| | Gilbert Becaud Faut Fiare Avec CD - Import Gilbert Becaud Discography of CDs
Import exclusive compilation. EMI. 2004. Gilbert Becaud Faut Fiare Avec Songs | 1. | Faut Faire Avec... |
| 2. | Les Marins |
| 3. | When We Dance |
| 4. | La Chambre |
| 5. | Les Gens Delíle |
| 6. | Felicita |
| 7. | Chante-Moi |
| 8. | L'arbre |
| 9. | Le Poisson Rouge |
| 10. | La Fille Au Tableau |
| 11. | Dieu Est Mort |
| 12. | Pour Oublier Quoi |
| Faut Fiare Avec Review
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$11.99 This collection of live material from U.S. pop music artist Lionel Richie includes such popular songs as "Brick House" and "Dancing On The Ceiling."
Two years after its release outside the U.S. and five months after the appearance of Lionel Richie's modestly selling seventh studio album, Just for You, Island Records belatedly presents an abridged domestic version of Richie's 2002 live album, Encore, recorded in May 2001 at Wembley Arena in England. The international version of the disc had 16 tracks, among them "Tender Heart" and "Don't Stop the Music," both from Renaissance, Richie's sixth studio album, which he was promoting at the time. They have been excised from the American version of Encore, as have the international version's final two tracks, "Goodbye" and "To Love a Woman," both duets with Enrique Iglesias. Remaining are 12 performances of Richie hits from the 1980s along with two Commodores hits of the '70s, "Brick House" and "Three Times a Lady." Early on, Richie says he will be playing songs old and new, but the listener to the U.S. edition of the album will wonder where the new songs are. Richie is an engaging cheerleader of a frontman, endlessly encouraging his already enthusiastic listeners with such interjections as "C'mon!," "Yeah!," and "Let's go!" The audience is content to sing along on the familiar material, with or without Richie to join them. ("You don't need me," he declares at one point.) No doubt this show was more enjoyable for Richie fans in the arena than it will be for those listening at home who, for example, won't know what Richie is talking about when he says during "All Night Long (All Night)," "Man, you can't dance!" This is a performer who is playing much more to the audience in front of him than to the one that will hear the concert later on disc. Even leaving aside the truncated form of this version of the collection, this is not a memorable live album. ~ William Ruhlmann
Two years after its release outside the U.S. and five months after the appearance of Lionel Richie's modestly selling seventh studio album, Just for You, Island Records belatedly presents an abridged domestic version of Richie's 2002 live album, Encore, recorded in May 2001 at Wembley Arena in England. The international version of the disc had 16 tracks, among them "Tender Heart" and "Don't Stop the Music," both from Renaissance, Richie's sixth studio album, which he was promoting at the time. They have been excised from the American version of Encore, as have the international version's final two tracks, "Goodbye" and "To Love a Woman," both duets with Enrique Iglesias. Remaining are 12 performances of Richie hits from the 1980s along with two Commodores hits of the '70s, "Brick House" and "Three ...
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$18.39 This 2004 solo outing is a bold collection of tracks by the prolific Norwegian metal vocalist Jorn Lande.
The Nirvana/Pearl Jam/grunge/Seattle upheaval of the early '90s didn't eradicate '70s/'80s-style metal and hard rock, but it did marginalize them -- and from 1992-1993 on, rockers who weren't alternative in some fashion were considered dated or old school. But the more things change in music, the more they inevitably stay the same -- which is why the '90s and early 2000s gave listeners a wave of young European power metal revival bands that refuse to live in a post-Nevermind world and stubbornly cling to the metal of the '70s and '80s. Out to Every Nation, Norwegian singer Jorn Lande's third solo album, isn't power metal per se -- at least not in the basic Judas Priest/Iron Maiden/Queensrÿche/Savatage sense. But this 2004 release does have a strong '70s/'80s vibe and is proudly retro in a way that will appeal to all the Gen-X and Gen-Y headbangers who find ...
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