| | Nina Hagen CD Nina Hagen Discography of CDs
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At her best Nina Hagen was deliciously abrasive -- an East German post-punk princess whose brash delivery was coupled with real musical talent and a wide vocal range. By the end of the '80s, however, she had descended into pop trash, rehashing the same kinds of synth-enforced songs again and again. Her self-titled album is no exception. Largely sung in English, it contains mostly questionable covers, including Janis Joplin's "Move Over," a version of the gospel classic "Hold Me," and a truly awful rendition of "Ave Maria." Two small bright spots on the album are a metal version of "Viva Las Vegas" and a odd rap song about Gorbachev called "Michail, Michail." ~ Stacia Proefrock
1989 album for the German punk/new wave diva. Nina Hagen Songs | 1. | Move Over |
| 2. | Super Freak Family |
| 3. | Love Heart Attack |
| 4. | Hold Me |
| 5. | Las Vegas |
| 6. | Live on Mars |
| 7. | Dope Sucks |
| 8. | Only Seventeen |
| 9. | Where's the Party |
| 10. | Michail, Michail (Gorbach - (German) |
| 11. | Ave Maria - (German) |
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Purchase Nina Hagen CD To buy, Click on price to add to cart | Mike Garson Mystery Man CD (1990)
Nina Hagen album
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Keyboardist Mike Garson has proven ...
| | Mike Garson Serendipity CD (1986)
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| | Faces Nod Is As Good As A Wink... To A Blind Horse CD (1971)
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When this was released in 1971, the Faces also ...
| | Faces Ooh La La CD (1973)
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| | Motorhead No Remorse CDs (1984)
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There have been dozens and dozens of Motörhead compilations released over the decades, but the first one remains definitive, even if it's not perfect. Released in 1984 as a gap-filler -- for Motörhead were regrouping in the wake of the bandmember shuffling that followed the odd Another Perfect Day album -- No Remorse compiled two-dozen songs across two discs (latter-day editions adding a good serving of bonus tracks, too). Many of the band's best songs to date are here, like "Ace of Spades," "Stay Clean," "Overkill," "Bomber," and "Iron Fist." There are also four new recordings that were cut exclusively for No Remorse: "Killed by ...
| | Gary Numan Jagged CD (2006)
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| | Edmond Hall With Alan Elsdon's Band CD (1995)
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| | Paralysed Age Empire Of The Vampire CD (1999)
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| | Bill Wells Also In White CD (2003) Import
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| | Grateful Dead CD (1971) Remastered
Nina Hagen CD music
$6.05 
All tracks have been digitally remastered using HDCD technology.
The Grateful Dead's self-titled first album contains the main ingredients of the unique musical stew the band would brew over the coming years. Upon its release in March 1967, it brought the musical and philosophical ideals of the freak counter-culture out of the Bay Area and into the ears of mainstream America.
"The Golden Road (To Unlimited Devotion)" is a Summer Of Love anthem nonpareil. "Good Morning Little Schoolgirl" shows off the Dead's ability to reinterpret the blues, and Pigpen's natural front-man qualities. The hyperactive rockabilly of Jesse Fuller's "Beat It On Down The Line" and the rearranged traditionals "Sitting On Top Of The World" and "Cold Rain And Snow" are proof that, despite the group's anti-establishment fashions, their lyrical symbols and musical forms were as time-honored as the English folk-tale that provided their name. While the cover of Bonnie Dobson's eerie anti-war epic "Morning Dew" and the women-and-wine rocker "New, New Minglewood Blues" are energetic portrayals of hippie values, the closing number, Noah Lewis's "Viola Lee Blues," is the album's grand, mind-blowing concoction and a highlight. The remastered version's live bonus tracks include some never-recorded garage-rock and blues cuts and a 23-minute "Viola Lee Blues" bearing the first hints of the modal riff at the foundation of Dead milestone "Dark Star."
One of the things that made the Dead such a unique live act was the sheer variety of their influences. The vastness of the musical terrain they covered is well demonstrated on 1971's GRATEFUL DEAD, nicknamed "Skull & Roses" because of its cover art. It captures the band's live sound at a time when their marathon, acid-inspired concerts were swiftly becoming the stuff of legend and earning them legions of new fans.
This set conveys the typical arc of a Dead show. The band could be economical and straightforward, with brisk, stripped-down numbers like the lilting "Bertha," the straight-forward country of "Me and My Uncle" and Merle Haggard's "Mama Tried," and the country-folk of "Me and Bobby McGee." They could just as easily go into lugubrious album-side-filling improvisations like "The Other One," and pump out loose-limbed, groovy versions of '50s rockers like Buddy Holly's "Not Fade Away" and Chuck Berry's "Johnny B. Goode." The set concludes with the laid-back, joyous jam of the traditional "Goin' Down the Road Feelin Bad." Conspicuous ...
| | Saad Prince Of Sha'Abi CD (2006) Digipak
Nina Hagen music CDs
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The musical style shaabi, or the Egyptian street pop that concerns itself with the themes and language ...
| | Danny Rhodes Welcome To The Night CD (2003)
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| | Wilkinson Tri-Cycle CD (1969) (Import) United Kingdom
Nina Hagen album
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Wilkinson Tri-Cycle's only album is similar to post-psychedelic heavy rock recordings by East Coast groups like Sir Lord Baltimore and Yesterday's Children in that they combine bluesy heavy rock with psychedelic flourishes, but the effect is largely unremarkable. The album is nonetheless treasured by European collectors, who reportedly command a high price for the LP. Highlights include their cover of Sleepy John Estes' "Leaving Trunk," popularized at the time by Taj Mahal, and the Beatlesque ballads "Poursha Poe" and the elegant "Yellow Wall." It was actually released on a little-known R&B subsidiary of CBS, Date Records. None of the band went on to any major success after the demise of the group. Perhaps the most interesting item of note is that this was one of many albums produced by writers/producers Warren Schatz and Stephen Schlaks at Associated Recording Studios in New York City. The Brooklyn-born ...
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