| | Phats & Small Now Phats What I Small Music CD - Import Phats & Small Discography of CDs
(1 Customer Review)
The duo of Jason Phats and Russell Small were responsible for two of clubland's biggest singles in 1999, "Turn Around" and "Feel Good." Their debut album, despite the cheeky title, presents only variations on a form of the filtered disco-cheese present on the singles. As infectious as they are on the radio or dancefloor, Phats & Small's productions just don't work very well for home listening, especially when the same ideas are repeated throughout an album. Still, this may be the best place to get both singles. ~ John Bush Now Phats What I Small Music Music | List Price | $27.99 (You save $1.70) | | Category | Rock Albums, R&B CDs, Dance | | Label | Unidisc | | Orig Year | 1999 | | All Time Sales Rank | 450156  | | CD Universe Part number | 1471020 | | Catalog number | 628260 | | Discs | 1 | | Release Date | Jun 06, 2006 | | Mono/Stereo | Stereo | | Additional Info | Canada |
Phats & Small Now Phats What I Small Music Songs | 1. | Turn Around |
| 2. | Music for Pushchairs |
| 3. | Electro Roll |
| 4. | Theme from 'Sauce' |
| 5. | Feel Good |
| 6. | On Da Flo Yo |
| 7. | Let Your Hair Down |
| 8. | Brighton Beach |
| 9. | Turn Around |
| 10. | Turn Around - (Norman Cook Remix) |
| 11. | Feel Good - (Chris & James Remix) |
| Now Phats What I Small Music Music Now Phats What I Small Music Music Review Purchase Now Phats What I Small Music CD To buy, Click on price to add to cart | R Kelly Untitled CD (2009)
Now Phats What I Small Music album
$11.18 After his aborted, internet-leaked 2008 album, 12 PLAY: 4TH QUARTER, R. Kelly busied himself with guest spots for Beyonce, T-Pain, and Kanye West, even offering a free download on iTunes, "I Believe," inspired by the election of president Barack Obama. While such moves insured that Kelly would never stray far from the R&B throne he's occupied for more than a decade, his 2009 reboot of 12 PLAY, UNTITLED, should provide more than enough reason for fans to keep coming back for more. From Auto Tune-laden crowd pleasers like "Outta the Game" and "Crazy Night" to rousing club-oriented numbers like "Echo," Kelly downplays the slower "baby-making" jams this time around for a set of largely up-tempo songs, capped ...
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$8.99 Pink's insistently hooky, attitude-filled pop-rock has kept the singer a fixture on the radio and on singles charts since the early 2000s. The artist's fifth effort, FUNHOUSE, doesn't tamper with the formula: Pink's powerhouse vocals and in-your-face approach, backed by stadium-sized production, are in full effect on all 12 tracks. Even though the album deals primarily with aftermath of her divorce and includes serious moments of self-confrontation like "Sober," fans needn't worry that Pink has lost any of her chutzpah.
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$30.38 The "free" in the title to Joss Stone's fourth album apparently refers to the neo-singer breaking free from the shackles of her major label, EMI, who apparently have not let Joss be Joss. That this constricting argument happens to be the exact same story line Stone used for 2007's Introducing Joss Stone, the splashy diva power trip meant to unveil the "real" singer, is conveniently forgotten, as is the modern R&B of that makeover, with Joss returning to all the retro-soul of her first two records. The one lingering element of Introducing is a propensity for melisma-laden oversinging, a tic that stands out in the warmer, funkier settings of Colour Me Free! Still, her raw vocal skills remain impressive, as does her taste in soul, and this ...
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| | Unfolding How To Blow Your Mind And Have A Freak-Out Party CD (1967)
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$11.49 Get out the lava lamp, love beads and granny glasses! This classic 1967 LP was recorded in NYC at the height of the Flower Power Movement. It features David Dalton and Victoria Sackville on vocals and many other musicians of the day in a free-for-all bun
Not bad at all. Not exactly brilliant either, but this recorded free-form "freak-out" from 1967 (originally released on New York City's Audio Fidelity label) is not only not terrible, but surprisingly pretty OK for stretches, especially considering the typical quality of these types of had-to-be-there period curios that purport to blow your mind with an aural approximation of an acid trip. This one actually manages to be something approaching far out, man, even at its most half-baked. Whether How to Blow Your Mind and Have a Freakout Party was, in fact, created as a "head" LP by practicing heads (a certain David Dalton is listed as the Unfolding's presiding mastermind -- no word in the liner notes if this is the same Dalton who was a pioneering rock scribe and founding editor of Rolling Stone), or as an exploitation of same by a faceless assemblage of session musicians is really anyone's guess. But either way, the album is decidedly not an unlistenable mess. That in itself qualifies as a kind of limited recommendation. Oh, this psychedelic party is more than a bit hit-and-miss, to be sure. For instance, opener "I've Got a Zebra -- She Can Fly" (dig that title) is five minutes of druggy guitar jamming with requisite (and not entirely uninteresting) panning effects and pitch fluctuations before the music simply cuts out mid-sentence as if a shiny bauble (or perhaps a pan of hash brownies) had just been waved in front of the Unfolding's glazed eyes. And the whole of the second "Meditations" side of the album is a melange of pseudo-philosophical babble, patchwork Eastern religious profundities ...
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