| | Nancy Lamott Just In Time For Christmas CD Nancy Lamott Discography of CDs
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Nancy LaMott's Just in Time for Christmas is a clever combination of popular holiday favorites and traditional carols, all delivered in her patented style. While Michael Feinstein stands out with his guest appearance on "Baby, It's Cold Outside," LaMott remains the true star, thanks to her subtle, engaging arrangements, all of which make for a truly fine holiday album. ~ Rodney Batdorf
Recording information: Audible Difference, NY; Marion Recording Studio, Fairview, NJ; Studio 900, New York, NY.
Arrangers: David Friedman; Christopher Marlowe ; Peter Matz.
Personnel: Aaron Rothstein, Amanda Berk, Hugo Munday, Naomi Smukler, Hudson Shad, Ariel Smukler, Wilbur Pauley, Mark Bleeke, Anne Steinfeld, Peter Becker (vocals); Ken Sebesky (guitar); Abe Appleman, Lisa Tipton, Sebu Sirinian, Rebekah Johnson, Katherine LiVolsi Stern, Ann Leathers (violin); Eric Degioia (viola); Mike Migliore (flute); Henry Schuman (oboe); Glenn Drewes (trumpet); Christopher Marlowe (piano); John Redsecker (drums); Joe Passaro (percussion).
Liner Note Author: Nancy LaMott.
Just In Time For Christmas Music Nancy Lamott Just In Time For Christmas Songs Just In Time For Christmas Review
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Trumpeter Arturo Sandoval is one of those cats who can never be predictable. He's either amazing -- actually, technically he always is -- or his records are putrid exercises in hollow proficiency with no soul. Trumpet Evolution, which is literally a journey through the great trumpeters from jazz's and orchestral music's past, is easily the finest moment of Sandoval's long career and one of the greatest records jazz has produced in the preceding two decades. Sandoval has compiled a collection of tunes by composers and fellow horn players, from King Oliver to Wynton Marsalis, performed by a big band and, when needed, an orchestra, too. It isn't just playing tunes by these men -- whose tracks are sequenced in order of birthdate of the source of inspiration -- it's the mastery of their techniques; and given that there are 19 subjects here, that's a hell of a lot of mastery. And that word is not overused. Indeed what appears in the ear of the listener seems to be the creation of the impossible. Whether striding out blues by Louis Armstrong, Bix Beiderbecke, and Oliver, playing in the hot bebop styles of Dizzy Gillespie, Fats Navarro, and Clifford Brown, the muted, elegant silkiness of the warm, thin-toned masters such as Chet Baker, Harry James, and Miles Davis, or classical maestros such as Maurice Andre, Rafael Méndez, or Timofei Dokshizer and the full-throated sweetness of Bunny Berigan, Cootie Williams, Clark Terry, and Roy Eldridge, or the hard edgy sounds of Maynard Ferguson, or the technically perfect pitch of Marsalis, the effect is the same, perfection, and not just technical. The emotional sonances of these tunes ring as true as if Sandoval wrote them himself. In the booklet, either the musician paid tribute to or a relative or associate offering quotes, of course, praise Sandoval's work. And while the album is self-produced as well, Quincy Jones acted as an executive producer and no doubt wrote some charts. His contribution is noteworthy as well for its depth and warmth overall. This is a record so fine, so full of passion, grace, and elegance it simply needs to be heard to be believed. ~ Thom Jurek
Trumpeter Arturo Sandoval is one of those cats who can never be predictable. He's either amazing -- actually, technically he always is -- or his records are putrid exercises in hollow proficiency with no soul. Trumpet Evolution, which is literally a journey through the great trumpeters from jazz's and orchestral music's past, is easily the finest moment of Sandoval's long career and one of the greatest records jazz has produced in the preceding two decades. Sandoval has compiled a collection of tunes by composers and fellow horn players, from King Oliver to Wynton Marsalis, performed by a big band and, when needed, an orchestra, too. It isn't just playing tunes by these men -- whose tracks are sequenced in order of birthdate of the source of inspiration -- it's the mastery of their techniques; and given that there are 19 subjects here, that's a hell of a lot of mastery. And that word is not overused. ...
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