| | 12 Gauge Shotie Freaky One CD 12 Gauge Shotie Discography of CDs
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12 Gauge has always been one of the most reliable Miami bass artists, but Freaky One doesn't quite live up to his standards. It's not that he tries new territory on the album -- it's the same throbbing party music it always is -- it's just that the grooves aren't quite as solid as they have been before. There are still a few cuts to satisfy hardcore bass-heads, but anyone who isn't already deep into the scene will find Freaky One a little repetitive. ~ Leo Stanley
Engineers: G. Coats, F. Williams, R. Richards, S. Robertson.
Personnel: T. Walker, T. Meade (vocals); F. Williams (drum programming); K. Jones, I. Pinkney (background vocals); Freak Nasty, L. "Spec" Turner, Lil D.
Producers: G. Coats, Rodney Richards, FreakNasty, F. Williams, I. Pinkney.
12 Gauge Shotie Freaky One Songs Freaky One Review
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Purchase Freaky One CD To buy, Click on price to add to cart | Jackson 5 Ultimate Christmas Collection CD (2009)
Freaky One album
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ULTIMATE CHRISTMAS COLLECTION is a reissue of THE JACKSON 5 CHRISTMAS ALBUM released in 1970 on Motown, with ten bonus tracks. This is a pleasing combination of holiday classics, with not so classic, but still enjoyable, ...
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| | Ray Charles The Spirit Of Christmas CD (1985) Bonus Track; Remastered
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| | Best Of Sade CD (1994)
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Digitally remastered by Tom Coyne (Sterling Sound, New York, New York).
Nigerian vocalist Sade Adu has carved out a cosmpolitan niche for herself over the past decade, gathering together elements of cool jazz, samba, reggae, funk and pop all under the pastoral umbrella of her suede-and-velvet voice. A pop stylist with a musical universe all her own, Sade has endured and matured over the past decade, seemingly unaffected by changes in taste and fashion--a movement unto herself.
As her most recent single (Percy Mayfield's "Please Send Me Someone To Love" from the PHILADELPHIA soundtrack) ...
| | Love Unlimited Orchestra Rhapsody In White CD (1974)
Freaky One music CDs
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All tracks have been digitally remastered from the original master tapes using 20-bit technology.
The press may have dubbed Barry White "the walrus of love," but he was certainly the guru of something for many star crossed lovers across his Love Unlimited Orchestra output. While White rocketed up the charts with his solo "I'm Gonna Love You Just a Little Bit More" in 1973, it was that same year's smash single "Love's Theme" that shot Love Unlimited Orchestra right up alongside him. Mostly instrumental, all orchestral, and packed with "that" tchka tchka guitar and full-fledged disco sound well before the genre reached maturity, Rhapsody in White set ...
| | Four Freshmen Stars In Our Eyes/The Swingers CD (2000)
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These two long-players are available on a single CD two-fer from Collectors' Choice Music. Both Stars in Our Eyes and The Swingers were originally issued in 1962 and represent the 15th and 16th studio releases by the vocal quartet during their eight-year -- and counting -- association with Capitol Records. Each title individually contains a dozen ...
| | Kid Koala Carpal Tunnel Syndrome CD (2000) (Import) United Kingdom
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| | Original Drifters True Love CD (1999)
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| | Heather Small Ultimate Collection CD (2005) (Import) Germany; Remastered
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This compilation features some of the most popular songs recorded by U.K. pop band M People, with Heather Small, including "Don't Look Any Further" and "Sight For Sore Eyes."
Seven years after the million-selling The Best of M People, the Manchester foursome returns with a second hits retrospective. Considering they haven't released a studio album since 1997's Fresco, the actual demand or need for one is rather questionable. Indeed, the main difference seems to be that lead singer Heather Small is now credited in her own right, a move suggesting a full-time re-formation is unlikely ...
| | Sea Of Green Time To Fly CD (2006) (Import)
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| | Gina Sicilia Allow Me To Confess CD (2007) Digipak
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On Allow Me to Confess, her recording debut, 22-year old Gina Sicilia comes across as a young Etta James, both in the power of her voice and in her repertoire. Based in Philadelphia and more experienced than one would expect from someone at her young age, she performs blues, blues ballads, soul, and some 1960s-style R&B. While guitarist/producer Dave Gross gives some of the songs a 1950s jump blues feel, Sicilia sings a tune apiece from Big Maybelle, Esther Phillips, and Etta James, plus her own originals. Whether any of her songs will catch on as future R&B/blues standards is open to question, but certainly Gina Sicilia will be a force in this music for many years to come. ~ Scott Yanow
Philadelphia's own Gina Sicilia began singing at the age of three and hasn't stopped since. Exposed to music early on by her parents, Gina grew up listening to Doo-Wop and the music of the 50's & 60's. Upon hearing blues legend Bobby Bland for the first time at the age of 14, she was instantly enthralled by the raw emotion and power of blues & soul. After years of polishing her vocal and songwriting skills, she began singing in clubs around the Philadelphia area, and began performing at such acclaimed venues as Warmdaddy's, Steel City Coffee House, AJ's Blue Thursdays, Scotland Yard and the Bluetone Cafe. More than just a throwback to the great blues & soul vocalists of the 50's & 60's, Gina uniquely separates herself from the pack of current vocalists with a style that is neither forced nor cliche.Now 21, this soulful, passionate blues vocalist and songwriter has just completed her debut album. Entitled 'Allow Me To Confess', this project had been a long time in the making. The record is a reflection of Gina's diverse musical talent and tastes, and of the years she spent honing her vocal chops and songwriting skills. The album consists of eleven soul-stirring tracks, eight of which were written by Gina herself. 'Allow Me To Confess' was produced by 2007 Blues Music Awards Nominee, Dave Gross, who also lends his own guitar playing to the mix. Backed by a cast of some of the finest in the business, Gina's powerful vocal delivery and range command the attention of the listener throughout the entire album, with a conviction not found in many other artists. Having already shared the stage with such notables as Steve Guyger, Arthur Neilson, Dennis Gruenling and Peter Karp, among many other blues ...
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