| | Human Feel Speak To It CD - Import Human Feel Discography of CDs
Recording under the group name of Human Feel, are Jim Black (percussion), Andrew D'Angelo (reeds) and Chris Speed, who emerges as the dominant voice with his sometimes frenetic tenor saxophone and clarinet. Speed is a compelling player with an original voice, and he contributed three of the ten tunes. Andrew D'Angelo joins him on alto and bass clarinet, the latter of which is particularly effective. As to be expected, Jim Black's dynamic, swirling drums are a continual highlight. Kurt Rosenwinkel rounds out the group with his sometimes aggressive, sometimes atmospheric, often horn-like guitar. The music is mostly a group effort and succeeds on its own terms. If there is a criticism, it is a slight and occasional lack of focus. Overall, though, there is much to enjoy. ~ Steve Loewy
Audio Mixer: Joe Marciano.
Recording information: Systems Two Studios, Brooklyn, NY (10/23/1995).
Unknown Contributor Roles: Jim Black; Chris Speed.
Human Feel: Andrew D'Angelo (saxophone, bass clarinet); Chris Speed (saxophone, clarinet); Holly Palmer (vocals); Kurt Rosenwinkel (guitar); Jim Black (drums).
Personnel: Kurt Rosenwinkel (guitar); Chris Speed (clarinet, tenor saxophone); Andrew D'Angelo (bass clarinet, alto saxophone); Jim Black (drums).
Human Feel Speak To It Songs | 1. | Darker Joys |
| 2. | Speak to It |
| 3. | Spaze |
| 4. | Not About You |
| 5. | Nimble Demons |
| 6. | Left Alone |
| 7. | Tic, Tics |
| 8. | Eno Eva Yood Nodi |
| 9. | Hey Roma Ain't Vein |
| 10. | Cat Teachers |
|
Speak To It Review
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Purchase Speak To It CD To buy, Click on price to add to cart | Copland Essential Clarinet / Richard Stoltzman CD (1992)
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RedOctane's follow-up to the critically acclaimed rhythm game. Guitar Hero II features a brand-new and expanded track list, more venues and new play modes, and aims to rock longer and harder than its predecessor. RedOctane has once again teamed up with veteran music game developer Harmonix for the sequel, and is using famed recording studio WaveGroup for its music production, who also recorded the covers for the licensed tracks in the original Guitar Hero. The Xbox 360 version also adds 10 new songs, downloadable content features, leaderboards ...
| | American Yodeling, 1911-1946 CD (1998)
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This collection features 25 polka tracks, including the rare "Jimi Hendrix Polka."
Once again the music maniacs at Trikont have issued a collection as strange, spooky, and wonderful as only old weird American music can be. This time up it's yodeling from the 20th century. The Trikont wizards have assembled 26 tracks of all forms of American hillbilly yodeling, and given this collection, even Harry Smith would have been proud. Some of the artists assembled here are well known to fans of yodeling, others will be familiar to blues and country fans, but it's the selections themselves that set this apart from virtually any other yodeling collection available -- including those from the Smithsonian. The true psycho yodeling of a man in love who also likes to hunt with arrows, gun, and spear is the subject of "Yodeling Mountaineer" by J.E. Mainer's Mountaineers with the most psychobilly, bone-chilling yodel I've ever heard. The Callahan Brothers come next, with a country-gospel number, "Gonna Quit My Rowdy Ways," in which the yodel doesn't stand out from the tune, but is actually its body, follow this. The DeZurik Sisters with "The Arizona Yodeler," and yodeling, stuttering, and sputtering are combined in a refrain that is hair-raising. Others included here are well known such as the Carter Family's "My Clinch Mountain Home," the Sons of the Pioneers' "The Devil's Great Grandson," Bill Monroe's "Mule Skinner Blues," Bob Wills' "Blue Yodel No. 1," the Delmore Brothers' "Lonesome Yodel Blues," Jimmy Rodgers' "Standin on the Corner Yodelin Blues (Blue Yodel No. 9)," Patsy Montana's "I Wanna Be a Cowboy's Sweetheart," and Roy Rogers' "Cowboy Night Herd Song." But the greatest surprises here are from the two blues acts included strategically: Tampa Red's "Worried Devil Blues" and the Mississippi Sheiks' "Yodeling Fiddlin' Blues." Tampa Red's blues from 1934 is as deep in the Southern country tradition as they get. His trademark guitar style underscores a rough, weary vocal until the refrain, when the yodel comes wailing in to accent the emotion in the song. Think Ma Rainey and Son House with Jimmy Rodgers and you get the idea. With the Sheiks, from a 1930 session, it's a whole different bag. The blues swing out of Lonnie Chatman's fiddle as Walter Vinson in his funky baritone accompanies him on guitars and yodels his ass off. He may have heard from the cowboys, but there is no jump and jerk in his vocal technique, he glides effortlessly from his baritone to a gorgeous falsetto that is perhaps the finest vocal performance on the album. And this is followed by Jimmy Rodgers' tune, "Blue Yodel No. 9," from 1934, with musical accompaniment by Lil and Louis Armstrong on piano and trumpet, of course. The wayward blues of Jimmy Rodgers is well known but this performance with ...
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24 bit remastering
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cd + DVD
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