| | Dave D'Angelo Best Of Nino D'Angelo, Vol. 1 CD Dave D'Angelo Discography of CDs
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Our Price: $12.79 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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Best Of Nino D'Angelo, Vol. 1 Music Dave D'Angelo Best Of Nino D'Angelo, Vol. 1 Songs | 1. | Forza Campione |
| 2. | Chiara |
| 3. | Pronto, Si' Tu? |
| 4. | Vai |
| 5. | Mare...OOO, A |
| 6. | 'Nu Jeans E 'Na Maglietta |
| 7. | Bimba |
| 8. | Popcorn E Patatine |
| 9. | Fotoromanzo |
| 10. | Core 'E Papa' |
| 11. | 'Nu Gelato E 'Nu Cafe' |
| 12. | Nun Tengo 'O Curaggio |
| 13. | Compagna di Viaggio |
| 14. | Napoli |
| Best Of Nino D'Angelo, Vol. 1 Review
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Purchase Best Of Nino D'Angelo, Vol. 1 CD To buy, Click on price to add to cart | Pink Martini Splendor In The Grass CD (2009) Digipak
Best Of Nino D'Angelo, Vol. 1 album
$13.39 Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so ...
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$10.45 It was not pure ego that led Buju Banton to title his 1993 album VOICE OF JAMAICA; his unique voice is a gruff, melodic instrument, and his lyrics are precise. He built his career on controversial hits and slacker anthems, but has since helped spearhead a movement to swing reggae's pendulum away from sex and violence, back towards conscious lyrics and Rastafarian themes. On `TIL SHILOH, the voice of Jamaica has visibly evolved.
Still, don't let all this consciousness talk scare you; Buju's strength is his ability to create hooks that buoy the weight of his words. The choruses of singles like "Murderer," "I ...
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$17.89 With help from musicians associated with the era and location (including Don Tosti, Lalo Guerrero, and Thee Midnighters' Little Willie G.) and studio musicians Jim Keltner, Jon Hassell, and legendary Tex-Mex accordionist Flaco Jimenez, Cooder has created a musical novel that richly celebrates the music, life, and lingering mythos of Chavez Ravine, an L.A. neighborhood razed by the city in the interest of big business (namely to build a stadium for the soon-to-be L.A. Dodgers). Stylistically, the album, performed in both Spanish and English, encompasses Latin folk forms, swing, atmospheric ballads, rhumba, and R&B. Yet the whole feels so ...
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$12.95 It turns out that Britain's best bluesman in the so-called white blues boom of the 1960s wasn't Eric Clapton, Peter Green, John Mayall, Eric Burden, Stevie Winwood or any of the other obvious contenders. It was Tony Bennett, or Tony "Duster" Bennett to be exact, a one-man band who combined a ragged and raw punk energy with sly songwriting skills to produce a body of work unlike any other in Europe or anywhere else. Bennett played seemingly every instrument imaginable, from kazoo to piano (sometimes all at once), and his voice, although technically not impressive, was uniquely his own and he somehow made it a completely expressive vehicle. Duster released a handful of albums and some scattered singles in his lifetime (he died in a car accident in 1976 when he was just 28 years old), most of them for Mike Vernon's Blue Horizon Records, and although his recorded work was critically well received, he never enjoyed commercial success. This two-disc package includes all three of Bennett's LPs for Blue Horizon (Smiling Like I'm Happy, the live set Bright Lights and 12dbs) plus the various singles he released for the label between 1968 and 1970, and it makes for a steady delight, full of propulsive songs that continually take sudden, quirky turns. Keeping time on a kick drum and hi-hat while churning out a ragged, arresting rhythm on guitar and interjecting wild, horn-like harmonica figures between his vocal lines, Bennett projects an immediate, combustible energy that is impossible to ignore. His shuffle rhythms may be drawn from Jimmy Reed and Slim Harpo (he covers songs by both men here), but he amps things up from swampy laconic to extremely urgent and creates a very real kinetic tension in the process. But his hidden strength is in his songwriting, which is full of wry humor and surprisingly sly phrasal turns that mark him as a true original. Songs like "I'm Gonna Wind Up Ending Up Or I'm Gonna End Up Winding Up with You" and "If You Could Hang Your Washing Like You Can Hang Your Lines" are unlike anything else in the blues world, and for all their apparent syntactic complexity, they unwind naturally and easily. "Jumping at Shadows," which was covered by the Peter Green-era Fleetwood Mac, may well be the best original blues song to ever come out of Britain, while "Trying to Paint It in the Sky" is simply a great song by any standards. ...
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