| | Karen Savoca Here We Go CD Karen Savoca Discography of CDs
Review from RAMBLES: http://www.rambles.net/savoca_here.htmlDangerous. This CD should come with a sticker: "Warning! This record can be hazardous!" It makes you forget the things you're supposed to do all day long. You put the CD into the player and summer arrives out of nowhere. Then Karen Savoca starts to sing and her voice glides through the songs. And that is when you start melting away for sure.Here We Go is Savoca's fourth CD. This one was recorded at her home studio, a renovated old church in upstate New York. And that is maybe part of the magic, too. There's a lot of quietness here, giving the music time and space to develop and breathe. It's music that shuts you up, as if it were a sacrilege to even whisper until the very last note has left the loudspeakers. Still, there is nothing fragile about Savoca's voice. It purrs like a wild cat, it glows like the the polar light, always with taste and grace. She is only too aware of the diamond that is hidden beneath her skin. There doesn't seem to be a single moment when she's not in control of even the slightest movement of her vocal chords.In a way you could call this a lazy record -- other musicians might feel the need to fill up the music, put in more riffs, more instruments, more of everything. But for Savoca less is more. One needs talent and self-confidence for this -- two things she has in abundance.Her style includes great pop sensibilities with slight overtones of jazz, funk and blues. The music that comes with the voice is the perfect companion. Savoca handles percussion and occasionally plays the acoustic guitar, piano and clavinet. Her partner and co-producer, Pete Heitzman, plays mandolin, guitars and bass on a few tracks. They are ably helped out by T-Bone Wolk, who is responsible for the bass most of the time and for the wonderful accordion on two tracks. Only one of the songs includes a drum kit, so the whole sound remains mainly acoustic. The beauty of the sound lies in the fact that it doesn't try to outshine Savoca's voice. The music follows the path of the vocals closely, thus creating a unity full of grace.Bitter and sweet things in life seem to be the topics Savoca are most concerned about. Sometimes she's tongue in cheek, as in "In Conversation," about a guy who's unwilling to grow up and take responsibilty, or sometimes sad and full of melancholy as in "Rain on a Tin Roof," which is about one of those days when the bad weather is the equivalent of one's state of mind. "Same All Over" manages to be funny and serious at the same time, about people who, being people, do exactly the opposite of what they should be doing: ''You drink coffee when you need to sleep / Give away the things you meant to keep / You hang your clothes out just before the rain.''Karen Savoca can inspire awe among other musicians as well as fans, and this CD should help her to make the next step, from a musician's musician to an artist stored deeply within the minds of people with a knack for music with a certain something extra. It's Karen Savoca time, let the spell begin.[ by Michael Gasser ] RAMBLES MAGAZINE Karen Savoca Here We Go Songs | 1. | Bittersweet |
| 2. | Wide and Deep |
| 3. | In Conversation |
| 4. | Rain on a Tin Roof |
| 5. | Runnin' |
| 6. | Woman in a Frame |
| 7. | Same All Over |
| 8. | If I Could Forgive You |
| 9. | Clear Blue Summer |
| 10. | Another Day |
| Here We Go Review
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$28.29 This two-disc set documents Girija Devi's nearly unbelievable performance at the 2001 Saptak Music Festival. Accompanied by tabla master Sukhvinder Singh and sarangi maestro Ramesh Misra, Devi sings in her now-trademark thumri and khyal styles over the course of five selections. The khyal, "Raag Jog," that opens the performance is the most stunning piece on it, as Devi moves through differing rhythmic and mood patterns that offer portraits of the different stages of devotion. Most of the pieces are medium tempo rhythmically, set in either tintaal or ektaal, and all are improvisations using and blending many forms. It is no less than breathtaking and at its best, it is awe-inspiring. ~ Thom Jurek
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$5.99 Known as The Move Man, Nato Caliph gets audiences on their feet and dancing to thought-provoking, socially conscious lyrics. The prolific Knowledge-Battle-Rhyme Spitter (as coined in his hit single Move Pt. 2) has collaborated with artists ranging from Murphy Lee of the St. Lunatics, Bits & Pieces, Soul Tyde and Konfusion to Creation. Well-known to underground hip-hop listeners, his impressive body of recordings have generated sales and interest from the Midwest (Vintage Vinyl, Disc Connection) to New York (Fat Beats) and across the globe via the Internet (virginrecordsonline.com, cdbaby.com, soundclick.com and funkytracks.com). Hes moved crowds at the Missouri Black Expo and a number of St. Louis hot spots: Mississippi Nights and The Pageants 1st Fridays, Blueberry Hill, Hi Pointe, Red Sea and Creepy Crawl. Caliph has performed with The St. Lunatics and Bilal on stage while also contributing to several compilations, including Soul Tyde: Hip-Hop & Soulfulish and Dream-Reality records All about the Benjamins featuring Mystical and Cee-lo. His eagerly anticipated new album, "Cipher Inside" is due to hit the streets winter 2006. Born Shedrick ...
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