| | Roots Of Modern Jazz CD - Import
the 1948 Sensation sessions w. Sonny Stitt, Milt Jackson, Sir Charles Thompson, Russell Jacquet, Leo Parker, Max Roach, J.J. Johnson, Kenny Clarke, John Lewis, Ray Brown+
Personnel: Lord Nelson, Sonny Stitt (alto saxophone); Maurice Simon (tenor saxophone); Leo Parker (baritone saxophone); Russell Jacquet, Willie Wells (trumpet); J.J. Johnson (trombone); John Lewis, Bill Davis (piano); Dave Heard, Kenny Clarke, Max Roach, Shadow Wilson (drums); Chano Pozo (congas, bongos).
Unknown Contributor Roles: John Lewis; Kenny Clarke; Leo Parker; Max Roach; Milt Jackson; Ray Brown ; Sir Charles Thompson; Sonny Stitt.
Roots Of Modern Jazz Music Roots Of Modern Jazz Songs | 1. | Baggy's Blues (Bobbin' with Robbin) - The All Stars/Milt Jackson |
| 2. | In a Beautiful Mood - The All Stars/Milt Jackson |
| 3. | Slits - The All Stars/Milt Jackson |
| 4. | Baggy Eyes - The All Stars/Milt Jackson |
| 5. | Nobility Bebop - Charles Thompson |
| 6. | Yesterdays - Charles Thompson |
| 7. | It's My Turn Now - Charles Thompson |
| 8. | Charles' Boogie - Charles Thompson |
| 9. | Don't Blame Me - Charles Thompson |
| 10. | Robin's Nest - Charles Thompson |
| 11. | In a Garden - Charles Thompson |
| 12. | Someone to Watch over Me - Charles Thompson |
| 13. | You Go to My Head - Charles Thompson |
| 14. | Relaxin' - Russell Jacquet |
| 15. | Lion's Roar - Russell Jacquet |
| 16. | Suede Jacquet - Russell Jacquet |
| 17. | Suede Jacquet - Russell Jacquet (alternate take) |
| 18. | Scamparoo - Russell Jacquet |
| 19. | Stardust - Lord Nelson |
| 20. | Red Shoes - Lord Nelson |
| 21. | Body and Soul - Lord Nelson |
| 22. | Ratio and Proportion - Lord Nelson |
| 23. | Royal Wedding - Lord Nelson |
| 24. | Be Bop Blues - Lord Nelson |
| 25. | Fine and Dandy - Lord Nelson |
| 26. | 3rd Song (Silver Slipper) - Lord Nelson |
| Roots Of Modern Jazz Review
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$17.25 Amandah Jantzen's second album documents considerable progress toward becoming an outstanding, articulate interpreter of classics from the Great American Songbook. She is ably assisted by first rate personnel and simple, straightforward arrangements which give these oft recorded tunes a fresh perspective. Janzten never gets in a rut as she treats each tune as if it were the only one on the CD. Each one gets distinctive attention, avoiding the trap of predictability. On "Summertime," she is sultry, sassy, and swinging. On "Cheek to Cheek," with its footloose rhythm, Janzten adds some humor by modifying the lyrics. The requisite music from Brazil is here, with one of the gems of that genre, "How Insensitive." As much as any, this tune spotlights Jantzen's appreciation for the lyrics she is singing as she gives each word its due. There's also that slight catch in the voice leaving a hint of sensuality. "What'll I Do?" indicates a simple innocence in some of the directions Jantzen's takes the music. Then there are the sidemen who are not just along to backstop the singer -- though they do a commendable job of that -- but have plenty of opportunities to express their ideas about virtually every track. Al Wold, with his Zoot Sims-like tenor and occasional foray on clarinet, Craig Scott's vibes, and Ihor Kukurudza's clean, strummed guitar all have their moments in the sun, while Chris Sigerson's does yoeman work making sure matters stay the course. They all remain with the mood set for the album, staying relaxed, sensitive, and gently expressive. There's no instrumental bursting or bombing before, during, or after a vocal refrain. This is a fine twinkling album from a vocalist who grows with every note she sings. ~ Dave Nathan
Amandah's second CD - take the sound samples for a spin!~~~~~~~~~~~~~~Reviews:The Scanner Newspaper July 19, 2001FIVE STARS (out of five) By Dick Bogle Jantzen's Promise Evident on 'Devil May Care'This CD needs to be placed in the hands of major festival producers and owners of big time jazz clubs.Amandah Jantzen has the requisite talent for a heady career with all the bright lights, awards and reputation as befits a top notch jazz singer. She just needs to be heard.This release, her second, is a good follow to "Some Other Time." Here, she creates a bond and an intimacy with the listener on each of the 11 tracks. ...
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This 1966 date by Duke Pearson with an octet was originally issued by Atlantic. Reissued by Collectables, this is Pearson in full soul-jazz mode, driven deeply by the ...
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