp's "All Jazzed Up ...
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