| | Blue Beat, Ska & Reggae Revolution, Vol. 2 CD
18 tracks feat. Blue Rivers & The Maroons, Astronaughts, Rude Boys, Pyramids, Invaders, Jubilees, Pharaohs, Mopeds +
Contains 18 tracks.
Performers include: Blue Rivers & The Maroons, The Mopeds, Laurel Aitken, The Pyramids, The Jubilees, The Astronaughts, The Invaders. Blue Beat, Ska & Reggae Revolution, Vol. 2 Music Blue Beat, Ska & Reggae Revolution, Vol. 2 Review
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A collection of recordings made in the panyards of various luminary bands prior to the Panorama competition in 1989. The album starts out with a wonderful rendition of "La Bamba," set to the tune of a surprisingly small 19-member contingent of a band. After this, many slightly more traditional calypso works set in. Notables such as Phase II Pan Groove (with Len Sharpe), Carib Tokyo (with Ray Holman), and the Amoco Renegades ...
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It's widely accepted that McCartney was never the serious artiste that Lennon was; he never claimed to be, and more importantly (as this album bears out) never needed to be. This 1976 recording found McCartney and Wings at their peak. It's full of glimmering pop gems more concerned with infectious hooks and unforgettable melodies than social relevance.
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In on the ground floor, Robert "Dandy" Livingstone Thompson was instrumental to the spectacular growth and popularity of Trojan Records. Brought onboard as a stopgap, Dandy feverishly provided releases while the label heads busily head-hunted Jamaican producers. The singing producer was an astute choice by Trojan but the decision to sink money into full-priced, full-length albums was not; the reggae scene was singles-driven, and it wasn't until the second half of the '70s that a market for 33s came in. Thus, 1968's Follow That Donkey was a flop, as was its follow-up, Dandy Returns (in later years both were highly sought after by collectors). Trojan learned the lesson, and when Dandy's third 33, Let's Catch the Beat (credited to the Brother Dan All-Stars) was released in 1969, it was priced at a much more enticing 99p (less than the cost of two ...
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Teenage Frames are a loud, bratty, and rousing punk-like quartet prone to sporting neckties with obscene messages emblazoned on them and hats the likes of which Mick Jones would have proudly been photographed in. In other words, the ingredients for a good-time punk & roll experience are seemingly in place. The EP Let's Break Up! doesn't disappoint. The title track rollicks through the verses and explodes into singalong double-time choruses powered by singer Frankie Delmane's nasal tones and Eric Vegas' Johnny Thunders-inspired guitar riffs, "Totally Inconsiderate" gallops along nicely with handclaps and barroom piano adding an extra spark, and "What a Way to Go!," while not as impressive as the previous two gems, still careens along quite pleasingly. ...
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