| | Elvis Presley It's Christmas Time CD Elvis Presley Discography of CDs
Everyone knows Elvis's croon can make even most tired material swoon-worthy, so recordings of the King turning in sweet renditions of holiday favorites like "Blue Christmas," "I'll Be Home for Christmas," and "Silent Night" are must-haves. HOME FOR THE HOLIDAYS collects these and more in a gorgeous box set (which looks something like an Elvis lunchbox) that also includes collectibles such as postcards, a guitar-shaped candle, and a photo-filled booklet. Looking for the perfect Christmas gift for an Elvis-crazy friend? This is it.
Now considered among the greatest Christmas albums of all-time, ELVIS' CHRISTMAS ALBUM was originally mired in controversy. When the album was first released in 1957, many Americans considered Presley a menace to society, an amoral hip-shaking freak. The idea of this "punk" profaning Christmas and Christianity (the album, after all, includes four gospel songs) set off the type of uproar most publicists only dream about. Upon hearing Elvis' version of "White Christmas" (actually a close copy of The Drifters' earlier recording), songwriter Irving Berlin mounted a campaign to prevent radio play of the song. Deejays were actually fired for playing the track!
Nonetheless, ELVIS' CHRISTMAS ALBUM quickly ascended the pop charts and established itself among the handful of holiday perennials. Whether crooning a solemn classic like "Oh Little Town of Bethlehem" or rocking through "Santa Bring My Baby Back to Me," Elvis is clearly in command of the material, often sounding like he's having the time of his life. RCA reissued the album many times, adding and/or omitting numbers and resequencing the album. This version omits four gospel songs from the original release, but adds "Mama Liked the Roses."
Live Recording It's Christmas Time Music It's Christmas Time Review
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Buy It's Christmas Time CD Purchase It's Christmas Time CD To buy, Click on price to add to cart | Best Of John Denver CD (1998) (Import)
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$9.55 In on the Kill Taker is like scrubbing your face with steel wool. It finds the band relying on rusty guitar shards that scrape, seethe, and hiss, further removing itself from the sound of 13 Songs and Repeater. Harsh and grating, Fugazi surprisingly produces sheer noise at times, best witnessed in the lengthy closing of "23 Beats Off" and the unintentional Gremlins homage that opens "Walken's Syndrome." Joe Lally's bass and Brendan Canty's drums are relegated to acting as a guide; they're pushed -- ...
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$9.65 In 1957, the greatest year for recorded music including modern jazz, Detroit was a hot spot, a centerpiece to many hometown heroes as well as short-term residents like John Coltrane and Miles Davis. It was here that Trane connected with pianist Tommy Flanagan, subsequently headed for the East Coast, and recorded this seminal hard bop album. In tow were fellow Detroiters -- drummer Louis Hayes, bassist Doug Watkins, and guitarist Kenny Burrell, with the fine trumpeter from modern big bands Idrees Sulieman as the sixth wheel. From the opening number, the classic "Minor Mishap," you realize something special is happening. Flanagan is energized, playing bright and joyous melody lines, comping and soloing like the blossoming artist he was. Coltrane is effervescent and inspired, hot off the presses from the Miles Davis Quintet and searching for more expressionism. The other hard bop originals, "Eclypso" and "Solacium," easily burn with a cool flame not readily associated with East Coast jazz. Flanagan himself is the catalyst more than the horns -- dig his soaring, animated solo on "Eclypso" as he quotes "Jeepers Creepers." The near 12-minute blues "Tommy's Tune" is the perfect vehicle for Burrell, a prelude for his classics of the same period "All Day Long" and "All Night Long." The lone trio session, on the standard "How Long Has This Been Going On?," is regarded as quintessential Flanagan, and quite indicative of the Midwestern Motor City flavor Flanagan and his many peers brought into the mainstream jazz of the day and beyond. One yearns for alternate takes of this session. The Cats is a prelude to much more music from all of these masters that would come within a very short time period thereafter, and cannot come more highly recommended. It's a must-buy for the ages. ~ Michael G. Nastos
In 1957, the greatest year for recorded music, including modern jazz, Detroit was a hotspot, a centerpiece to many hometown heroes, and short-term residents like John Coltrane and Miles Davis. It was here that 'Trane ...
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