| | Charlie Kunz Best Of CD - Import Charlie Kunz Discography of CDs
This anthology gathers favorites by early British jazz pianist Charlie Kunz.
Includes over 50 of the biggest hits of the 1950 played in Charlie's casual syncopated style. Charlie Kunz Best Of Songs | 1. | Medley No. D 94 |
| 2. | Medley No. D 98 |
| 3. | Medley No. D 102 |
| 4. | Medley No. D 105 |
| 5. | Medley No. D 108 |
| 6. | Medley No. D 110 |
| 7. | Medley No. D 114 |
| 8. | Medley No. D 119 |
| 9. | Medley No. D 120 |
| 10. | Medley No. D 121 |
|
Best Of Review
GuidelinesRemember to focus your comments on Charlie Kunz Best Of CD - Import. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Best Of CD To buy, Click on price to add to cart | Very Best Of Billy Vaughn CDs (2000) Import
Best Of album
 $15.15 
| | Die Flippers Das Muss Doch Lie CD (2001) (Import) Germany
Best Of CD music
$11.79 
| | Die Flippers Ti Amo CD (2002) Import
Best Of music CDs
$10.49
| | Dream Theater When Dream & Day Unite CD (1989) Germany; Originally Released in 1989
Best Of songs
$13.95 
WHEN DREAM & DAY UNITE, the major label debut from prog-metal act Dream Theater, includes the tracks "YTSE Jam" and "Only A Matter Of Time."
Dream Theater's first official release gave an indication that this was a talented band that combined the styles of Yes, Rush, and Queensr˙che. The latter seemed to be too big of an influence at this stage of their career. Vocalist Charlie Dominici's voice is not powerful enough to carry out the band's otherwise convincing intensity, and his attempt to sound like Queensr˙che's Geoff Tate was unsuccessful. The music here is not as heavy as it would become in the '90s but could still be classified as progressive metal. Guitarist John Petrucci and drummer Mike Portnoy established themselves as competent musicians, but their individual styles were not yet refined. The band's originality ...
| | Daniel O'Donnell Early Memories CD (2007) (Import) England; Remastered; United Kingdom
Best Of album
$15.45 
| | Sparx 12 Exitos Con Mariachi CD (2006) Reissue
Best Of CD music
$11.25 
| | SR-71 Now You See Inside CD (2000)
Best Of music CDs
$7.69 
Combine the edgy pop riffs of Lit with an emphasis on vocal harmony reminiscent of the Outfield, and you have SR71. While it may be little more than a boy-band with a heavy guitar backdrop, SR71 nevertheless delivers a smart and fun set of upbeat rockers on NOW YOU SEE INSIDE.
Light social commentary peppers NOW YOU SEE INSIDE in tunes like "Politically Correct" and "The Last Man on the Moon." The main thrust of NOW YOU SEE INSIDE, however, is the adolescent alienation and wonder that all youths experience. Lyrically the album is quite sound. Frontman Mitch Allan's take on teenage romance provides SR71's music with a maturity that is often lacking in popular love songs. While SR71 doesn't exactly break new ground on NOW YOU SEE INSIDE, it does succeed in reinvigorating the rock ballad on songs such as "What a Mess" or "Fame (What She's Wanting)." If SR71 is a pretty bunch of boys very likely to become the next N'SYNC, at least they'll have some talent to back it up.
Recorded at Bearsville Studios, Bearsville, New York; Air Studios, Sheffield, England; Wall of Sound, Baltimore, Maryland; Encore Studios, Burbank, California; Hot Tin Roof Studios, North Hollywood, California.
Engineers include: Bradley ...
| | Football Africa CD
$14.29 | | Kreidler Weekend CDs (1996)
Best Of songs
$9.95
Like many Krautrock-inspired bands of the '90s, Kreidler can at times seem like they're loving their inspirations not too wisely, but too well. At once funky and astringent rhythms straight from Can at their prime, droning washes familiar from the likes of Ash Ra Tempel and Neu!, the overall air of experimentation crossed with restraint -- Weekend is, if nothing else, well aware of its particular heritage. But if it's a tentative start in ways, Weekend is still a very listenable one, with the group taking its overall politeness in delivery as a virtue and then working on it. None of the tracks will blow anyone off their feet, but none of them are meant to! Sometimes the mix and delivery suggests the work of countrymen and semi-fellow travelers Couch, especially in terms of the drum sound, but again the inspiration tends more towards Germany 1973 instead of Louisville 1991. Aside from a couple of tracks that break the five-minute mark and beyond -- the opening groove of "Traffic Way," the modern film noir flow of "Polaroid" -- Weekend sticks to shorter numbers instead of lengthy jams stretching out forever, an economy of ...
| | Topsy Chapman My One And My Only Love CD (2001)
Best Of album
$12.19
| | Demons Of Dirt Killer Engine CD (Import) United Kingdom
Best Of CD music
$31.55
| | Maldita Vecindad Originales: 20 Exitos CD (2005) Remastered
Best Of music CDs
$9.09
| | Ojos De Brujo Techari CD (2007) With Cdrom; Digipak
Best Of songs
$14.59
Simply labeling Barcelona's Ojos de Brujo a nuevo flamenco group is a little like calling Disney World an amusement park: it's way too inadequate a description to convey the super-sized riches found within. Although Ojos de Brujo do indeed use flamenco (and, to a lesser degree, rumba) as its starting point, from the beginning the band sought to explode any confinements and ignore all constraints. Barí, the group's formal 2002 introduction to the world music community, was a revelation in sound, drawing beats and melodic suggestions from not just the Spanish diaspora but wherever it wanted to: hip-hop, rock, funk, dance music, reggae/dub, and more. Techarí continues the growth spurt and builds upon the foundation laid by Barí. On the track "Todo Tiende," you'll find blistering Indian percussion and bhangra alongside an insistent, tough rap-informed vocal by singer Marina Abad, all layered over the furiously strummed guitar of Ramon Giménez. Roughly two-thirds into the song, the band breaks into an ethereal, quasi-psychedelic space jam that both showcases Giménez as a spellbinding soloist and confirms Ojos de Brujo's ability to take off on jazz-like flights. ...
|
|
|
|
 |
|
|
184797 
Email a Friend
